Propriedade Privada

I put this Hulu flick on at 1 in the afternoon while doing laundry and packing for an upcoming work trip. All I could think of while watching thus movie was Instagram "stories". I had just watched Shiloh Hernandez (even his name is Instagrammable!) in a movie on Tubi with the actress from Gone Girl and I Care A Lot. Like this, it too was a bad flick but that actress (I don't know her name, she never became an A-lister) is so great she elevates her films if given enough creative license to do her thing. I cannot believe how difficult it is to try and come up with six hundred characters to fill the gap. Cringe & thirsty.

"Private Practice" starts out in "Sunset Boulevard" fashion, with a body in a swimming pool and a voice over. We then meet Kathryn, an aspiring actress who is married to a successful Hollywood producer. On the surface, the couple appears to be getting on, but there seems to be some deeper conflicts -- she claims she doesn't want him to help her out in getting roles, but we're not sure if that decision really came from her, she spends the day at home cleaning the house, and he seems to be lacking interest in her when he gets home. Meanwhile, she gets a phone call telling her that her gardener has been "detained" and there is a new one coming. Duke, the new gardener, shows up and the two of them start a bit of a flirtation...

"Private Practice" starts out strong and then completely falls apart. Ashley Benson makes Kathryn an engaging heroine and she makes us empathize with her and root for her, and Shiloh Hernandez plays Duke with just the right level of intrigue to make us know that there is definitely something more going on. And just when the movie hits a climactic moment, the entire film stops, shifts, and circles back in time to explain things. And what's worse, the movie then pushes its strongest asset -- Ashley Benson's Kathryn -- to the back burner in favor of other far less compelling characters. And when it finally comes back to the original flow, the movie just hurriedly rushes through its ending. And what's worse, some major events are in almost pitch darkness so we don't know what is really going on, they don't really explain the characters' motivation, and then there is a final sequence that is just a confusing mess. In addition, for an "erotic thriller" the "erotic" part is pretty scarce -- in one short scene Ashley Benson wears a bikini and the movie goes to outrageous lengths to make sure we don't actually see her in it, a couple of characters are watching her in a pool going on about how she is swimming naked but when we see her she is actually in a very conservative one-piece, etc.

"Private Practice" started out strong and I was enjoying it and was bummed out that it took such a wrong turn. A missed opportunity.

Writer and director Chadd Harbold sure butchered the 1960's classic film of the same name, by giving it a Lifetime/Hallmark feel. The usually very comfortable low 87 min runtime felt way longer with ridiculously slow pacing, and Harbold's screenplay being 80% filler and maybe 20% substance. It's a shame, because there was tons of potential that was missed, and in the hands of filmmakers that know what they're doing, this could've been great. Even if this was edited/cut down to a 20-30 min short film, I probably would've enjoyed it more. The ending was part cringe, part nonsense, and part ok, but all the previous filler was just boring and underwhelming. Even some of the fade-ins and outs in the thrill scenes towards the end were 1980's quality.

The cinematography was decent, although the darker scenes were way too dark. The score was your typical loud, unfitting and annoying B-grade fare, and in some of the quieter dialogue scenes, I couldn't make out any words because of the overbearing score, and that's something that could've been fixed in editing, if there actually was any.

Casting and performances were decent, and I can tell they tried their best considering there probably wasn't any cast direction from Harbold. Shiloh Fernandez whispering dialogue got annoying quickly, and incoherent when the score was overbearing his scenes. I'd pass on this, especially if you've seen the original, because comparing it to this one will be even more disappointing. A very generous 5/10 most towards the cast.

It was comically awful.

• The editing was terrible. In an 80-minute movie, we were treated to long stretches of scenes like the protagonist taking out her trash, making the movie feel like the run time was far longer. It was like an. Editing 101 submission.

• I paused to check the year this film was made because (and not in a good retro way), it looked like it was made in the early 90s at some points.

• The sound was poorly done, making it hard to hear dialogue at points.

• Jay Pharoah's character was a joke. Going back to bad directing/editing: one of the longer stretches of his character on screen has his back facing the camera. He's absent for a large part of the movie and his character just comes off as filler. Terrible way to use your star actor.

• The whole story was a mess. The ending was a mess and rushed. Certain character motivations were unclear or not addressed. So when the ending came, it fell completely flat. A certain character reappears and I laughed because he was so disinterested in everything until that point.

It was like a lifetime movie (though that's an insult to many LT movies). Not an entertaining one and not well done even for their standards. A boring, dated (but new), poorly directed and edited Lifetime movie.

The actors did their best but you could tell they were without proper direction. The lead woman's abilities were greater than the film, for sure. But she was working with nothing.

The film had some great visuals and an overall, style. I enjoyed the story structure. It felt very noir. Even Shiloh's performance was quite entertaining. He was both charming, yet creepy. His character's back story was also interesting. But the film could've dove in a bit more on his back story. Perhaps, I was just invested to know more of his motives.

The only issue I had was the lead (Ashley Benson). She was not convincing in her role; it felt very forced. In most of the films I've seen her in, she always came off exhausted. To me, she was just there - acting. The film should've cast a stronger leading lady. She should've taken acting lessons.