Toaru Kagaku No Railgun

This is a rare occasion where I find myself actually preferring the spinoff over the original. In this version you don't have the mandated minutes-long scene every episode where Toma Kamijo lectures the villain of the week on how what they're doing is wrong, while you're rolling your eyes and wishing he would just shut up.

The tradeoff is Kuroko Shirai freaking out and screaming at you about once or twice an episode, and the drama is a bunch of high school girls instead of a 14-year-old boy whining about morality. Railgun tends to be more direct and less philosophical, as the titular character usually just blasts stuff instead of talking her enemies to death...but that's understandable given their difference in powers.

There's some plot problems later on where you wonder where the heck Railgun's parents are, that she's being asked to make ethical decisions for herself as an 8-year-old in flashbacks, too, but maybe that's just an anime thing? The plot arc enemies they fight can also strain suspension of disbelief at times (especially considering this is supposed to be the more scientific and less fantasy of the two shows), but if you've watched Index already, that's old hat.

Still a fun show if you're willing to wobble over and back across that line of whether you should take it halfway seriously, or just sit back and enjoy the nonsense.

Disclaimer: Oh, apparently there's a third season now. I've only seen the first 2 so far.

I would really like to give this show a perfect 10. There are a number of elements that make A Certain Scientific Railgun an excellent viewing experience. Everything from all that is Academy City, the characters and supporting cast, (English dub) voice acting, soundtrack/score, character design, animation and the lore are all fantastic. I really love the script & the way it's written, there are just so many lines and moments that stick with you. Similarly, I love the characters and the strong convictions they hold, they have such strong wills, it's impressive.

There *really* aren't a lot of things I can complain about when it comes to this show. With that being said, making your way through the series can get confusing.

First off, being someone that watched the other shows based in Academy City, there are episodic storylines that are revisited and almost copied completely. Second, season two almost takes the way of loosely rebooting. I'm not too sure why the show was written in this way. I understand wanting to explain Mikoto's hardships, because when we met her in A Certain Magical Index, it was almost at the climax of her complication. But with creating the sister series, was it not decided to do backstory initially? It feels a lot like backtracking, or like someone wrote an entire story and got a lot of pages mixed up.

All in all, even with the timeline choppiness, I would still recommend this show to anyone that was looking for a good anime. It checks a lot of boxes in terms of genre in my opinion, and it's a good time, genuinely. I'm looking forward to more Railgun.

Misaka Mikoto (also known as Railgun and Bug Zapper) was a great character in the first series (A Certain Magical Index) and makes a strong lead in this parallel series. Many characters and events appear in both series, but this is from Mikoto's point of view. I do wish there was more exposition of her potential relationship with Toma and more interaction with Index.

A Certain Magical Index took place all over the world, but A Certain Scientific Railgun occurs entirely in Academy City. A fair effort has been made to keep events consistent between the two series. It was frustrating that Railgun's biggest contributions were made secret to everyone.

This series has plenty of "fan service" but it is not as obnoxious as it was in Magical Index. The blood and guts has also been scaled back about 90%. This series leaves out the religious fanaticism in Magical Index and focuses on science-fiction and personal relationships.

The animation and art design is quite good. The English voice actors are also very good. The pace is uneven at times. Some of the "slice of life" sections are too slow. The comedy elements are usually funny. There are plenty of strong action sequences. However, the overall plot is generally not as intense feeling as in Magical Index.

In summary, there are flaws, but plenty to like in this science-fiction series.

Its very good job design character! ! Very Very good story line ! Every scene of this animate best on large Screen ! Just finish watch its season 3 on 2/10/2020 , i wish they made it to season 4 !

I have to admit, I'm a bit conflicted about A Certain Scientific Railgun. On one hand, it features an interesting premise, has loveable characters, a truly excellent English dub, and some pretty nice story arcs. On the other hand, the premise quickly runs into problems with realism, the character development is flawed, and some other story arcs meander along in absolute triviality.

Interesting from a production level is that (at this) there are three seasons spanning more than a decade. The first one, from 2009/2010, is also easily the most flawed season. While there are some pretty cool and cohesive episodes around at the mid-season finale and season finale, the majority of the first season is quite boring and inconsequential. The cast is pretty much limited to the main four characters, action scenes are rare, the whole 'superpower' premise is criminally underutilised, but it still makes for a reasonably good show for older kids or young teens.

The second season, from 2013/2014, pretty quickly launches into a fairly gruesome story arc that contains a surprising amount of blood and violence. I did not expect to see anything like it in a show that seemed so kid-friendly in its first season, though I suppose there may be cultural differences between Japan and more westernised countries that make this more common for Japanese audiences. The second season is an overall coherent string of episodes, unlike the individual plots of the first season, and the cast is expanded a bit with both support characters and antagonists. I did find the later episodes much weaker than the first arc, however.

The third season, from 2020, again launches quickly into a coherent plot that is quite serious for a children's show. The initial story arc is easily the best so far, with a surprisingly emotional highlight in episodes ten and fifteen. The latter arc is just as good, and the season finale makes for a solid ending for the entire series. The cast is expanded quite a bit, though for some reason the second-most important character of the first two seasons barely plays a role anymore

The premise of the series is interesting: Academy City consists of mostly teenaged students, many of whom (the 'espers') have special abilities. There is a surprising lack of adult oversight (and, for some reason, parents are entirely out of the picture). Lawkeeping is mostly made up of teenagers in 'Judgement', though there is also a para-military police force that is pretty useless most of the time.

The cast revolves around Mikoto Misaka, who is one of the most powerful espers. Her friends include Kuroko Shirai, a Judgement officer who also madly crushes on Misaka, and the more support-character-esque Uiharu and Saten (who I'm sure have first names as well, not that anyone cares). The portrayal of Shirai's crush on Misaka is pretty strange by western standards but (I guess) a bit of a trope in anime; while overall pretty tame for an anime, this avenue is what is used to implement some fan service and oversexualise teenage girls. Sure, I guess. It is a good thing that this cast expands in the later seasons; the antagonists especially are often surprisingly multi-faceted.

I was very impressed by the English voice cast. Pretty much all of the voices are solid, but the protagonist (Brittney Karbowski) really does a fantastic job.

Overall, I'd call A Certain Scientific Railgun an excellent series if it were a bit more consistent and certain of its target audience. Large parts of it (alongside the general premise, cast, and rare oversexualisation) are geared towards a younger audience, but then suddenly far more mature topics and ethical questions pop up, including personal identity, assisted suicide, medical experimentation, government corruption and apathy, mind control, child experimentation, ...

Nevertheless, I wouldn't mind watching a fourth season, though I'm a bit afraid that the cast has blown up so much that another few years between seasons would make it incomprehensible to newcomers, while the original audience has aged out of the genre.