AVALIAÇÃO DA IMDb
5,8/10
11 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idioma4 girls out on a 3-day trip to 2 cities--if they survive. While Jo is working in a supermarket, her three friends are all out on their adventures. A chance encounter with diamond thieves sen... Ler tudo4 girls out on a 3-day trip to 2 cities--if they survive. While Jo is working in a supermarket, her three friends are all out on their adventures. A chance encounter with diamond thieves sends them on a collision course with fate itself.4 girls out on a 3-day trip to 2 cities--if they survive. While Jo is working in a supermarket, her three friends are all out on their adventures. A chance encounter with diamond thieves sends them on a collision course with fate itself.
- Prêmios
- 1 vitória e 3 indicações no total
Ashley Thomas
- Smoothy
- (as Ashley Bashy Thomas)
Gregg Chilingirian
- Manuel
- (as Gregg Chillin)
Avaliações em destaque
It's not because I'm British. It's not because I'm a fan of Tamsin Egerton. It's because this films is brilliantly directed and the screenplay is solid.
This film captured me from the beginning. The concept of four girls, total opposites, yet it's thoroughly believable that they're best friends. How their lives, though completely different are connected through the use of diamonds.
The acting. Although some can be seen as stupid because it's more comical, I don't think I could fault many of the actors as it was terribly convincing. Tamsin Egerton, after seeing her in Keeping Mum and St Trinians has proved herself to be a rising star, although she seems to play similar characters, she still excels. Emma Roberts, I couldn't quite accept her driving a car, as she looked far too young compared to the other cast members yet she still gave a good performance. Ophelia Lovibond is very shaky throughout the film and sometimes unconvincing in her anguish but she still gives a satisfying performance. Shanika Warren- Markland is, I guess offers comic relief in the film and is a direct link to the diamond heist yet we never really focus on the diamonds. Her character is believable and funny. The rest of the cast are very good, with a few surprising faces it is also the fun of spotting who you know as well as getting involved with the story.
The direction. I have never seen 'Kidulthood' or 'Adulthood' so I didn't really know what to expect, I deemed those films to be 'not my taste' and so I'v never watched them but after seeing this film, I certainly want to have a look at them both. There are many jump cuts and it seems to cut too fast at times, but that, I think adds to the tension and mirrors your feelings of not knowing what is going on. The quick cuts help you feel like the characters, confused even though it's happening right before you. The way it's edited with it being an almost portmanteau film adds to the tension and suspense as you can only really piece together everything that's happened in the very end; very amusing and well pieced together.
I would believe those who have called it average will be big fans of American clean-cut cinema. This film offers many ambiguous techniques which is brilliant and quite rare in most mainstream Hollywood films. This film, to me, is new, clever and slick, the way the script works is brilliant and the way it is edited and filmed is superb. The worst thing about this film is that I think is that it's highly under-rated. I don't often slate people for having bad tastes in film but if you really dislike this film you need to take a break from James Cameron and open your eyes to British and alternative cinema.
This film is a rare diamond. Not to be called average and not to be overlooked.
This film captured me from the beginning. The concept of four girls, total opposites, yet it's thoroughly believable that they're best friends. How their lives, though completely different are connected through the use of diamonds.
The acting. Although some can be seen as stupid because it's more comical, I don't think I could fault many of the actors as it was terribly convincing. Tamsin Egerton, after seeing her in Keeping Mum and St Trinians has proved herself to be a rising star, although she seems to play similar characters, she still excels. Emma Roberts, I couldn't quite accept her driving a car, as she looked far too young compared to the other cast members yet she still gave a good performance. Ophelia Lovibond is very shaky throughout the film and sometimes unconvincing in her anguish but she still gives a satisfying performance. Shanika Warren- Markland is, I guess offers comic relief in the film and is a direct link to the diamond heist yet we never really focus on the diamonds. Her character is believable and funny. The rest of the cast are very good, with a few surprising faces it is also the fun of spotting who you know as well as getting involved with the story.
The direction. I have never seen 'Kidulthood' or 'Adulthood' so I didn't really know what to expect, I deemed those films to be 'not my taste' and so I'v never watched them but after seeing this film, I certainly want to have a look at them both. There are many jump cuts and it seems to cut too fast at times, but that, I think adds to the tension and mirrors your feelings of not knowing what is going on. The quick cuts help you feel like the characters, confused even though it's happening right before you. The way it's edited with it being an almost portmanteau film adds to the tension and suspense as you can only really piece together everything that's happened in the very end; very amusing and well pieced together.
I would believe those who have called it average will be big fans of American clean-cut cinema. This film offers many ambiguous techniques which is brilliant and quite rare in most mainstream Hollywood films. This film, to me, is new, clever and slick, the way the script works is brilliant and the way it is edited and filmed is superb. The worst thing about this film is that I think is that it's highly under-rated. I don't often slate people for having bad tastes in film but if you really dislike this film you need to take a break from James Cameron and open your eyes to British and alternative cinema.
This film is a rare diamond. Not to be called average and not to be overlooked.
One of the worst films I've seen in ages, actually ever. Astonished that people have even made comparisons to films such as Pulp Fiction - what an insult!
The storyline was weak and confused (not confusing) and seemed to be based around often chavvy 20-somethings getting down to their underwear for no apparent reason. The script and acting was embarrassing and the 'twist' at the end wasn't even a twist.
Will never get that time back, or the rental money. Avoid, and if "4.3.2.1 is one of the best movie of it's genres (sic)" as one reviewer suggested, avoid this genre too!
The storyline was weak and confused (not confusing) and seemed to be based around often chavvy 20-somethings getting down to their underwear for no apparent reason. The script and acting was embarrassing and the 'twist' at the end wasn't even a twist.
Will never get that time back, or the rental money. Avoid, and if "4.3.2.1 is one of the best movie of it's genres (sic)" as one reviewer suggested, avoid this genre too!
Four young female friends in England (Ophelia Lovibond, Shanika Warren- Markland, Emma Roberts, Tamsin Egerton) have individual adventures, all of which end up connected to a huge diamond heist.
Cassandra (Egerton), from a wealthy family, travels to New York City for an audition with an important piano teacher and also to meet her Internet boyfriend. Jo (Roberts), to help her family, has to work in a 7-11 type store at night. Kerrys (Warren-Markland) is a lesbian rebelling against her family, particularly her half-brother; and Shannon (Lovibond) is desperately unhappy, feels she has no one to talk to, abandoned by her mother, and contemplating suicide.
Using the Pulp Fiction-Jackie Brown format, we see how each woman becomes involved with one another over three nights and what leads them to their involvement in a diamond heist, which during the film is being broadcast on TV in many scenes.
I thought this was well done and appeals to a young crowd. The friends are beautiful and going through passages like losing virginity, trying to get accepted in an important school, parents breaking up, blended families, driving tests and the like.
When Cassandra, a stunning blond, goes to New York for her audition, at one point she is walking around wearing a long sweater. That's it, a long sweater and nothing on her long, gorgeous legs. No woman walks around New York City like that. I don't mean to imply that you're "asking for it" - no - but for most women, the harassment, the men following you, and the whistling can be scary and/or annoying and not worth it, especially for someone new to the city.
There are very funny as well as dramatic sections; this winds up as an entertaining film, a little longer than it needed to be, but fun.
Cassandra (Egerton), from a wealthy family, travels to New York City for an audition with an important piano teacher and also to meet her Internet boyfriend. Jo (Roberts), to help her family, has to work in a 7-11 type store at night. Kerrys (Warren-Markland) is a lesbian rebelling against her family, particularly her half-brother; and Shannon (Lovibond) is desperately unhappy, feels she has no one to talk to, abandoned by her mother, and contemplating suicide.
Using the Pulp Fiction-Jackie Brown format, we see how each woman becomes involved with one another over three nights and what leads them to their involvement in a diamond heist, which during the film is being broadcast on TV in many scenes.
I thought this was well done and appeals to a young crowd. The friends are beautiful and going through passages like losing virginity, trying to get accepted in an important school, parents breaking up, blended families, driving tests and the like.
When Cassandra, a stunning blond, goes to New York for her audition, at one point she is walking around wearing a long sweater. That's it, a long sweater and nothing on her long, gorgeous legs. No woman walks around New York City like that. I don't mean to imply that you're "asking for it" - no - but for most women, the harassment, the men following you, and the whistling can be scary and/or annoying and not worth it, especially for someone new to the city.
There are very funny as well as dramatic sections; this winds up as an entertaining film, a little longer than it needed to be, but fun.
I had high hopes for this film. British films tend to have depth to them and I like Noel Clarke. However, this was almost embarrassing to watch. The writing is on par with those terrible Olsen movies and the plot isn't much better. The film seemingly was just written to string together various scenes of the girls in their underwear, sex scenes and lesbian kissing. The girls are beautiful and the cinematography is cool but the actual film is crap. Noel Clarke is fun to watch as an actor, but his writing leaves a lot to be desired. It really is like something the Disney channel would write just littered with swear words. Its a shame. I really did want to like this film but I was left so disappointed.
Noel Clarke's 4.3.2.1 is well
okay.
The story is simple: 4 friends find some stolen gems and the thieves want them back.
The movie is split into four separate time lines one for each girl which Clarke uses to explore their lives, relationships and personalities over 3 days while they work out how to deal with being thrust into this situation.
The four leads, Emma Roberts, Tamsin Egerton, Shanika Warren-Marland, and Ophelia Lovibond give up great performances and Michelle Ryan, clearly relishes her role as chief baddie gives us a really awful performance. Clarke fans will be disappointed to learn that he only appears for few scenes. Cameos from Mandy Patinkin, Nick Briggs, Ben Stiller, Kevin Smith and Camille Coduri.
The direction is okay and the action has the usual music track to make it all look like things are moving, the script contains a couple of crap lines but in general it's an okay movie. And that is that. 5 out of 10.
The story is simple: 4 friends find some stolen gems and the thieves want them back.
The movie is split into four separate time lines one for each girl which Clarke uses to explore their lives, relationships and personalities over 3 days while they work out how to deal with being thrust into this situation.
The four leads, Emma Roberts, Tamsin Egerton, Shanika Warren-Marland, and Ophelia Lovibond give up great performances and Michelle Ryan, clearly relishes her role as chief baddie gives us a really awful performance. Clarke fans will be disappointed to learn that he only appears for few scenes. Cameos from Mandy Patinkin, Nick Briggs, Ben Stiller, Kevin Smith and Camille Coduri.
The direction is okay and the action has the usual music track to make it all look like things are moving, the script contains a couple of crap lines but in general it's an okay movie. And that is that. 5 out of 10.
Você sabia?
- CuriosidadesEmma Roberts is the only one of the four girls which is not a British actress.
- ConexõesFeatured in Aristokraticheskiy kinematograf: Episode #1.3 (2011)
- Trilhas sonorasKeep Moving
Written by Vega, Adam Deacon, Alex Hayes, Ashley Thomas and Clarke
Published by © 1987 WB Music Corp. (ASCAP)
Waifer Songs Ltd. (ASCAP) All rights administered by WB Music Corp
Copyright Control
Performed by Adam Deacon & Ashley Thomas (as Bashy) Featuring Paloma Faith
Produced by Alex "Cores" Hayes
Licensed courtesy of (P) 2010 Sony Music Entertainment UK Limited
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
- How long is 4.3.2.1.?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- 4.3.2.1.
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 4.600.000 (estimativa)
- Faturamento bruto mundial
- US$ 1.477.582
- Tempo de duração
- 1 h 57 min(117 min)
- Cor
- Proporção
- 2.35 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente