Quarteto Fantástico

So I was contemplating if I should watch this a few months ago and I said no. The fantastic 4 looks like high school kids... WTH is this! It already looks horrible.

I came home from work today and wanted to watch a movie. There was nothing on so I decided eh fantastic 4. There's nothing else to watch, how bad can this be...

I just wasted 2 hours of my life I can't get back..... very disappointed.... I have never wrote a review on IMDb before, but this movie just did it for me. The 2005 movie was 10 times better than this, why would you ruin fantastic four..

Unfortunately for everyone involved and especially the audience, the creators of this reboot had no idea what the F4 stand for, or what their stories should be about. This is rather dark, without charm or humor and totally ruins one of the greatest villains of Marvel comics. sure, the special effects are decent and there is potential for a somewhat good film here or there but the stereotypes and lack of an intriguing plot entirely ruin any chance of a redeeming movie experience. Very disappointing.

I was waiting for something to happen and then the movie was over.

Over the last decade, we have seen a number of superhero movies get a much needed reboot. After the atrocious Batman & Robin, Batman was brilliantly brought back to the big screen in Batman Begins. When the Spider-Man franchise hit an embarrassing rock bottom with Spider-Man 3, it was reinvigorated with the very likable The Amazing Spider-Man.

Eight years on from the dud that was Fantastic Four: Rise of the Silver Surfer and it's time that Marvel's first family got a reboot. With a lot of rumours flying around about trouble on set and the studio not seeming to have total confidence in their product, could 2015's Fantastic Four do these iconic comic-book characters justice?

Reed Richards (Miles Teller) is a brilliant young scientist on the verge of discovering how to both transport matter to another dimension and bring it back. Recruited by Professor Franklin Storm (Reg E. Cathey), Reed is given the resources and help, in the form of Sue Storm (Kate Mara), Victor Von Doom (Toby Kebbell) and Johnny Storm (Michael B. Jordan), to to finish what he started in his younger years.

When they finally crack inter-dimensional travel, Reed invites his childhood friend Ben Grimm (Jamie Bell) to travel to another world along with him and his team. An accident causes their physical form to drastically change. Reed, Sue, Johnny and Ben must learn to harness their powers and work as a team to stop Victor, who is hell bent on destroying Earth.

The one thing that stood out to me about Fantastic Four is just how unbelievably dull it is. For characters who have such a rich and colourful history in the comics, this really is a pretty drab affair. The film only has a 100 minute runtime however, it feels much longer, dragging its feet and feeling very tired right from the very start.

When a superhero movie gets less exciting after they get their powers, something is very very wrong.

I had some hope for this film and one of the main reason was down to the fact that Josh Trank was sat in the director's chair. Trank hit the big time with Chronicle, a film that combined the superhero genre with found footage. I can't express just how disappointed I am with Trank because everything about Fantastic Four is just so sloppy.

The story is weak, the script is cringeworthy and the special effects are average at best. It all culminates in one of the most boring finales you will ever witness in a superhero movie. Compared to what else you see happen in other superhero movies these days, it all looks and feels amateur.

Then there are the performances. Miles Teller, Kate Mara, Michael B. Jordan, Jamie Bell and Toby Kebbell are all young actors who have the world at their feet. They have each impressed in their own way prior to Fantastic Four but every single one of them has the range of the cast in Tim Story's Fantastic Four films and waste their talents in Trank's reboot.

Fantastic Four is a film very much out of time and place in today's market of superhero movies. Ten or fifteen years ago a studio might have been able to get away with it but not today. Audiences like to be entertained and with the competition offering much more excitement, I don't see audiences taking to this, at all.

Just because you can do it doesn't mean that you should – and this wholly unnecessary and woefully terrible reboot of Marvel's most famous superteam is proof of that axiom. Say what you may about Tim Story's earlier cinematic adaptations, but as generic and middling as they were, they were at the very least entertaining. Unfortunately, the same cannot even be said of Josh Trank's back-to- basics origin story, which plays like a humourless retread of his debut film 'Chronicle' but on a bigger budget – and lest there be any doubt, it is far, far from fantastic.

Not that it doesn't demonstrate such promise; the first act which establishes the friendship between the visionary Reed Richards (Miles Teller) and his tough-guy longtime best pal Ben Grimm (Jamie Bell) as well as the team dynamics between Reed and the other members of his research team – the equally brilliant Sue (Kate Mara), her hot- headed younger brother Johnny (Michael B. Jordan), and malcontent genius Victor Von Doom (Toby Kibbell) – capably lay the foundation for what could have been a character-driven drama based on their clashing personalities. Indeed, after the boys sans Sue decide on a whim following a night of intoxication to put their teleporting machine to the test, how they respond to their newfound super-powers individually and as a team should be an organic evolution from how they were before.

Alas, Trank, who co-wrote the screenplay with 'X-Men' veteran Simon Kinberg and Jeremy Slater, doesn't quite know where to go from there. Rather than setting them on a course that would follow the perennial 'X-Men' theme of inclusiveness versus insularity against the rest of society, our teenage super-heroes are pretty much seen only in an isolated military facility where they are trained and from which they are deployed on covert operations overseas. While Johnny relishes the opportunity to be different, powerful and useful for once in his life, Sue and Ben are not quite so sanguine and participate insofar as there remains a possibility that the Government's research on them would yield some way of reversing their abnormalities. In the meantime, Reed has vanished off the grid, while Victor is presumed dead on the planet they had landed up on in the other dimension.

One senses a conscious decision on the part of Trank to eschew the usual superheroics seen in the recent profusion of Marvel and to a lesser extent DC comic book adaptations, but the middle act drags precisely because Trank never quite finds a compelling substitute. Johnny's potential conflict with Sue and Ben over the Government's exploitation of their super-powers never amounts to anything more than a playground squabble. The estrangement between Johnny and his father (Reg E. Cathey), whose Baxter Institute had overseen the ill- fated project, is under-cooked. And last but not least, Reed's guilt over his teammates' fates as well as his strained friendship with Ben seem to vanish as quickly as he is apprehended and brought back to the facility to aid them in version 2.0 of the same project.

Trank's intention of emphasising the tension within the quartet is evident and admirable, but is ultimately undone by a script that doesn't develop it in any substantive manner. Worse still, it leaves an audience looking for visual spectacle severely wanting, that not even a very busy third act manages to salvage. Doom makes an unsurprising return here as their common enemy, driven by a fusion of body and alien matter to cause global destruction and around whose defeat to ensure the survival of planet Earth becomes a rallying call for the team to unite despite their differences. It is one of the dullest and most unexciting finales we've seen in a Marvel movie, not least for the fact that it doesn't know how to collectively bring together their superpowers except in a tag-team fashion to distract their opponent.

It is also on the whole one of the ugliest comic book movies we've ever seen. The planet from which the quartet gain their powers is a barren rocky wasteland that has no character or distinction whatsoever, shrouded perpetually with thick grey clouds and given the even more nondescript name of 'Zero'. The energy that gives them their abilities appears as some slimy green goo that belongs entirely in a C-grade Syfy TV movie, while their powers – whether Reed's rubber limbs or Sue's telekinesis or Johnny's pyrotechnics or Ben's rock-covered body – look equally cheesy. It is no wonder too that the eventual showdown, which takes place almost entirely on the planet surface of 'Zero', doesn't play out any much better against such a bland setting, coming off even worse than any of the action scenes in its predecessors.

And certainly, this reboot is in no way better than Tim Story's earlier adaptations, no matter of its ambition of being a darker and more character-driven superhero piece. 'Chronicle' may have been a perfect calling card for Trank, but 'Fantastic Four' shows a young, inexperienced director completely out of his depth, absolutely justifying the advance bad buzz it had spent months battling. It is utterly embarrassing that a film about Marvel's most enduring creations is no better than a live-action 'Power Rangers' movie, but that's exactly the ignominy that this misconceived and badly executed excuse of a superhero movie has wrought.

As is typical with such origin stories, this one ends with the quartet 'stumbling' on their title as they admire their new home in Central City and reflecting on how far they have come. Ben aka the Thing describes their journey as "fantastic"; we're not entirely sure anyone of their audience shares the same sentiment.