Argylle: O Superespião

Have you ever watched a movie thats so absurd and brainless that it actually works? Argylle belongs to that group - as Matthew Vaughns latest is gladly a crowd-pleasing action flick that is full of smart twists and epic action sequences. There's no doubt that it does get ridicule at times, with huge logic gaps and absurdity - but this movie embraces its silliness, dedicating its writing to plot-twists that are so well thought out that you would never guess them coming - making Argylle an action movie that stands out enough to be enjoyable.

When the movie started rolling, I at first couldn't get invested in its storyline. The narrative seemed generic andd full of irrefutable plot holes. However, I remembered Matthew Vaughns genius. What he sold us in Kick Ass and Kingsman were ridiculously entertaining and thoughtful action flicks, and I had hope Argylle was going to turn in to the same - and boy, it did. The best aspect of this movie is, no doubt, its incredible and provocative plot-twists which really add this sense of unpredictability to this film and keeps you smiling always. These really start to kick off from the half-hour mark - whenever you predict whats about to happen, we get the total opposite - and there's clever hints skillfully layered around foreshadowing and setting up these twists to make you smile when they happen. It's definitely arguable from another perspective that they aren't justified enough, as they do question more potential plot holes - however this is what adds to the unpredictability and distinct nature of this movie

The ensemble cast also just adds to the fun. Everyone does a great job, but Sam Rockwell's character is the most entertaining and easiest to root for.

This fun isn't without its issues, though - as its main one is its lack of any emotion or layers within our characters. They are often unconvincing and bland, with the only form of character dynamics coming from our protagonist and their partner in crime. Apart from that though, we have no reason to care for our characters, any of them in particular. The CGI is often horrific at times too. It shows its decency in some fight-scenes, but in others it is truly appalling.

Ultimately, and despite the movies issues, Argylle and It's absurd plot (that I don't want to talk about as there are just too many twists!) will keep all audiences engaged, purely thanks to Vaughn and the writing teams genius plot-twists that make this movie one to definitely check out, standing out from the hoard of movies in its genre. And thats just what we need from it, especially in this day and age where politics and global issues distract us from having a good time!

The film, considering it is a "Comedy" genre, is funny, has an intelligently developed plot, is well produced and directed, the actors are good... Anyway, if you want to have fun, watch this good comedy.

It's great to read the comments/reviews too... I can't help but imagine how many nice, sensitive people there are with a good sense of humor, and how pleasant it must be to be around them. On the other hand, when I read other people's comments, I can imagine the kind of people I wouldn't want to have around me.

Nowadays, it's very difficult to find a good movie. I like any genre, as long as the movie is good... It can even be a horror movie. And the movie "Argylle" is, without a doubt, a good comedy!

First part, I was surprised how much I enjoyed it. I knew that the movie had gotten some bad reviews, but I had not read any of them. And I found myself thinking "but this is a great, over the top, spy action comedy, what is not to love about that!".

Then midways, something happens, and the movie spirals into all kinds of problems.

Firstly, it drags out for way, way, way too long. From fantastical action and good one liners it turns into a snore fest with redundant, lengthy scenes trying to establish some sense of emotional gravitas. Problem is, BDH has zero range, and became nothing but annoying and downright bad at what she was supposed to after.

Secondly, it bacame clear that it was style over substance. Which I one hundred percent can support, if the style is cool, creative, innovative, fun, esthetically pleasing. It never fully was, and it never really committed, becoming a jigsaw of puzzle pieces forced together that really did not fit.

Thirdly, under utilized actors. Lots of great small roles, none got to shine, and especially SLJ had one of his worst roles for years, mostly reduced to acting like an excited 5 yo in the end.

In the end, the movie was somewhat saved by an always fun and excellent Sam Rockwell. And unfortunately dragged down massively by, I'm sincerely sorry to say, a typically bad BDH. Not often I say this but the casting director really picked the wrong main actress with this one.

Argylle

A very hyped movie from the writer of the Kingsman series, the trailer frequently showed moments of silliness, spy action, Bryce Dallas Howard screaming and a cat that's supposedly awesome or something. At first the movie is cheesy as can be, but it does appear that is intentional. Most of the movie leads the audience to believe it is one thing, when it really is another, being revealed in surprise twists that aren't very surprising.

The ensemble cast does feature some great performances, even though Henry Cavill's hair is absolutely terrible. Dua Lipa's appearance is short, but she does a great job that it made me miss seeing her. Sam Rockwell continues a trend in Hollywood where age can be defied as I forgot he is in his mid 50s following the likes of Tom Cruise and Jason Statham.

The movie is way too long and needed a better editor. I like a fleshed out story as much as the next person, but calm down movie.

Now, on to the fun. This movie makes the word "ridiculous" woefully inadequate. But it's a fun ridiculous. There are so many laugh out loud moments that it makes up for a lot of the flaws. I don't want to spoil the movie, but keep an eye out for the blink and you'll miss it hilarity.

There are themes explored in this film about motivation, and whether the emotions experienced during life's choices, even when told in the format of a spy thriller, would carry over if you got to do it all over again. Personally, I find that theory worth exploring, because I wonder if I'd make the same good or bad decisions if not exposed to certain stimuli or experiences. Nature vs nurture anyone? People admit that they would love to be able to speak to their younger selves to assure them that things would be better eventually, or to avoid pitfalls, but that's not good enough. One never knows if that would make any difference, unless you take away those moments.

I enjoyed the heck out of this movie overall, and recommend it for the silliness alone. Don't take the movie seriously, and I believe you will too. The entire, very long, ending sequence is just crazy with the suspension of disbelief, but embrace it.

It's disappointing when a film has an intriguing premise but fails to deliver the goods in the end. Such is the case with director Matthew Vaughn's latest, an action-adventure/comedy about an author of spy novels (Bryce Dallas Howard) who stumbles into a real-life espionage scenario that matches the plot of her latest novel, embroiling her in a web of ever-shifting intrigue with various nefarious parties. The problem here is that the film never quite latches onto a dedicated focus to make the picture work. Some of the comic bits are indeed quite funny, but they frequently get bogged down by a meandering story line that's trying to follow a more conventional, twist-laden thriller format. It leaves viewers asking, "So what's it going to be?" There's also more than a little derivative material thrown in, such as story threads we've already seen before in movies like "Romancing the Stone" (1984), "The Long Kiss Goodnight" (1996) and any number of James Bond flicks. While it's true that this release is intended to be a spoof of these titles (especially in scenes featuring Henry Cavill as a hilariously hammy 007 knock-off), there's a big difference between paying tribute and playing unrepentant copycat. Then there's the picture's excessive length, coming in at a bloated 2:19:00 runtime, far longer than it needs to be, a failing attributable to an often-needlessly complicated plot, one that begins to try audience patience at times, especially in the back half. "Argylle" also features a cute, cuddly cat, Alfie, as a central character (at least in its trailer), but, like the narrative overall, the film doesn't quite seem to know what to do with the supposedly frisky, fickle feline, an impression far different from what's conveyed in the picture's video marketing. All of this is a shame, because this title has both potential and some apparent strengths going for it, such as a fine soundtrack, superbly choreographed action sequences, and an excellent ensemble cast with the likes of Sam Rockwell, Bryan Cranston, Catherine O'Hara, Ariana DeBose, and a seriously underused Richard E. Grant, not to mention fine turns from Howard and Cavill as alter-egos of one another. This one isn't nearly as bad as many critics have made it out to be, but it could have been substantially better with some significant retooling and judicious editing. "Argylle" apparently has ambitions to become a new franchise, too, but we'll have to see if that materializes based on what kind of box office draw it ultimately produces. At this point, though, I think it has its work cut out for it.