Griff, o Invisível

Leon Ford's "Griff the Invisible," Australia's answer to the superheroes-in-the-real-world approach popular in the United States, is an interesting little low-budget romantic comedy masquerading as a superhero flick. Some people may be turned off by the apparent lack of superhero action in this film, but as the ending of "Griff the Invisible" proves, it's the "reality" of what goes on that counts.

Griff (Ryan Kwanten) is a socially awkward office employee by day, and a not-so-anonymous superhero called "Griff" by night. He prowls the streets of his local neighborhood fighting crime. At the office, he's the target of the office bully, and Griff takes to sneaking in the office at night to set up booby traps to pull off the next day.

Griff's older brother Tim (Patrick Brammall) has recently begun dating the equally socially awkward Melody (Maeve Dermody). Melody is a budding young scientist obsessed with trying to unlock the secrets to inter-dimensional travel. In Griff, she finds a kindred spirit, which proves problematic for her current relationship with his brother.

"Griff the Invisible" is a competently acted little superhero film. One thing that may kill the experience, however, is a third-act twist that lends further credence to a commonly-held belief about the supposed mental instability of people who try to be real-life superheroes. This is unfortunate, because it's firmly established that Griff is far from "normal," but we seem to sympathize him, his relationship with Melody and his mission to save the world, but we also understand that there is nothing wrong with being "weird." Griff and Melody are perfect for each other because they're so "weird" and don't have to worry about being "normal" (like everybody else).

"Griff the Invisible" takes the whole superheroes-in-the-real-world to a level not previously seen in other films dealing with the subject (like "Kick-Ass" or "Super"). It's a flawed movie, but don't let its flaws kill your enjoyment of it.

7/10

First film we saw of the TIFF 2010 season and a great start it was. Very engaging movie with great acting that makes the viewer wonder at times if the unbelievable really might be plausible. There were lots of laughs (and, according to the director - an affable chap, mostly in the right places) as well as many poignant moments, which all flowed together into a satisfying conclusion. Absolutely worth seeing and superior to the spate of would-be superhero movies making movie theater rounds the last few years. Ryan Kwanten, as Griff, quickly draws the audience to his side through his earnest belief in his cause and has them rooting for him and his mission. Maeve Dermody gives a sense of otherworldliness to the character of Melody; she is strange and adorable. An office bully and a well meaning brother thrown into the mix make the duties of this superhero harder than necessary.

The film centres around the title character Griff, a socially anxious young man who spends his days working a mundane office job. Unfortunately his shy nature makes him an easy target for a co-worker to bully Griff on a daily basis. At night, Griff assumes the identity of "Griff the Protector", sworn protector of the neighbourhood. His well-intentioned and concerned older brother sees this behaviour as abnormal (no really, he does) and is at a loss of how to help him. His brother's girlfriend finds Griff's behaviour attractive.

This is a movie that appeals to the strange nature in all of us that we all keep bottled up inside, hidden from the outside world. The two central characters are almost caricatures of what it is to be strange and different given their loose grip on reality, yet they still manage to be believable, which is a testament to the sharp and consistent writing and the amazing performances by Ryan Kwanten (Griff) and Maeve Dermody (Melody) to portray them.

At its core, Griff the Invisible is a love story. Nothing is more endearing than watching these two innocent and strange beings find each other and connect in all their strangeness. Together they create their own vivid reality, which I think the kid in all of us wishes we could be a part of.

Last I checked, police cars we're still burning fossil fuels and stuck on planet earth, while imagination take us anywhere. This movie made it enjoyable to share the character's blurred line between imagination and reality, to fight crime and do amazing things.

Totally clean humor fun. Glad I paid attention to details that make it LOL funny numerous times, both at the characters and myself.

Nothing at all like other recent similarly framed films.

With surprises along the way, Griff is a refreshing a dash of fantasy science fiction, with a focus that reminds me that innovation starts with imagination - portrayed in a simple way that brings it all down to earth.

Though there was heartbreak, it ended perfectly; plus an extra star for appreciating kitties.

I just saw Griff the Invisible about two hours ago at the Toronto International Film Festival. There have been a number of average-guys-becoming-superhero movies this year and this is Australia's contribution. However, I'd have to say this is easily the best. The best part of the film is the quirky originality of the two main characters, Griff and Melody. They are weird, funny and believable. They don't fit any stock type of character I've seen before, but appear as two genuinely original creations. At the end of the movie, I felt like I wanted to see more of these characters.

Griff the Invisible is also different from all the other offerings because the others hit you over the head with the predictable moral that superheros are just a fantasy (like we don't know that) and that reality is better than fantasy. Without giving anything away, this film turns that moral on it's head. For once a movie doesn't make you feel guilty about your adolescent fantasies!

The movie was very well received by the Festival crowd with healthy applause and even some yells of appreciation at the end. I think the movie was mostly appreciated for the likability of the characters, the humour, the fresh writing style and just the general entertainment value.