Mad God

The stop-motion animation in this movie is top notch. From the character design to the set pieces, the filmmakers put together a beautiful, eerie, post-apocalyptic world with an eye for texture and detail in order to build this world and make it a character in itself. The film has no dialogue, so it heavily relies on the creative sets and creature designs to speak for itself.

The entire film primarily follows the journey of the main character traveling through this industrial post-apocalyptic junkyard with a lot of grotesque creatures along the way, and as an audience member you need to be open to take this journey.

The film does move a bit slow, and the lack of dialogue might not be everyone's cup of tea', but it allows time for the movie to breathe and get immersed in the world it's trying to build.

It's gruesome, eerie, yet strangely beautiful, and kind of reminded me of an animated Mad Max.

If you love stop-motion animation, especially if it includes heavy elements of sci-fi - horror you'll want to check this out.

Written & directed by Phil Tippett, a veteran movie special effects guy who's worked on franchises such as "Star Wars" and "Jurassic Park", this is a walk on a *truly* wild side. It's a stop-motion animated odyssey into a bizarre and freaky netherworld, as a character called "The Assassin" descends into the depths of Hell, clearly with an agenda in mind, as they work from a rapidly deteriorating map.

Even on his worst nights, Tim Burton probably didn't have nightmares quite like *this*. I'll say right now that this visually oriented picture is *not* for all tastes. Some people may feel that the "story" (such as it is) lets them down, with not much to engage them other than the grotesqueries on display. It's definitely an animation film for adults - it's dark, twisted, and very violent at times. It also tells this "story" through a succession of images rather than a conventional narrative. The viewers will notice that there's no real dialogue (as we understand it) to speak of.

This magnum opus for Tippett was *many* years in the making - he began it in 1987, and finally finished it in 2020. While I personally wouldn't call it a great film, it's so *interesting* and *provocative* to look at that it did hold my attention. That said, it's good that this has a relatively brief run time of just over 84 minutes.

I enjoyed it, and would recommend it to people looking for something way out of the ordinary.

Seven out of 10.

If animation cinema is your thing, and dystopian dynamics make you sing, here's a film that you should see, it will fill your heart with glee, a post-apocalyptic nightmare with a sting. You're not too sure what's going on most of the time, in this purgatory world where nothing's fine, but the creatures are amazing, the hellish landscapes quite hair razing (amongst other things), the whole experience is outrageous and sublime.

Some rather talented people have made a grotesquely engrossing animation that leaves a mark, or perhaps a scar, that will linger for some time after and compel you to introduce those you know.

'Mad God' is equally weird and demented; a mergence of the nightmarish and the nonsensical into one wildly ambitious ride. Basically it feels like a glimpse into the mind of a madman; into a place both violated and broken without reprieve and without hope.

This is what you get when the imagination is pushed into warped overdrive - a fully realised vision of a hellish dystopia. And all of it is gorgeously (grotesquely) brought to life by stop-motion animation and detailed sets.

It's hard to rate this as I would a film with a story because this is more of an experience: a vignette-like tour through various strange environments and witnessing its even stranger denizens doing all manner of strange things... Top marks for effort, but it might have worked better as a series of 10-minute shorts, since even at 80 minutes my attention began to waver with nothing coherent to latch on to.

6.5/10.

Mad God is one of the most visually and audibly arresting films I have ever seen. To say that the technical craft on display is striking would be a criminal understatement. This is thoroughly the singular vision of a master artist, and I am so glad I got to experience it.

It is chock full of metaphorical depth related to man's relationship to both creation and destruction, and for those who are patient and are in love with the macabre, there will be so much for you to glean from it.

As for myself, I did glean a bit from the film's heavy messages, though the extremely sparse narrative left me wanting a LOT more.

We never stay with a character for longer than 20 minutes, and our journeys with them are always cut short right as they're getting interesting. The lack of any clear stakes, motivations, or goals makes it extremely hard to get invested in, and makes 83 minutes feel like two hours.

It's clear that Phil Tippett used the 30 years of production to really get his visual ideas to be made manifest in gorgeous glory, but I do so wish that he had spent more of that time writing instead.