Uma super-agente da black ops busca por vingança depois de ter sido enganada durante uma missão.Uma super-agente da black ops busca por vingança depois de ter sido enganada durante uma missão.Uma super-agente da black ops busca por vingança depois de ter sido enganada durante uma missão.
- Prêmios
- 7 indicações no total
Debby Lynn Ross
- Diner Waitress
- (as Debby Ross Rondell)
Avaliações em destaque
Sharp, uncomplicated, and thrilling, 'Haywire' packs its punches quite effectively. The gloomy tone, the serious setting, the unapologetically aggressive fight sequences; this is an unusual action drama.
From the initial confrontation scene to the movie's comic ending, there isn't a single dull moment in it. The list of talented male actors involved is endless - Tatum, McGregor, Douglas, Banderas, Fassbender, Paxton. But it's the athletic and talented female lead, not-so-known Gina Carano, who carries the movie forward. She's like the female Bourne. I wonder why she hasn't done more movies.
The action sequences between Carano and the male actors are uniquely brilliant; the male and the female punch, hit and kick each other with the same amount of raw brutal force, which is not usually seen in movies. In that regard, the movie is quite feminist, in my opinion. And the fact that no sound effect or background score is used during the fight scenes make the sequences feel more real and effective.
The editing is tight, the camera-work is beautiful, the background score is minimal, and the story doesn't try too hard to be complex, which makes the movie an exhilarating ride.
From the initial confrontation scene to the movie's comic ending, there isn't a single dull moment in it. The list of talented male actors involved is endless - Tatum, McGregor, Douglas, Banderas, Fassbender, Paxton. But it's the athletic and talented female lead, not-so-known Gina Carano, who carries the movie forward. She's like the female Bourne. I wonder why she hasn't done more movies.
The action sequences between Carano and the male actors are uniquely brilliant; the male and the female punch, hit and kick each other with the same amount of raw brutal force, which is not usually seen in movies. In that regard, the movie is quite feminist, in my opinion. And the fact that no sound effect or background score is used during the fight scenes make the sequences feel more real and effective.
The editing is tight, the camera-work is beautiful, the background score is minimal, and the story doesn't try too hard to be complex, which makes the movie an exhilarating ride.
Once again, I stepped into a movie with zero expectations, and was pleasantly surprised. People told me to avoid "Haywire" but I found it reasonably entertaining.
First off, I was amazed by the number of likable actors that are in the movie - Ewan McGregor, Michael Fassbender, Michael Douglas, Antonio Banderas and Bill Paxton (where has he been hiding?) all star in co-roles. I don't know the main actress in the movie but she did a fine job, and apparently did all her own stunts.
Flick has been un-fairly compared to Angelina Jolies "Salt." Why? Because it stars a woman kicking guys ass's perhaps? I guess their plots are kind off similar too, but "Salt" was an over the top action movie. Outside of a couple of movie-style fights "Haywire" feels more realistic, but where it really succeeds is in its style. It works as a cool thriller that I found myself smiling at because off the way it tells its ex-assassin-getting-chased-again plot. Although maybe not everyone will give it a thumbs up, I will because I enjoyed it.
First off, I was amazed by the number of likable actors that are in the movie - Ewan McGregor, Michael Fassbender, Michael Douglas, Antonio Banderas and Bill Paxton (where has he been hiding?) all star in co-roles. I don't know the main actress in the movie but she did a fine job, and apparently did all her own stunts.
Flick has been un-fairly compared to Angelina Jolies "Salt." Why? Because it stars a woman kicking guys ass's perhaps? I guess their plots are kind off similar too, but "Salt" was an over the top action movie. Outside of a couple of movie-style fights "Haywire" feels more realistic, but where it really succeeds is in its style. It works as a cool thriller that I found myself smiling at because off the way it tells its ex-assassin-getting-chased-again plot. Although maybe not everyone will give it a thumbs up, I will because I enjoyed it.
Steven Soderbergh, Ewan McGregor, Michael Douglas, Antonio Banderas, Michael Fassbender, Channing Tatum - the hype pre release was high but the reviews lacklustre. So when I finally came to watch this movie I had little expectation. As stated previously Soderbergh has tried to put an arty spin on an action movie which doesn't quite work. The story is too loose and some of the character development far too shallow. However for me the highlight was the surprisingly good performance from Gina Carano. A great introduction to high profile acting from a believable actor who looks stunning and can really pack a punch. Hopefully we will get to see a lot more of Gina in the future.
The story of Haywire is not really appealing. It's about someone tough who got betrayed then wants revenge. It's been used in so many action films. But Haywire has a different purpose to exist. It's about giving Gina Carano her own show with Steven Soderbergh's direction. It's pretty fascinating. Both merits cover the "cookie-cutterness" of the plot. It's not your standard action film with senseless explosions and mediocre dumbness. It's a film with art, style, and action scenes that are ridiculous and realistic. It's short but it's still worth the ride.
The film isn't really trying to be original, big, or loud. Haywire is one of Soderbergh's experiments. The story may not be original but he tells it in a pretty clever way. The first half of the film takes place on a car and shows a lot of flashbacks. The scenes are pretty slick. The action is silent but it's pretty awesome. Gina Carano made every fights dangerously exciting. The other stars does their thing but they don't appear that much. It's one of Soderbergh's trademarks. He casts some big stars but they end up being minor characters. Well, this is Carano's show. It's all about her.
The only thing that disappoints me here is it's too short and there are only few fight scenes. But there are still some action scenes that are pretty exciting like the car chase in New York and the SWAT chase in Dublin were well shot and have a good amount of suspense. The rest of the filmmaking: Well written. The score is fancy. The cinematography and editing are simply art.
Haywire is as simple as it gets. It may not be a fast action blockbuster but it is more interesting than that. It's not quite recommendable to everyone unless you like art films, Soderbergh's directing style, or Gina Carano. No female action star can fight like Gina Carano. It's fun to see her beat up all of these men. Since we are now stuck with action films with mediocre filmmaking, at least we get to see another classy action film like this. But the true core of this film is Gina Carano.
The film isn't really trying to be original, big, or loud. Haywire is one of Soderbergh's experiments. The story may not be original but he tells it in a pretty clever way. The first half of the film takes place on a car and shows a lot of flashbacks. The scenes are pretty slick. The action is silent but it's pretty awesome. Gina Carano made every fights dangerously exciting. The other stars does their thing but they don't appear that much. It's one of Soderbergh's trademarks. He casts some big stars but they end up being minor characters. Well, this is Carano's show. It's all about her.
The only thing that disappoints me here is it's too short and there are only few fight scenes. But there are still some action scenes that are pretty exciting like the car chase in New York and the SWAT chase in Dublin were well shot and have a good amount of suspense. The rest of the filmmaking: Well written. The score is fancy. The cinematography and editing are simply art.
Haywire is as simple as it gets. It may not be a fast action blockbuster but it is more interesting than that. It's not quite recommendable to everyone unless you like art films, Soderbergh's directing style, or Gina Carano. No female action star can fight like Gina Carano. It's fun to see her beat up all of these men. Since we are now stuck with action films with mediocre filmmaking, at least we get to see another classy action film like this. But the true core of this film is Gina Carano.
And the reason I give that advice is that you will have the opportunity to experience Soderberg again but I am not sure I can say the same for Carano.
This is of course a change of pace for Soderberg who is actually becoming known for his ability shape-shift between genres and do a pretty good job at each one he chooses.
This is an average spy thriller lifted to above-average by an A-List cast backed by Gina Carano in the action scenes.
Carano is the actual reason I wanted to review the film. She is a rarity in modern film, a good looking actress who shows not the slightest hesitation at going all JCVD on someone's butt if the script demands it.
And she is good. I mean there are multiple scenes here where she carries the attention of the viewer and it is hard to imagine another actress doing that as well.
The unfortunate part is that it seems no one in Hollywood wanted to accept the challenge of moving her career along even though it deserved to be moved. I watched her in IN THE BLOOD, a later effort framed as a B movie and lacking all the class and polish in this one.
Too bad. I miss her already.
This is of course a change of pace for Soderberg who is actually becoming known for his ability shape-shift between genres and do a pretty good job at each one he chooses.
This is an average spy thriller lifted to above-average by an A-List cast backed by Gina Carano in the action scenes.
Carano is the actual reason I wanted to review the film. She is a rarity in modern film, a good looking actress who shows not the slightest hesitation at going all JCVD on someone's butt if the script demands it.
And she is good. I mean there are multiple scenes here where she carries the attention of the viewer and it is hard to imagine another actress doing that as well.
The unfortunate part is that it seems no one in Hollywood wanted to accept the challenge of moving her career along even though it deserved to be moved. I watched her in IN THE BLOOD, a later effort framed as a B movie and lacking all the class and polish in this one.
Too bad. I miss her already.
Você sabia?
- CuriosidadesGina Carano underwent a six-week intensive tactical training course with Aaron Cohen, an ex-Israeli special ops fighter. She spent three hours a day in stunts and three hours a day with Cohen. During a particularly harrowing two-week period when Cohen was teaching Carano the art of surveillance and countersurveillance, he and his team tracked her via a GPS system installed in her car. He gave her a prop blue pistol to use as defense and intercepted her as she was coming out of a hair salon. "I just got extensions and was feeling so pretty and there he was," recalls Carano, laughing. "He taught me entry and exiting a building, clearing a room, he put a GPS on my car, he like, followed me around. He had me stalking people, he had people stalking me. They just put me with a soldier who had never done a film before either. We were just soldier and a fighter thrown together in these unique circumstances and got to know each other's backgrounds. I think that was the biggest part of my preparation."
- Erros de gravaçãoThe fight on the beach, presumably near Veracruz, takes place at sundown. But Veracruz is on the east coast, and the sun rises from the sea on the east coast of Mexico.
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Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Agentes Secretos
- Locações de filme
- Russborough House, Blessington, County Wicklow, Irlanda(west wing ground floor interiors)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 23.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 18.942.396
- Fim de semana de estreia nos EUA e Canadá
- US$ 8.425.370
- 22 de jan. de 2012
- Faturamento bruto mundial
- US$ 34.513.760
- Tempo de duração
- 1 h 33 min(93 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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