Notre-Dame - Catedral em Chamas

Unlike many in here, I really enjoyed it. I cannot understand all the negative comments, many of them, to me so ignorant...... It was a fictional drama presented in an individual way.

I liked the way that the disparate stories, evidently from accounts of those involved in events of that night, wandered in and out.

The integration of real footage of the fire, with Netflix's art, was impressive.

However, it's a pity that so many found it so difficult to follow. I wondered if we all had watched the same series. Sometimes we have to get beyond having to have everything laid out before us.

I thought the acting was very good and .....

*Disclaimer: I only watched the first three episodes. Couldn't stand it any longer*

I accept that there are some things you have to do differently in a TV Show than it is in reality to keep all viewers hooked. However, in a TV Show thats claims to be based on real reports and follows Fire Fighters on a real event, I expect basics to be real and to see some realism. As a firefighter myself, I was in physical pain watching this. Here are some of the things which are totally wrong:

-You always take a fire Hose with you when you walk into a house which is on fire(!!!!!!!!!!)

• You never pass a fire
• You never take your mask of indoor. When there is a problem, the whole squad immediatly heads back out
• When something major is wrong with your SCBA (There aren't any ventiles you need to set on your mask, only connect and disconnect...) you recognize this directly after putting it on
• The commander does not order more troops by phone
• Why do you sometimes here the SCBA and sometimes not?

• In multiple scenes, they totally stand in smoke. Highly toxic smoke. Why aren't they using their SCBA?

In the german synchronisation, important technical terms are wrong. It's "Strahlrohr" not "Spritze" and "Truppführer" not "Truppchef".

Besides this, there are other problems. The show has too many characters which are too unpersonal. I don't care what happens to them, so I am emotionally completly out. In addition, I don't really get the time jumps, imo they are only there to make the show longer.

What the heck is the story of this black little boy supposed to be? He is behaving absolutly stupid and is totally annoying. Nearly as stupid is the story of the journalist. I can't imagine this to have any real base. What she does is wrong under every aspect. Why are you promoting this as based on real reports if basically everything can't be real or everyone was TOTALLY unprofessional if it really happend like this.

The acting performance of some actors is... well, mediocre at best. For example the one Fire Fighter in the control room. He sees his old love after six or seven years and shows no reaction.

All in all, this has nothing to enjoy, ecxept the good production quality. A real waste of my time.

I admire Netflix for its internationally produced content. There are a lot of great production companies in the world besides what is regular fare in the continental US (aka superheroes, gunfights and cowboys).

This is a big budget Netflix series. You can tell by the effort to recreate the firefighting efforts that riveted the world for those 15 hours in April , 2019, the extras, the vfx, the general level of production standards.

But I actually had to stop watching like other reviewers mention (after ep.3)

The fire and the cathedral are the main "character" but take a backseat to maudlin characters in a US styled "Soapbox" like script.

Yes the production is trying to flesh out literally the human character aspects of a few selected courageous firefighters (plus a couple of reporters covering the fire) who put the fire out and saved many irreplaceable aspects of this world UNESCO heritage site and symbol of the French nation, including the pipe organs, the bells and stain glass windows (only the bells are actually portrayed being saved) with flashbacks, family issues and the like.

But there's a cardboard quality to these portrayals even when the characters are in the midst of the most intense situations. A kind of even-handedness to the level of intensity when really, with the whole cathedral in imminent danger, the script cuts away to some escort who has befriended a young African-French kid and whose father who runs a shop is trying to find her in time to say goodbye to her estranged, but dying mother.

There could have been so much more to up the level of intensity and focus more on the actual fire and the cathedral. For example, the audio levels of the fire burning is kept at an even output which does much to diminish its threat and dramatic character - even in close ups - when a ferociousness to the audio track would have done wonders to compliment the visual intensity of the flames. Its all watered down (no pun intended).

In the end there are a few genuine dramatic moments with the character portrayals by individual cast members, but for almost all intensive purposes drowned out by the overall script, the even-handedness of the filmic pace, the stultifying audio.

This movie has lots of side/sub plots that kinda take away from the main thing - that being the fire. But the thing I find most jarring is the fact that in multiple scenes the firefighters are depicted in extremely smoky environments not wearing any breathing apparatus. At one point they are trapped inside the notre dame and shown in extreme levels of smoke, and despite having tanks on their back, none of them use their masks, and none of them (apart from the asthmatic journalist who is also trapped inside) cough or show any difficulties breathing. (The asthmatic journalist only coughs on occasions and has to use her inhaler once). I kinda think the reality is that they would all be dead.

A notable series, following the events of Notre Dame, how the lives of several Parisians - Firefighters, Journalists, Citizens was involved in it. Also a progressive dive into each characters lives and the emotions attached with this historical monument simmers across each episode. Though created as a mini-series, each episode is about 45-50 minutes long which gives the director enough time to develop the story and piece it together along the way, with tiny glimpses into past moments. Dealing with loss, self identity, finding love amidst all this choas, are a few moments highlighted on this spectrum.