O Discurso do Rei

I think I must have seen a different film from the previous two reviewers at Leeds on Friday. It is now two days ago and I am still feeling overwhelmed by what I saw. It is a very touching, and quite inspiring story about a man, psychologically scarred, and trapped in a situation from which he could have no escape and facing it with immense courage. It so happens that he was royal, and that was a large part of his problem- but the film isn't so much about royalty as a human story. The film conveyed very powerfully in the opening scene, the enormity of what was required of him. As the film develops, the complexities of the character are revealed. The acting is superb, especially from the three principals, and the development of the troubled and sparky relationship at the heart of the film is a joy to watch. The film is very funny and the characters have warmth and humanity. The film is well paced, and carries you along to the emotional climax, so that, even though I knew the story, it had me holding my breath. If you don't need lots of action or special effects in your film, and enjoy seeing top-notch actors at the very peak of their craft, this will be for you. You might also, as I did, gain a bit more insight into the human drama behind a significant, but relatively unexplored period of British history.

If CF and GR both win Oscars they will be more than worthy winners and if they don't then "best" has no meaning.

One further thought- anyone who thinks that this film is unsuitable for teenage viewers needs to have a long hard look at their priorities. It could prove inspirational to anyone with communication difficulties.

There were a lot of elderly folks in the theatre when I saw The King's Speech. It occurred to me that some of them may have been alive when George VI gave the actual speech to the British Nation which had just declared war with Hitler.

The King's Speech is a feel good movie, but a very adult one, and while it tells a good story, well scripted, absorbing and believable (except for an odd line or two), Tom Hooper's film is far more driven by character than by plot.

You may need to see it to believe it but, Colin Firth has no obvious competition for the best actor awards which are coming his way. He is absorbed in the role of the stammering king who is timid, low in self-confidence, and frustrated but perfectly warm-hearted. The only time he doesn't stammer is oddly enough when he curses. This is something which his new speech therapist suggests he use as a practise tool in the one scene which earned the film an R rating. The King's Speech is arguably a proud moment for Geoffrey Rush as well. This is him at his best, and he and Firth together almost make the movie. Their exchange of dialogue is flawless.

The King's Speech boasts an exceptional cast, which includes Helena Bonham Carter, Michael Gambon, Derek Jacobi and Guy Pearce, all of whom help contribute to the picture with the smallest amount of screen time.

The King's Speech says a mouthful, and it warms the heart without question. There is also no question is arguing that it is among the very best of the year.

This is a biopic about how King George VI, the father of Queen Elizabeth II, overcame his stuttering problem. Widely considered by all but his father unfit to be king, George is reluctantly thrust unto the throne and into the spotlight after his brother is forced to abdicate. Overshadowed on the global stage by powerful orators like Adolph Hitler and Benito Mussolini, the King relies on the help of a little-known Australian speech therapist named Lionel Logue to find his voice and courageously lead his people into the most devastating war humanity has ever faced.

This is a powerful, hilarious and deeply moving story, told against the backdrop of a critical juncture in modern history, of the emergence of a deep friendship out of a professional relationship between two men who would otherwise never have socially interacted. The screenplay, written by David Seidler (who also wrote Tucker: The Man and his Dream), is excellent. The dry British wit is hilarious. I was literally slapping my knee during some of the scenes. Tom Hooper (Elizabeth I) does a superb job directing this movie. The buildup to the climactic finale is skillfully executed and prompted the audience to erupt into spontaneous applause. (Apparently, this also happened at the Roy Thomson Hall premiere.) Geoffrey Rush (Elizabeth: The Golden Age) does a fantastic job as Lionel Logue and Colin Firth (A Single Man) is excellent as King George VI.

I saw the second public screening of this movie at the Ryerson Theater during the Toronto International Film Festival (TIFF). Tom Hooper was present to introduce the movie. He was joined by Colin Firth and Geoffrey Rush after the movie ended for a brief Q&A.

It turns out that David Seidler also had a stuttering problem as a child and drew inspiration from the king's struggle. Early in his career he wanted to write a screenplay about it. He dutifully asked the Queen Mother for permission. She agreed but told him "not in my lifetime". Little did he know she would live to be 101 and he would have to wait another 30 years.

Another interesting tidbit we learned was that near the end of the shoot, the crew finally located one of Lionel Logue's grandsons, who just so happened to live about 10 minutes away from the director. They got access to Lionel's diaries and correspondence and managed to incorporate some of it into the script.

This movie is an unqualified must see.

This is a beautiful and well made movie. The director has made the story of King George VI into something more interesting than just "the story". The movie starts with George as the duke of York, and follows his way to become king, and his difficulties with the stammering. George finds a therapist, Lionel Logue, who will become more than just a therapist. A true friend.

The movie is really well made. The music, the cinematography, the cast, the script etc. is good, and as it should be.

Colin Firth in the role as King George VI is really good, and he is completely convincing as a man who struggles with different things, such as his temperament, memories from his childhood and of course: his stammering. The story of King George, and how he defeats this problem with stammering is a touching story to follow. Overall, a good movie, but not the best. 8/10.

What a wonderful performance! Compassion and clarity of vision, side by side. Colin Firth has been a favourite of mine since the extraordinary "Apartment Zero' (1989) His maturity as an actor reflects his maturity as a person and how many times are we able to say that? Very few I'm afraid. What I thought I saw in him as an actor playing the zero of the title in "Apartment Zero" is here in spades. Wow! How rewarding! Here he's not alone. Goeffrey Rush, Helena Bonham Carter and Guy Pearce are all standouts and the stutter is just a device to show a whole picture. How strange we knew so little about this man. I guess Hitler got all the headlines. So from a historical perspective is also a feast of sorts. Bravo indeed!