Apostas & Segredos

Ever heard the phrase "life's not meant to be managed, it's meant to be lived". I guess this movie shows it's a little bit more complicated sometimes, for some. It's a dance between managing and living. On the one hand everyone's trying to manage what others know about them and on the other hand taking great risks. Living on the edge. One character says that there's always the risk of losing it all. Nevertheless, some brave souls are willing to risk it all. For a chance at love, freedom, pleasure, connection, truth. A chance to be honestly seen and loved.

Is this a great movie? That depends. There are great things about it for sure. The actors for one. The stories told. Fascinating stories of hidden lives, and of secrets. Now exposed to us. Beautiful cinematography! Some shots literally made me want to freeze the frame, take it all in, and then after a long pause, push play.

Be prepared for a lot of butts...both human and cigarettes.

Here's my 2nd "Mystery Movie" (or as AMC calls it, "Screen Unseen.") All I knew was the Rating (R) and length. My guess was "Sinners." Wrong. My friend's guess, and he's almost ALWAYS right, was "The Accountant 2." Also, wrong. In fact, neither of us could be FURTHER from what this movie was.

And I bet this was a very, very big surprise to the almost-packed audience. I had to not-so-secretly smile to all the heterosexuals in the audience who would've never paid to see a LGBTQ+ period piece melodrama...in their lives.

As stated, this movie takes place in the 1950s and explores an unconventional love triangle. Two brothers, two Korean War veterans couldn't be further apart, but still love each other. In-between is one of the brother's wife. All three have dreams...and two of which were really hard to come by with 1950s homophobia.

I liked the movie, there's really nothing wrong here. I like that there were two heartbreaking leads vs. The typical one. The acting was fine and the stakes were real. Was it anywhere close to the similar Brokeback Mountain?

Absolutely not. Not even in the same league. But, it's a good update to how homosexuals struggled in the 1950s. I can't even imagine what it was like then. I will forever salute the brave men, women and everyone who stood up to homophobia to make it easier - no, 1000x easier for future generations.

I don't suspect so, but it would be interesting to see if this gets any award buzz next Awards season. Maybe I'll have to revisit this and see something different. For right now: I did like it, I didn't love it and I didn't regret seeing it.

***

Final Thoughts: I do love to go into a movie cold. Not knowing much about it, other than the title, usually at least one of the leads, maybe genre/subgenre and a recommendation. This is by far, the coldest I've ever experienced. I never once heard of this movie, the background or absolutely anything. In fact, I was worried I wouldn't remember the title since I never heard of this before to write this review. Well, I finally got my #1 wish...to be completely frozen over.

My wife and I watched On Swift Horses (2024) in theaters. The story follows two individuals entangled in complicated relationships-with others and with themselves. As they navigate a journey of self-discovery, they begin to realize that their shared sexual fluidity may be what ultimately draws them together.

Directed by Daniel Minahan (Deadwood: The Movie), the film stars Daisy Edgar-Jones (Normal People), Jacob Elordi (Euphoria), Will Poulter (We're the Millers), and Diego Calva (Babylon).

This is a well-crafted period piece that captures the era beautifully, especially in its portrayal of societal expectations and norms. The acting is top-tier-each actor is well-cast and fits their role convincingly. The premise has real potential, and the film thoughtfully explores the internal struggles and evolving identities of its characters.

That said, the love story didn't resonate as strongly as I'd hoped. Some of the chemistry feels authentic, while other relationships fall flat and lack the depth they seem to be reaching for. By the end, the film leaves you wanting more-emotionally and narratively.

In conclusion, On Swift Horses is a smart and well-executed film that doesn't quite hit its full potential. I'd give it a 6/10 and recommend seeing it once.

On Swift Horses is a slow-burning, atmospheric drama about love, secrets, and self-discovery. The film's strength lies in its strong performances and beautiful cinematography, which capture the quiet intensity of the characters' emotions. While the pacing is deliberate and may feel too slow for some, the emotional depth and subtle storytelling make it worthwhile. It's a thoughtful film that lingers after the credits, exploring themes of longing and identity with sensitivity.

Synopsis: Muriel and her husband Lee are beginning a bright new life in California when he returns from the Korean War. But their newfound stability is upended by the arrival of Lee's charismatic brother, Julius, a wayward gambler with a secret past. A dangerous love triangle quickly forms. When Julius takes off in search of the young card cheat he's fallen for, Muriel's longing for something more propels her into a secret life of her own, gambling on racehorses and exploring a love she never dreamed possible.

Muriel (Daisy Edgar Jones) and her husband Lee (Will Poulter) are about to begin a bright new life, which is upended by the arrival of Lee's brother Julius (Jacob Elordi). Muriel embarks on a secret life, gambling on racehorses and discovering a love she never thought possible.

I think the film is trying to say that none of us know what we want, until we lose what we don't want, and find what we do. But I could be wrong because this tedious film doesn't actually seem to have a point.

It's nicely filmed, but so slow I was getting quite frustrated at things not happening, and when they did they made no sense. I honestly think it is nothing more than a titillating film with men on men sex, women on women sex and plenty of boobs, camel toe and men in white underpants.

There's no real flow at all and no real storyline; it's empty and boring. Will Poulter is great but apart from him there's not much decent acting going on. It was laborious to get through to the end so I give it a 4 and that's being incredibly generous.