AVALIAÇÃO DA IMDb
6,2/10
2 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA medieval reenactment game turns into a Shakespearean tragedy when a non-player crashes the event to win back his girlfriend.A medieval reenactment game turns into a Shakespearean tragedy when a non-player crashes the event to win back his girlfriend.A medieval reenactment game turns into a Shakespearean tragedy when a non-player crashes the event to win back his girlfriend.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 4 vitórias e 5 indicações no total
Kaniehtiio Horn
- Princess Evlynia - Lyn
- (as Tiio Horn)
Mark Antony Krupa
- Bjorn Magnusson
- (as Mark A. Krupa)
Victor Andres Turgeon-Trelles
- Miguel
- (as Victor Trelles)
Holly Uloth
- Ambrosia
- (as Holly O'Brien)
Örn Árnason
- Icelandic Voice
- (narração)
- (as Orn Arnason)
Avaliações em destaque
I had the chance to see The Wild Hunt at TIFF in 2009. It was no surprise to later hear it had won the Best Canadian First Feature Film prize- it was one of the best and most surprising films I saw at the festival.
The Wild Hunt's premise is a young man naively entering a live-action role play (LARP) weekend in pursuit of his wayward girlfriend. There's some initial comedy in the fish-out-of-water concept, but real-life LARP aficionados needn't fear ridicule; the comedy is in the clash, not at the expense of players. The film in many ways actually celebrates this type of gaming and in more than a few instances defends it from common taunts.
From a simple beginning the story grows to a climax of epic proportions, bringing to mind Shakespearean levels of drama and tragedy. The Wild Hunt is an intelligent and impassioned exploration of fantasy and escapism, desire and obsession. Yet through all of this the film remains grounded in it's characters. One of the great strengths of the film is the realism and complexity at the heart of each role. You won't find any one-dimensional characters here. Instead we have very real people struggling with an escalating series of events, and the games quickly lose their innocence as people lose control.
The Wild Hunt is a truly remarkable film. The exploration of a blurring line between fantasy and reality is chilling, the performances are excellent, and from a technical standpoint it's equally well done. This is a film that will stay with you long after you leave the theatre- not only is it engaging to watch, but it leaves you with much to contemplate.
The Wild Hunt's premise is a young man naively entering a live-action role play (LARP) weekend in pursuit of his wayward girlfriend. There's some initial comedy in the fish-out-of-water concept, but real-life LARP aficionados needn't fear ridicule; the comedy is in the clash, not at the expense of players. The film in many ways actually celebrates this type of gaming and in more than a few instances defends it from common taunts.
From a simple beginning the story grows to a climax of epic proportions, bringing to mind Shakespearean levels of drama and tragedy. The Wild Hunt is an intelligent and impassioned exploration of fantasy and escapism, desire and obsession. Yet through all of this the film remains grounded in it's characters. One of the great strengths of the film is the realism and complexity at the heart of each role. You won't find any one-dimensional characters here. Instead we have very real people struggling with an escalating series of events, and the games quickly lose their innocence as people lose control.
The Wild Hunt is a truly remarkable film. The exploration of a blurring line between fantasy and reality is chilling, the performances are excellent, and from a technical standpoint it's equally well done. This is a film that will stay with you long after you leave the theatre- not only is it engaging to watch, but it leaves you with much to contemplate.
Reviews Of Unusual Size!
Re: An intense session of LARPing (Live Action Role Playing) gets out of control when a man breaks the veil of fantasy in an attempt to win back his girlfriend.
Outstanding: Some very strong performances here. Great sets and physical effects. Despite the dark tone of the film, there are some moments of humor. I love the poster.
Unacceptable: Some actors were a little questionable, but thanks to the blurring of reality and LARP life, that never impacted the emotion of the movie. Some reviewers claim that the world of LARPing is inaccurately portrayed. The music could be overbearing at times. I have no idea how Erik managed to speak in his angry viking voice the entire movie without losing his voice.
Summary: This was a very bleak film. I figured it would go down the path it took, but I was surprised at how cohesive the entire movie felt as a whole. There are some excellent performances, especially from the two brothers and the referee, who deserves more praise for her part. This is not a pleasant movie - it's almost Coen Brothers-esque and you wont leave it with a good feeling, but it is worth watching. An interesting take on the potential violence within us.
4/5
Re: An intense session of LARPing (Live Action Role Playing) gets out of control when a man breaks the veil of fantasy in an attempt to win back his girlfriend.
Outstanding: Some very strong performances here. Great sets and physical effects. Despite the dark tone of the film, there are some moments of humor. I love the poster.
Unacceptable: Some actors were a little questionable, but thanks to the blurring of reality and LARP life, that never impacted the emotion of the movie. Some reviewers claim that the world of LARPing is inaccurately portrayed. The music could be overbearing at times. I have no idea how Erik managed to speak in his angry viking voice the entire movie without losing his voice.
Summary: This was a very bleak film. I figured it would go down the path it took, but I was surprised at how cohesive the entire movie felt as a whole. There are some excellent performances, especially from the two brothers and the referee, who deserves more praise for her part. This is not a pleasant movie - it's almost Coen Brothers-esque and you wont leave it with a good feeling, but it is worth watching. An interesting take on the potential violence within us.
4/5
I checked this out after I read some good reports from festival screenings. I really can't see the appeal of Live Action role-playing, so the film's greatest achievement is that it held my interest at all. I enjoyed the initial comedy of the absurd situations the non-playing lead character finds himself in, once he has barged his way into this make-believe environment. The plot shift and changes in tone from then on, which keeps it unpredictable.
The film is extremely well put together, especially for having been made on such a low budget. The cinematography and the unusual soundtrack are first class. There is some genuinely beautiful and haunting imagery, especially once the hunt gets underway.
For me the biggest problem with The Wild Hunt is that at its heart this is supposed to be a love story, but we never really learn much about the characters or their relationships. It's about a guy on a 'quest' to win back his girlfriend but she remains a cypher from the beginning to the end. I never understood her motivations at all, she just came across as unstable and selfish and therefore I never invested in what's at stake for him.
The other characters are underdeveloped as well and as someone who can't relate to the idea of LARP I would have liked to know more about what draws people to it other than the obvious implication that some do it to escape their real life problems.
The film is extremely well put together, especially for having been made on such a low budget. The cinematography and the unusual soundtrack are first class. There is some genuinely beautiful and haunting imagery, especially once the hunt gets underway.
For me the biggest problem with The Wild Hunt is that at its heart this is supposed to be a love story, but we never really learn much about the characters or their relationships. It's about a guy on a 'quest' to win back his girlfriend but she remains a cypher from the beginning to the end. I never understood her motivations at all, she just came across as unstable and selfish and therefore I never invested in what's at stake for him.
The other characters are underdeveloped as well and as someone who can't relate to the idea of LARP I would have liked to know more about what draws people to it other than the obvious implication that some do it to escape their real life problems.
The story follows Erik, who "crashes" a LARP (Live-Action Role Play) camp in order to confront his estranged girlfriend, Lyn. The event is one that is held supposedly once a year, and the other role players are not pleased to have a modern non-player spoil their fun. Things escalate quickly during Erik's stay; acute conflicts arise between the players, and the game soon stops being a game and becomes a nightmarish brawl.
The main themes and motifs in the film are prevalent, yet not applied so thickly as to be too artsy and obtrusive to the enjoyment of the story. The most upholding traits to the film are the diverse characters and their realistic relationships with one another--Lyn literally says nothing about what she thinks, and even appears to be non-committal to her own feelings in the way she interacts with other characters. Erik is highly aggravated, brutally honest and unforgiving, yet he genuinely cares for Lyn's wellbeing, even though she shows no sort of reciprocation. And Bjorn, Erik's eccentric brother, is so in love with his Icelandic roots that he embraces the game as his reality, and cannot break the boundary between a time for play and a time for seriousness until it's too late.
I found myself trying to guess the next outcome in the string of events, and found that the story was, for the most part, unpredictable in a satisfying way. Just the right amount of popular archetypes were applied to the film to give it a comfortable feel of a typical story while infusing the realistic. Not all characters are heroes or villains, and not all humans see right and wrong in the same way.
I would recommend this film to just about anybody who wouldn't mind squirming in their seat, or watching something on the darker side. You won't necessarily feel like you just saw a double rainbow after watching this, but you may be able to walk away with something on the human condition.
The main themes and motifs in the film are prevalent, yet not applied so thickly as to be too artsy and obtrusive to the enjoyment of the story. The most upholding traits to the film are the diverse characters and their realistic relationships with one another--Lyn literally says nothing about what she thinks, and even appears to be non-committal to her own feelings in the way she interacts with other characters. Erik is highly aggravated, brutally honest and unforgiving, yet he genuinely cares for Lyn's wellbeing, even though she shows no sort of reciprocation. And Bjorn, Erik's eccentric brother, is so in love with his Icelandic roots that he embraces the game as his reality, and cannot break the boundary between a time for play and a time for seriousness until it's too late.
I found myself trying to guess the next outcome in the string of events, and found that the story was, for the most part, unpredictable in a satisfying way. Just the right amount of popular archetypes were applied to the film to give it a comfortable feel of a typical story while infusing the realistic. Not all characters are heroes or villains, and not all humans see right and wrong in the same way.
I would recommend this film to just about anybody who wouldn't mind squirming in their seat, or watching something on the darker side. You won't necessarily feel like you just saw a double rainbow after watching this, but you may be able to walk away with something on the human condition.
I wasn't sure what to expect when i started this film. I really wnjoyed the fact that it combined several genres without coming off as farce. Incredible dialog, great acting, perfect production.
Você sabia?
- CuriosidadesRicky Mabe and Kaniehtiio Horn, who play Erik and Princess Evlynia, respectively, have roles in another Montreal-based film: The Trotsky (2009).
- Trilhas sonorasThes habet er ubar woroltring
Music composed by Benjamin Bagby
Based on a 9th-century text by the Alsatian monk Otfrid von Weissenburg
Performed by SEQUENTIA
Benjamin Bagby, voice & medieval harp
Norbert Rodenkirchen, medieval wooden flute
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- How long is The Wild Hunt?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Vahşi Av
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- CA$ 300.000 (estimativa)
- Tempo de duração1 hora 36 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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By what name was The Wild Hunt (2009) officially released in India in English?
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