A Jornada de Hank Williams

Tom looks and sounds remarkably like Hank Williams here. If you listen to 'Hey good lookin'' performed by Tom he pronounces 'new' with yod retention ('nyoo') but that's not a mistake due to him being English as if you listen to the Hank Williams recording he does the same! The only problem is the absence of a back story to the central characters, even Hank himself, means you don't particularly care about them or root for them, which is a shame.

'I SAW THE LIGHT': Three Stars (Out of Five)

A biopic based on the life, and death, of country and blues music legend Hank Williams. The movie stars British actor Tom Hiddleston, as Williams, and it costars Elizabeth Olsen, Cherry Jones and Bradley Whitford. It was written and directed by Marc Abraham, and it's based on the book 'Hank Williams: The Biography' (by Colin Escott, George Merritt and William MacEwen). The film underperformed at the indie Box Office, and it's gotten mostly negative reviews from critics and fans alike. I think it's about average for a biography, which means it's pretty boring stuff (despite it's involving subject matter).

The movie begins when Hank Williams (Hiddleston) was already a well known country and blues singer, and songwriter. He was also already unhappily married to Audrey Sheppard Williams (Olsen), who was also his duet partner and manager. He also already had a serious alcohol and drug problem as well. The movie chronicles his rise to fame, and further descent into health and relationship troubles, up until his very young death at the age of 29.

Hiddleston, despite not being an American actor (or especially from the South), gives an awesome performance in the film (he also did all of his own singing in it)! His performance is actually the highlight of the movie, but the character (and the music legend that he plays) should be a lot more fascinating. The movie recounts the details of his short life, and stardom, but it doesn't actually breath any real life into them; it's just not very involving at all (like it should be). Most biopics have this too annoying flaw though. The film is OK, especially for a Hank Williams fan, but then again, Hank Williams fans are the ones who should be the most eager for more.

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It's a shame that some of this film's structural flaws will keep many from seeing one of the best on screen performances I've seen in years. Hiddleston's Hank Williams is a masterful creation: haunting, driven and soulful with the added bonus of Hiddleston doing his own singing and playing (no lip-syncing) including Hank's famous yodel.

While the film would have benefited with less marital squabbling and more music, it nonetheless takes one on an gripping journey of an American music icon's tragic life and short but amazing career.

Elizabeth Olson as Audrey, William's headstrong wife, does a fine job but I could have done with less of their relationship story and more about Hank's musical process. Cherry Jones is also excellent as Hank's bossy mom.

The stellar singing in the opening segment is worth the price of admission.

Chris Hemsworth may have gotten the lead in Thor but it was Mr. Hiddleston who became the movie star.

I don't know much about Hank Williams other than his name is legendary in country music, but I do know Hiddleston and I loved his performance in this movie. He was charming,charismatic and very different from a lot of things I've seen him it (quite possibly due to his weight loss for the part). I Saw the Light if anything, is a testimony of his skills.

Elisabeth Olsen was great in the film too in her supporting role as Hank's first wife. Olsen and Hiddleston show they were great together on screen.

The movie takes some getting use to as it's not your typical biopic. It takes a low tone on how the story is told and somehow is all over the place without being all over the place. It relies greatly on Hiddleston's personality to tell you the story of Hank Williams the the movie itself is not saying much of.

I saw that a few country music fans did not like the movie and what it says about Hank Williams, and I get that. If you are a fan of Tom Hiddleston however, it's not a bad watch.

Greetings again from the darkness. Most Hollywood musical biopics follow a similar and predictable structure, which is why Walk Hard: The Dewey Cox Story was so easily able to parody the genre. Of course, the legendary singer/songwriter Hank Williams deserves more than predictable storytelling … but unfortunately, that's exactly what he gets here.

Tom Hiddleston delivers a spot on physical impersonation of Hank – right down to the slightly hunched over (due to Spina Bifida Occulta) posture and bouncy onstage waggle. Yes, the very British Tom Hiddleston, who plays Loki in The Avengers and Thor movies, has managed to capture the presence of one of the all-time great Country and Western icons. Mr. Hiddleston worked on the beloved songs with Rodney Crowell and delivers some very nice singing - so nice in fact that the singing is distracting and misleading. Hank Williams sang his songs in angst … a tortured soul seemingly without choice in his need to share his art. No one could be expected to perform with that emotion, and the void is obvious.

As source material, director Marc Abraham (Flash of Genius, 2008) utilizes "Hank Williams: The Biography" co-written by George Merritt, Colin Escott, and William MacEwen. It may be the least creative title possible for a biography, and the movie correlates perfectly. We track Hank's early days as a struggling singer whose dream is to someday perform on the hallowed stage of The Grand Ole Opry, to his gas station marriage to Audrey May (Elizabeth Olsen), through his alcoholism, drug use, womanizing, superstardom, fall from grace, and ultimately tragic death at the age of 29.

Despite the nature of Williams' short life, the film only skims the surface and rarely digs too deeply. The steady stream of women/wives is difficult to track … perhaps that's the point. Audrey is the only one who gets much screen time and Ms. Olsen plays her as an ambitious shrew who comes across as impossible to like and as unwilling to work at the relationship. A staggering number of Hank Williams songs are embedded as merely interludes separating scenes of misery for all involved … especially Hank, who seems to find little joy in life.

We've all seen the destruction that fame often leads to, and when combined with Hank's painful back disorder and relentless alcoholism, it's little wonder his body simply surrendered at such an early age. The movie just seems a bit too high-gloss for such a tortured soul, and despite the best efforts of Tom Hiddleston, the film is not worthy of someone who left the musical legacy of Hank Williams.