A história de Agnes - a esposa de William Shakespeare - enquanto ela luta para lidar com a perda de seu único filho, Hamnet. Uma história humana e comovente que serve de pano de fundo para a... Ler tudoA história de Agnes - a esposa de William Shakespeare - enquanto ela luta para lidar com a perda de seu único filho, Hamnet. Uma história humana e comovente que serve de pano de fundo para a criação da peça mais famosa de Shakespeare.A história de Agnes - a esposa de William Shakespeare - enquanto ela luta para lidar com a perda de seu único filho, Hamnet. Uma história humana e comovente que serve de pano de fundo para a criação da peça mais famosa de Shakespeare.
Em breve
Lançamento em 15 de janeiro de 2026
- Prêmios
- 37 vitórias e 196 indicações no total
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Hamnet is a film that genuinely surprised me. It took quite a while before I finally made the decision to see it in theaters, largely because it never felt like a priority viewing. On paper, it seemed like one of those historical dramas that might be beautifully made but emotionally distant or even dull. I fully expected a slow, academic experience rather than something that would truly resonate.
That expectation could not have been more wrong. From the moment the film begins, Hamnet reveals itself as a deeply intimate and emotionally devastating story. Rather than functioning as a traditional Shakespeare biopic, the film focuses on the quiet, personal tragedy behind the legend-specifically the love between William Shakespeare and his wife, and the unbearable loss of their son. This grounding approach makes the story feel raw, human, and painfully relatable.
What works especially well is how the film explores grief as something corrosive and isolating. Shakespeare's absence during his son's death becomes a wound that never heals within the marriage. His wife's resentment feels earned and heartbreaking, not exaggerated for drama. Their relationship slowly fractures under the weight of loss, and the film never tries to soften that reality or provide easy forgiveness.
The structure of the film is also surprisingly accessible. While Shakespearean language appears during the stage performances, the film itself avoids drowning the audience in heavy dialogue. This "play within the film" approach allows viewers to appreciate the artistry without feeling alienated or lost. It keeps the emotional focus on the characters rather than the language.
The mystical undertones involving the wife's lineage as the daughter of a forest witch add an eerie, poetic layer to the story. These elements feel symbolic rather than fantastical, reinforcing themes of fate, intuition, and unresolved sorrow. It gives the film a distinct identity, separating it from more conventional Shakespeare adaptations that often feel repetitive or overly theatrical.
Ultimately, Hamnet stands out because it refuses to follow the familiar rhythms of Shakespeare-centered films. Instead of spectacle, it offers intimacy. Instead of reverence, it offers vulnerability. It's a haunting, powerful experience that lingers long after the credits roll, proving that even well-trodden historical ground can feel fresh when approached with honesty and emotional courage.
That expectation could not have been more wrong. From the moment the film begins, Hamnet reveals itself as a deeply intimate and emotionally devastating story. Rather than functioning as a traditional Shakespeare biopic, the film focuses on the quiet, personal tragedy behind the legend-specifically the love between William Shakespeare and his wife, and the unbearable loss of their son. This grounding approach makes the story feel raw, human, and painfully relatable.
What works especially well is how the film explores grief as something corrosive and isolating. Shakespeare's absence during his son's death becomes a wound that never heals within the marriage. His wife's resentment feels earned and heartbreaking, not exaggerated for drama. Their relationship slowly fractures under the weight of loss, and the film never tries to soften that reality or provide easy forgiveness.
The structure of the film is also surprisingly accessible. While Shakespearean language appears during the stage performances, the film itself avoids drowning the audience in heavy dialogue. This "play within the film" approach allows viewers to appreciate the artistry without feeling alienated or lost. It keeps the emotional focus on the characters rather than the language.
The mystical undertones involving the wife's lineage as the daughter of a forest witch add an eerie, poetic layer to the story. These elements feel symbolic rather than fantastical, reinforcing themes of fate, intuition, and unresolved sorrow. It gives the film a distinct identity, separating it from more conventional Shakespeare adaptations that often feel repetitive or overly theatrical.
Ultimately, Hamnet stands out because it refuses to follow the familiar rhythms of Shakespeare-centered films. Instead of spectacle, it offers intimacy. Instead of reverence, it offers vulnerability. It's a haunting, powerful experience that lingers long after the credits roll, proving that even well-trodden historical ground can feel fresh when approached with honesty and emotional courage.
Hamnet is a film that feels almost unbearably intimate, as if we've been granted access to a private grief that was never meant for our eyes. The lead actors deliver performances so raw and tremulous they feel lived-in rather than acted, turning every glance and hesitation into something quietly devastating. Each scene unfolds with the fragility of a memory you're afraid to touch and so close to melodrama and melancholy that it threatens to tip over, yet always pulls back into something truer. The film's restraint becomes its greatest power, allowing quiet ache to bloom where spectacle could have easily taken over.
By its final act, Hamnet reveals why this story had to be told at all. Everything, the lingering looks, the muted sorrow, the tension between love and loss, suddenly locks into place with heartbreaking clarity. If you know Shakespeare even a little, the film reshapes him entirely, reframing pieces of his legacy you didn't know were fractured. It is deeply moving in a way that feels personal and unguarded, the kind of emotional honesty that reaches in and gently breaks something open inside you. You will cry. Not because the film demands it, but because it earns it. It's slowly, intimately, profoundly.
By its final act, Hamnet reveals why this story had to be told at all. Everything, the lingering looks, the muted sorrow, the tension between love and loss, suddenly locks into place with heartbreaking clarity. If you know Shakespeare even a little, the film reshapes him entirely, reframing pieces of his legacy you didn't know were fractured. It is deeply moving in a way that feels personal and unguarded, the kind of emotional honesty that reaches in and gently breaks something open inside you. You will cry. Not because the film demands it, but because it earns it. It's slowly, intimately, profoundly.
Watched at the 2025 Toronto International Film Festival.
A beautiful, emotional, and raw tale about the tale of loss, romance, bonds, family, and the surroundings world of the Shakespeare family. I'm so happy Chloe Zhao is back to her roots as her direction on the atmosphere, writing, characters and tone is absolutely remarkable. On exploring the characters, their conflicts and movements, and emotions, within the gorgeous production designs, beautiful camerawork, sound designs and strong powerful direction on the themes and tone was balanced, creative and excellent. Zhao works well on exploring on the normal individuals lives revolving around social class, community and lives. While unlike focusing on the modern era, still, Zhao's approach with the classic era still remains powerful and effective.
The characters were interesting as observing the lives of a couple dealing with their problems, their goals, and the emotions gathering between is pretty good. Especially the performances as Paul Mescal, Jessie Buckley and the rest of the cast were fantastic. I'm so happy to see Buckley receiving more recognition as she is very talented and deserves it.
The dialogue is pretty good, the musical score is great, and the writing, although admittedly, certain writing concepts didn't fully work at some points, was engaging, interesting and offered some pretty great themes to explore. Coming out from my screening, I'd overheard some calling this Oscar Bait and I disagree, Oscar Bait movies are much more forced, pretentious and those trying so hard to be so grand and excellent. Hamnet doesn't feel forced, it feels genuine, raw, realistic and at times, a good neo-realism.
Overall, I'm happy for Zhao to be back in her roots for what she is very good with. Definitely one of the best movies from the festival so far.
A beautiful, emotional, and raw tale about the tale of loss, romance, bonds, family, and the surroundings world of the Shakespeare family. I'm so happy Chloe Zhao is back to her roots as her direction on the atmosphere, writing, characters and tone is absolutely remarkable. On exploring the characters, their conflicts and movements, and emotions, within the gorgeous production designs, beautiful camerawork, sound designs and strong powerful direction on the themes and tone was balanced, creative and excellent. Zhao works well on exploring on the normal individuals lives revolving around social class, community and lives. While unlike focusing on the modern era, still, Zhao's approach with the classic era still remains powerful and effective.
The characters were interesting as observing the lives of a couple dealing with their problems, their goals, and the emotions gathering between is pretty good. Especially the performances as Paul Mescal, Jessie Buckley and the rest of the cast were fantastic. I'm so happy to see Buckley receiving more recognition as she is very talented and deserves it.
The dialogue is pretty good, the musical score is great, and the writing, although admittedly, certain writing concepts didn't fully work at some points, was engaging, interesting and offered some pretty great themes to explore. Coming out from my screening, I'd overheard some calling this Oscar Bait and I disagree, Oscar Bait movies are much more forced, pretentious and those trying so hard to be so grand and excellent. Hamnet doesn't feel forced, it feels genuine, raw, realistic and at times, a good neo-realism.
Overall, I'm happy for Zhao to be back in her roots for what she is very good with. Definitely one of the best movies from the festival so far.
10JaycusB
Paul Mescal gives a breathtaking performance in Hamnet. His acting is powerful, emotional, and so natural that every moment feels real. The film itself is beautifully directed, visually stunning, and full of heart. It's a deeply moving story that stays with you long after watching. A masterpiece - one of the best films of the year!
What do You see?
No words can fully describe the immense talent of Chloé Zhao.
Jessie Buckley Is an Absolute force of Nature,Her perfomance Amazing and Heartbreaking gut punch.
The screenplay,cinematography, and the music make for an incredible film about grief and acceptance.
The last 20 minutes are faithful to the book and so powerful.
Keep your Heart Open.
No words can fully describe the immense talent of Chloé Zhao.
Jessie Buckley Is an Absolute force of Nature,Her perfomance Amazing and Heartbreaking gut punch.
The screenplay,cinematography, and the music make for an incredible film about grief and acceptance.
The last 20 minutes are faithful to the book and so powerful.
Keep your Heart Open.
How 'Hamnet' Shows a New Side of Shakespeare
How 'Hamnet' Shows a New Side of Shakespeare
IMDb spoke to Hamnet star Paul Mescal (William Shakespeare) and director Chloé Zhao about how the biographical drama uncovers a new side of Shakespeare that goes beyond his writing.
Você sabia?
- CuriosidadesWhile the name of Shakespeare's wife is usually spelled Anne Hathaway, in legal documents her father spelled her name Agnes. In the early modern period it was common for names to have alternate spellings. Maggie O'Farrell chose to use the name Agnes for her protagonist.
- Erros de gravaçãoWhen William Shakespeare is playing Hamlet's father's ghost when Hamlet is being performed towards the end, Agnes expresses surprise that William is performing in the play. In reality, William Shakespeare's primary occupation during his lifetime was as an actor. It was where his steady income came from, and, thus, his wife would have been aware of him as an actor.
- ConexõesFeatured in Today: Episode dated 21 November 2025 (2025)
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- How long is Hamnet?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Hamnet
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 30.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 10.367.755
- Fim de semana de estreia nos EUA e Canadá
- US$ 932.278
- 30 de nov. de 2025
- Faturamento bruto mundial
- US$ 10.482.178
- Tempo de duração
- 2 h 5 min(125 min)
- Cor
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