Enxame

Pretty much a must for Donald Glover fans, granted it might have benefited from a little Lakeith Stanfield/Darius energy.

I've said elsewhere that horror is not my cup of tea, but this film has more going on then just the grisly. That said, are bodies the new car crashes for film. (As a youth my mind would drift elsewhere during the requisite automotive destruction, these days must I do the same as a body is bludgeoned. Sigh...)

Anyways, this short 7-episode series covers a lot of territory, and not just on the Wuronos trail.

Do you lose yourself in celebrity adoration?

Do you lose yourself in a nasty family upbringing?

Do you lose yourself in a dank nightclub?

Can you lose yourself in a new town/identity?

Do you lose yourself in a relationship? (Actually thought a relationship might save the lead character at one point).

These various deviation points (and the whole "Cop" episode, easily the funniest) might make this less rewarding for some viewers who want a consistent feel and flavor. But did you watch "Atlanta?" Glover get bored before his audience does, and that to me is a good thing!

That and the ugly duckling uglier transformation of Dominique Fishback made this a two-night binge success for me. Even if there is the sad element that black women have to work twice as hard to kill half the number of people.

Anyways if any of my reviews irritate you so much I make your target list, let's have lunch first (no steak knives please) and talk about the things we have in common.

This show did none of the things I expected it to. A fantastic character study with captivating performances and cinematography, and creative sound design. The pacing was a perfect mix of exciting and artistic violence with periods of contemplation.

While I'm not up to date on all the Beyonce drama, I thought this was an engaging look at obsession and the extremes it can be pushed to.

I really love Glover's touch with the camera. He's not afraid of long still shots and extreme closeups, and there's never a boring shot. And I cannot praise the sound design and soundtrack enough. The buzzing bees and ominous stingers (no pun intended) when Dre's psyche are tested add so much suspense and reminded me of Candyman in the best way.

I'm on the old side (50s) and not the target market, but I have to say that I'm really enjoying this series. Basically, it's about an obsessed fan and her murderous journey as a superfan of the Beyonce-inspired pop figure Ni'Jah.

As others have noted, it is slow, but I'm enjoying the buildup and character revelations. Unfortunately, it's probably too slow for a younger audience, but oldies like me grew up with slow so I've got no problem with it. For a series, it's filmed, edited and scripted in a very cinematic way. I do love all the oversatured colors and the monotonous, grinding soundtrack. Paris Jackson shows off her screen presence and great comic timing in a small role.

What I like is that the main character, played by Dominique Fishback, comes across as an actual person, living an ordinary life punctuated by flashes of mayhem and murder. She's not all that sympathetic, but almost like a lost soul whose obsession with food and her idol are the driving forces in her life. Dominique plays her as a blank canvas who slips on various personalities, depending on the situation. She incredibly talented in this role, because you can see the psychopath within at every turn and that's not an easy thing to achieve.

I'm not sure where it's going and that's what keeps me watching.

Odd series that ends with a curious finale. There is no solid word on whether this was a mini-series or the beginning of a series and I'm not sure if I really want more, though I'd like to know more about that ending. This is a violent oddity about obsession and grief from the fragile, very damaged and very dangerous mind of a young delusional woman. I think this would have made a better movie as some of this feels a bit dragged out, though it's never uninteresting. The main thing to talk about though is the lead actress, Dominique Fishback. She is excellent and has the most amazing chameleon like ability to change her physical appearance in so many ways throughout these three and a half hours. I was fascinated by her. There are a lot of characters in this, many of which turn up dead, but all the actors are very fine. Billie Eilish makes her acting debut here and at this point in time she is just really playing Billie Eilish, but she is an effective presence with promise. I've no idea as to why Rory Culkin is in this other than to show off his body, all of it, in his very small role. Again, this is an odd series certainly not for everyone and not for anyone who has a problem viewing violence. It pretends to be based on real characters and I'm not sure why, but by informing us of that at the beginning of every episode, one kind of expects an entire story. We don't really get one.

Nabers and Glover's artful and granular slasher/stalker series arrived with a tonne of weight and expectation around it but it ended up feeling a little unfinished. I was mainly here for the fantastic Fishback, who is brilliantly droll as the murderous and delusional Dre. I hope this proves to be her springboard to mega stardom. Swarm is strongest when it uses Dre to skewer contemporary pretences and conversations, and weakest when it lurches into step with dull serial killer tropes. There are some fantastic performances beyond Fishback, including a surprisingly engrossing turn from Billie Eilish of all people. A diverting experiment but outside of some memorable moments it doesn't really coalesce into anything that feels meaningful.