AVALIAÇÃO DA IMDb
6,9/10
12 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaDuring the First Lebanon War in 1982, a lone tank and a paratroopers platoon are dispatched to search a hostile town.During the First Lebanon War in 1982, a lone tank and a paratroopers platoon are dispatched to search a hostile town.During the First Lebanon War in 1982, a lone tank and a paratroopers platoon are dispatched to search a hostile town.
- Direção
- Roteirista
- Artistas
- Prêmios
- 17 vitórias e 15 indicações no total
Ashraf Barhom
- 1st Phalangist
- (as Ashraf Barhum)
Byan Anteer
- Lebanese Father
- (as Bian Antir)
Fatima
- Lebanese child
- (as Fatma)
Khaled Salam
- Lebanese Boy
- (as Khaled Salama)
Arie Tcherner
- Cornelia
- (as Arye Cherner)
Avaliações em destaque
"Man is steel, the tank is only iron." Sign inside the Israeli tank.
Lebanon is a claustrophobic cinema verite about an Israeli tank patrolling the First Lebanon War in 1982. On its way with paratroopers to survey a leveled, hostile town, the tank encounters enemies, and the inconvenience, boredom, and terror of living inside an iron box with not even enough room to pee. The above sign is amply ironic about the decidedly unsteel-like humans. The voice of Central Command coming over the communication network reminds me of Pinter or Beckett, ominous and remote, not anyone's idea of a benevolent god.
Comparisons have been made between this film and Das Boot (1981), the memorable submarine movie, also mostly shot inside the warship. However, Das Boot seems like a 4000 square foot condo next to Lebanon's 600 square apartment, so much more room does the sub seem to have with walking and just standing upright. Comparisons also have been made with last year's Oscar winner, The Hurt Locker. Their minimalism has much in common, but Hurt Locker gives richer characters and more breathing space.
The conflicts in Lebanon besides the grubby, grueling tank interior include the choice of shooting the enemy or not. The Solomon choices of blasting or not a car with passengers, a farmer's truck, and a young boy are dramatically intense. Also, when a Syrian prisoner is taken, the choice of how to treat him is not so easy because a supposedly helpful but devious Phalangist (Christian Arab) may want to torture him, unbeknownst to the Israelis.
The close up camera work is expertly done as it invites the audience to look while being repulsed at the same time, not an easy cinematic feat. The first and last shots of a sunflower field are another ironic touch.
This is a film to help us understand the harrowing life of soldiers and the ambiguous morality of war.
Lebanon is a claustrophobic cinema verite about an Israeli tank patrolling the First Lebanon War in 1982. On its way with paratroopers to survey a leveled, hostile town, the tank encounters enemies, and the inconvenience, boredom, and terror of living inside an iron box with not even enough room to pee. The above sign is amply ironic about the decidedly unsteel-like humans. The voice of Central Command coming over the communication network reminds me of Pinter or Beckett, ominous and remote, not anyone's idea of a benevolent god.
Comparisons have been made between this film and Das Boot (1981), the memorable submarine movie, also mostly shot inside the warship. However, Das Boot seems like a 4000 square foot condo next to Lebanon's 600 square apartment, so much more room does the sub seem to have with walking and just standing upright. Comparisons also have been made with last year's Oscar winner, The Hurt Locker. Their minimalism has much in common, but Hurt Locker gives richer characters and more breathing space.
The conflicts in Lebanon besides the grubby, grueling tank interior include the choice of shooting the enemy or not. The Solomon choices of blasting or not a car with passengers, a farmer's truck, and a young boy are dramatically intense. Also, when a Syrian prisoner is taken, the choice of how to treat him is not so easy because a supposedly helpful but devious Phalangist (Christian Arab) may want to torture him, unbeknownst to the Israelis.
The close up camera work is expertly done as it invites the audience to look while being repulsed at the same time, not an easy cinematic feat. The first and last shots of a sunflower field are another ironic touch.
This is a film to help us understand the harrowing life of soldiers and the ambiguous morality of war.
I've been surfing in IMDb for a long time, but this is the first time I've ever felt the need to post a comment for a movie. I guess it really startled me. Anyway, it's probably the best war picture I've ever seen, as I already hinted in the title.
You see, the problem with war pictures is that many times they're just not good enough, but when they're too good, they reach a level of entertainment that makes me, as a viewer, "enjoy" the war and find it pleasurable, even if it wasn't the director's intention. Take "Apocalypse Now", for example, or "Full Metal Jacket" - Those movies show the Vietnam War as some sort of a spectacle, which makes the viewer enjoy the war when he should despise it.
What makes "Lebanon" so unique is that the movie is impressive and beautiful as a work of art, but in the same time it succeeds in featuring war as so horrible, that you feel disgusted and amazed in the same time.
I don't know. Maybe the fact that I served in the Israely Artillery Corps affects my judgment. When you serve inside a cannon which resembles too much the tank shown in the movie, with all the claustrophobia and disorientation involved, it might be much easier to relate to such a movie.
Anyway, this movie is not perfect. It falls to some clichés sometimes, and the acting of Oshri Cohen tends to get on my nerves, but the camera work is flawless, and the direction, mostly, is superb.
I saw another comment here which said that movies like "Bofor" and "Waltz With Bashir", which deal with the Lebanon War as well, were much better because they show the background stories of the characters shown, but I don't thing "Lebanon" needed such stories. It was good enough to show the traumatic reactions of scared young soldiers who just want to go home in the face of war.
This movie is not trying to say what is right or wrong. It simply gives you the sour taste of war as it is. I generally dislike films that feel me with anger, sadness, nausea or grief, but in this case, the movie was so good and important I feel proud I saw it.
I think everyone should see this movie. Really. It's not an easy one, and it's not perfect, but it's REAL. Too close to reality, I might add. But still. Strong and magnificent cinema.
You see, the problem with war pictures is that many times they're just not good enough, but when they're too good, they reach a level of entertainment that makes me, as a viewer, "enjoy" the war and find it pleasurable, even if it wasn't the director's intention. Take "Apocalypse Now", for example, or "Full Metal Jacket" - Those movies show the Vietnam War as some sort of a spectacle, which makes the viewer enjoy the war when he should despise it.
What makes "Lebanon" so unique is that the movie is impressive and beautiful as a work of art, but in the same time it succeeds in featuring war as so horrible, that you feel disgusted and amazed in the same time.
I don't know. Maybe the fact that I served in the Israely Artillery Corps affects my judgment. When you serve inside a cannon which resembles too much the tank shown in the movie, with all the claustrophobia and disorientation involved, it might be much easier to relate to such a movie.
Anyway, this movie is not perfect. It falls to some clichés sometimes, and the acting of Oshri Cohen tends to get on my nerves, but the camera work is flawless, and the direction, mostly, is superb.
I saw another comment here which said that movies like "Bofor" and "Waltz With Bashir", which deal with the Lebanon War as well, were much better because they show the background stories of the characters shown, but I don't thing "Lebanon" needed such stories. It was good enough to show the traumatic reactions of scared young soldiers who just want to go home in the face of war.
This movie is not trying to say what is right or wrong. It simply gives you the sour taste of war as it is. I generally dislike films that feel me with anger, sadness, nausea or grief, but in this case, the movie was so good and important I feel proud I saw it.
I think everyone should see this movie. Really. It's not an easy one, and it's not perfect, but it's REAL. Too close to reality, I might add. But still. Strong and magnificent cinema.
It sure is way better than Fury. It is also rather immersive since its been spoken in a local language. It is about men in war, not heroes, men. There is not much in the characters, but since the performances are great, you can really see that no one of them is having a nice time inside that hot, sweaty and terrifying steel box, and the fact that the whole movie is shot inside the tank and only view outside is the tanks gun sight.
Sure there are some things that aren't right, for example the tank looks too big from inside and the guys should definitely wear something in theyre head.
Anyway it sure is a very distressing, gross and terrifying war movie that isnt enjoyable to watch, that doesnt mean that it wouldnt keep me on the edge of my seat for the whole short runtime.
Sure there are some things that aren't right, for example the tank looks too big from inside and the guys should definitely wear something in theyre head.
Anyway it sure is a very distressing, gross and terrifying war movie that isnt enjoyable to watch, that doesnt mean that it wouldnt keep me on the edge of my seat for the whole short runtime.
To be sure, this movie is innovative. The point of view of the tank commander, the claustrophobic interior of the tank. But really thats all. There is no meaningful character development and no change of scene. The basic message is war is hell, but that has been done so many times before.
Essentially it is 90 minutes of various shots of dirty unshaven men complaining, tank interior rumbling, oil and blood. periscope views of the outside where civilians get killed.
To call it Das Boot in a tank is an insult to that fine film, which has great characters, proper character development, genuine suspense and a crippling emotional climax. This movie has none of those.
Added to this is a long list of inaccuracies about tanks and tank warfare that have been written about elsewhere.
There are a few token allusions to the Lebanese war, evil Phalagists and the murder of civilians. Perhaps that's why it got a prize. I am no supporter of the Israeli Defence Force, but I prefer my movies to have more depth and nuance.
Essentially it is 90 minutes of various shots of dirty unshaven men complaining, tank interior rumbling, oil and blood. periscope views of the outside where civilians get killed.
To call it Das Boot in a tank is an insult to that fine film, which has great characters, proper character development, genuine suspense and a crippling emotional climax. This movie has none of those.
Added to this is a long list of inaccuracies about tanks and tank warfare that have been written about elsewhere.
There are a few token allusions to the Lebanese war, evil Phalagists and the murder of civilians. Perhaps that's why it got a prize. I am no supporter of the Israeli Defence Force, but I prefer my movies to have more depth and nuance.
It's only so so. As mentioned before, there is no character development, the dialogue and plot is unrealistic, the movie plods, and builds to no climax or resolution. Yes, war is hell, and some people are unprepared for the human face of killing. it's all been done before. And the novelty of he entire film taking place in the tank gets old after the first 20 min. It's just not a very good movie on any terms. It starts with a lot of potential, and then goes nowhere; you never care about the characters, so you never care what happens to them. It's fine for a foreign rental, but best war movie ever? Hardly. Might want to watch Glory or Black Hawk Down again...
Você sabia?
- CuriosidadesIn the original Lebanese war, director Samuel Maoz was the gunner of his vehicle's four-man crew. He admits to killing a man during his tour of duty.
- Erros de gravaçãoThe photograph at the travel agency of the downtown New York City skyline shows the buildings of the World Financial Center, which were built several years after the movie takes place.
- ConexõesFeatured in At the Movies: Venice Film Festival 2009 (2009)
- Trilhas sonorasAna el Qwerka
Music by Mustapha Skandrani and lyrics by Mustapha Kechekoui
Performed by Sami Badra, with Vitali Podolski (accordion), Sanya Kroytor (violin) and Yisrael Bright (piano)
Principais escolhas
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- How long is Lebanon?Fornecido pela Alexa
Detalhes
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 368.088
- Fim de semana de estreia nos EUA e Canadá
- US$ 17.145
- 8 de ago. de 2010
- Faturamento bruto mundial
- US$ 1.286.008
- Tempo de duração
- 1 h 33 min(93 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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