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Alicia Vikander's is stunning. Her highly intuitive, effortless and evocative acting talent reminds me in some ways of Jennifer Lawrence in "Winter's Bone." Or Frida Hallgren or Helen Sjöholm in "As It Is in Heaven" (Så som i himmelen).

I could have imagined the movie going in several different directions –– and I did, and wondered throughout. For a more "feel good" experience, I might have preferred a couple of them. Still, it's an intriguing and thought-provoking little movie and well worth the time and effort. Some pretty big lose ends notwithstanding.

Good acting throughout.

Bravo!

Awful film - not one star only, because of some good acting and some good cinematography! Artsy-fartsy story about classical music and poetry as well as (the film-makers want us to think) love. A conductor has an affair with a 31-year-old younger receptionist, and they actually want us to think that it's romantic and beautiful. When he talks about music, art or literature, it's nothing less than ridiculous. I'm a musician myself, and if I ever worked with a conductor, speaking such nonsense, I made sure that either he or I quit the job. I don't know towards what kind of audience this picture is directed, but it certainly won't satisfy people who know anything about art or classical music, and is very unlikely to convince viewers who don't - unless they pretend that they do. I'm afraid, there's plenty of those, since the film was quite a success.

Well, the script might raise some questions at some points but this doesn't really matter. The intensity, the power and credibility of Alicia Vikanders' performance in this movie blows away the story lines. The sober direction of the movie underlines her performance. One of the best performances I've seen in the last years.

The script is touching many subjects such as poverty, coming-to-age and gender issues, without digging deep in any of them. It is the acting which gives the depth of the emotion to this movie. When she is asked to dance in front of the conductor in a most humiliating way, the scene is so painful that the buildup to the climax feels almost logical emotionally. This is not about ethics, but during the movie, you get dragged into the wild emotions of Katarina. And this is to me the essence of the movie: a young wild women fighting her way through a very troubled life. I don't think the director intends to ask our approval or even sympathy, but wants us to take a journey on the emotional roller-coaster of Katarina, so brilliantly performed by Alicia Vikander. Simply breathtaking.

Music can change your life.

Everyone has experienced this at one time or other and this is the heart of Pure.

In this edgy immensely engaging drama a working-class girl with a borderline personality finds her life's passion in classical music.

The story is not what you could call enticing however the film is a triumph. Next to more prestigious and lauded films, such as Black Swan and Fish Tank, Pure is hands down the easy winner in terms of acting, directing and all round film-making. Alicia Vikander is now breaking out internationally as an actress in Anna Karenina and Royal Affair but once you see this film it is no surprise, she is heart-breaking and awesome in this.

I actually applauded in the screening I saw, this was during the film because of a plot twist and reflected the quality of the film and the brilliance of the script.

Catch this underrated gem as soon as you get the chance. Ken Loach should be worried, there's a new kid on the block and her name is Lisa Langseth.

Great to see a strong female lead, with full-on anger management issues, as if that were the most natural thing in the world. She's got plenty to be pissed about.

Vikander aces her first full feature. You can see why, her career kicked on from there. But I lean towards the lesser end of the User Reviews.

The music and philosophy props don't seem deeply felt, or played. The ingenue's progression with the older male, you've seen it all before.

How it subverts itself, you haven't seen that too many times. Brava!