Jack Harper, um reparador de drones trabalhando na Terra que foi devastada pela guerra com extraterrestres, começa a questionar o que sabe sobre sua missão e sobre si mesmo.Jack Harper, um reparador de drones trabalhando na Terra que foi devastada pela guerra com extraterrestres, começa a questionar o que sabe sobre sua missão e sobre si mesmo.Jack Harper, um reparador de drones trabalhando na Terra que foi devastada pela guerra com extraterrestres, começa a questionar o que sabe sobre sua missão e sobre si mesmo.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória e 17 indicações no total
David Benyena
- Grow Hall Survivor
- (as David Madison)
John L. Armijo
- NASA Ground Control
- (não creditado)
Fileena Bahris
- Survivor
- (não creditado)
Joanne Bahris
- Tourist
- (não creditado)
Andrew Breland
- Survivor
- (não creditado)
Suri Cruise
- Jack's Daughter
- (não creditado)
Z. Dieterich
- Survivor
- (não creditado)
Paul Gunawan
- Survivor
- (não creditado)
Julie Hardin
- Librarian
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Oblivion is nine years old as I write this, and in perusing the reviews written when it opened, they have aged far less well than the movie.
Those reviews are mostly concerned about whatever the hell Tom Cruise was going through at the time, or obsessed with obscure symbolism in the production design.
For whatever reason, it appears the reviewers couldn't get over themselves enough to just watch the movie and evaluate it on its merits.
On the off chance this film has escaped your attention, it is well worth two hours of your time. It is solidly acted and produced, has first class effects, and a spectacular location. The story combines some emotional heft with a clever and satisfying twist at the end.
I watched it again, but this time with my SciFi hating wife. She protested initially, watched the entire thing, and then thanked me for getting her to watch it afterwards.
That's as good as it gets.
Those reviews are mostly concerned about whatever the hell Tom Cruise was going through at the time, or obsessed with obscure symbolism in the production design.
For whatever reason, it appears the reviewers couldn't get over themselves enough to just watch the movie and evaluate it on its merits.
On the off chance this film has escaped your attention, it is well worth two hours of your time. It is solidly acted and produced, has first class effects, and a spectacular location. The story combines some emotional heft with a clever and satisfying twist at the end.
I watched it again, but this time with my SciFi hating wife. She protested initially, watched the entire thing, and then thanked me for getting her to watch it afterwards.
That's as good as it gets.
Reading through the previous reviews, I find myself agreeing with the negative reviews in one sense, but still disagreeing overall. I walked away quite liking this movie.
Most of the complaints are around technical/realism stupidities, or else being a rip-off of previous movies.
Re stupidities: there are plenty, most of the negative reviews are correct, but they miss the point, which is given a more or less silly premise, do the characters fulfill their struggle properly.
For me the answer is strong yes, I tend to respond to the emotions a movie is trying to convey, ultimately this is a story of loss and love, a nice universal theme that always resonates.
Given that theme, the movie's style, effects, music all worked really well to reinforce that. I liked all the performances.
Be careful about critiquing modern SF movies about technical stupidities too much. Most of these have a fatal flaw that would destroy most of them. How about the likelihood of star travel? OK, you have to grant that otherwise most SF movies pretty much fall flat.
But still, the basic premise is not realistic: a star faring race, searching for energy, is not going to bother going to earth for its water, that is so much more easily available anywhere else, energy itself is much more easily accessible without playing with water for fusion, just stay with your own star, mine your own asteroid belt or gas giants.
Sure, it makes no sense for the Tet to make and use human clones, but given that, do we have a good story? I think so.
To me, valid criticisms are when characters, immersed in their realities such as they are, do not act true to their nature. And thus a movie like Prometheus failed since there the highly trained biology experts acted like complete morons.
But that is not the case here. In this movie we have passion, loss, and love, the struggle to persevere.
Plus the drones looked really really cool.
Re copying other movies: get over it. This movie is distinct enough to feel its own. I saw and loved Moon (which granted is the better movie), but I enjoyed this one for what it was.
I think it helped for me to not see any trailers, and to come in with low expectations after hearing about bad reviews.
Most of the complaints are around technical/realism stupidities, or else being a rip-off of previous movies.
Re stupidities: there are plenty, most of the negative reviews are correct, but they miss the point, which is given a more or less silly premise, do the characters fulfill their struggle properly.
For me the answer is strong yes, I tend to respond to the emotions a movie is trying to convey, ultimately this is a story of loss and love, a nice universal theme that always resonates.
Given that theme, the movie's style, effects, music all worked really well to reinforce that. I liked all the performances.
Be careful about critiquing modern SF movies about technical stupidities too much. Most of these have a fatal flaw that would destroy most of them. How about the likelihood of star travel? OK, you have to grant that otherwise most SF movies pretty much fall flat.
But still, the basic premise is not realistic: a star faring race, searching for energy, is not going to bother going to earth for its water, that is so much more easily available anywhere else, energy itself is much more easily accessible without playing with water for fusion, just stay with your own star, mine your own asteroid belt or gas giants.
Sure, it makes no sense for the Tet to make and use human clones, but given that, do we have a good story? I think so.
To me, valid criticisms are when characters, immersed in their realities such as they are, do not act true to their nature. And thus a movie like Prometheus failed since there the highly trained biology experts acted like complete morons.
But that is not the case here. In this movie we have passion, loss, and love, the struggle to persevere.
Plus the drones looked really really cool.
Re copying other movies: get over it. This movie is distinct enough to feel its own. I saw and loved Moon (which granted is the better movie), but I enjoyed this one for what it was.
I think it helped for me to not see any trailers, and to come in with low expectations after hearing about bad reviews.
The trivia tells us that this is based on a comic book that director joseph kosinski wrote in 2005 but was never published. The story takes place in 2077, just after the "memory wipe" that jack (cruise) describes for us. And the invasion by space travelers, which destroyed most of the cities and made living on the surface mostly impossible. Some great special effets. The control panels, the copter, even the wrecked surface of the planet. Jack is tasked with protecting the structures that support the floating living quarters for the remaining population. I LOVE the mini moto that jack rides around on... kind of like a george jetson briefcase that folds and unfolds. Google it. Some beautiful scenery of iceland, and various film locs in the united states. When another human from the past crash lands, we're not sure what her mission is, or who's side she is on. Some really good suspense, while we wait for answers. Especially when morgan freeman is involved. Really good sci-fi stuff!
I never gave this a chance when it was released. It received mediocre reviews and it just kinda fell off my radar.
I have to agree with others and say it's definitely underrated. Great plot (minus a few plot holes), amazing acting, cgi looks awesome (it's just as good as modern movies or better even though this is a decade old).
I've noticed a lot lately that if I go back to the mid 2010's or earlier I find a lot of good movies. It just shows you how far Hollywood has fallen off. Weirdly CGI seems to peak around that time and then studios just got lazy or something and cheaper out with bad graphics and bad writing.
I have to agree with others and say it's definitely underrated. Great plot (minus a few plot holes), amazing acting, cgi looks awesome (it's just as good as modern movies or better even though this is a decade old).
I've noticed a lot lately that if I go back to the mid 2010's or earlier I find a lot of good movies. It just shows you how far Hollywood has fallen off. Weirdly CGI seems to peak around that time and then studios just got lazy or something and cheaper out with bad graphics and bad writing.
For decades it has been an accepted fact of life in Hollywood that, no matter how good the movie, endings are a write-off.
Hollywood has learned the hard way that, no matter how good the film (or the book on which it is based) it is impossible to do an ending which satisfies the writer, the director, the producers, the critics, the audience and (duh!) reviewers like this one.
That is why, for literally as long as there have been movies, endings are changed at the last minute; and often even multiple endings are shot so that survey groups can be brought in to make the final choice.
The reason I gave this brief lecture on the importance of endings is simple -- going into the last 20 minutes, this was a rock solid film with a rock solid script and rock solid performances.
But the ending was ... perfect.
And perfect endings are so rare these days that I needed to write a review for posterity that does nothing except note this for future readers and future viewers.
Are we still an effective team???????????
Hollywood has learned the hard way that, no matter how good the film (or the book on which it is based) it is impossible to do an ending which satisfies the writer, the director, the producers, the critics, the audience and (duh!) reviewers like this one.
That is why, for literally as long as there have been movies, endings are changed at the last minute; and often even multiple endings are shot so that survey groups can be brought in to make the final choice.
The reason I gave this brief lecture on the importance of endings is simple -- going into the last 20 minutes, this was a rock solid film with a rock solid script and rock solid performances.
But the ending was ... perfect.
And perfect endings are so rare these days that I needed to write a review for posterity that does nothing except note this for future readers and future viewers.
Are we still an effective team???????????
Você sabia?
- CuriosidadesThere were ten days of location shooting in Iceland, where daylight lasted virtually 24 hours. Joseph Kosinski wanted to make a film that was very much based in daylight, considering that a lot of classic sci-fi movies like Alien - O 8º Passageiro (1979) and Blade Runner: O Caçador de Andróides (1982) were shot in near darkness.
- Erros de gravaçãoShortly before the end of the film, Jack listens to the contents of the black box which he found in the crashed crew module with the hibernating "Odyssey" crew members. The recorded cockpit conversation between Victoria and Jack goes on after sealing off the module with other crew members and even continues after jettison of the module. At first glance it seems the cockpit conversation could no longer be on the black box, but the system could have been transmitting the recorded conversation to the crew module with the black box.
- Citações
Jack Harper: If we have souls, they are made of the love we share... undimmed by time and bound by death.
- Cenas durante ou pós-créditosThe Universal logo features the Earth in its ruined state in 2077 in the film, with the logo's letters rusted.
The Tet space station is seen orbiting the world.
- Versões alternativasThe film's IMAX release presented the film open-matte, at an aspect ratio of 1.90:1, meaning there was more picture information visible in the top and bottom of the frame than in normal theaters and on home video.
- ConexõesFeatured in Projector: Oblivion (2013)
- Trilhas sonorasRamble On
Written by Robert Plant, Jimmy Page
Performed by Led Zeppelin
Courtesy of Atlantic Recording Corp.
By arrangement with Warner Music Group Film & TV Licensing
Principais escolhas
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Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Oblivion: El tiempo del olvido
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 120.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 89.107.235
- Fim de semana de estreia nos EUA e Canadá
- US$ 37.054.485
- 21 de abr. de 2013
- Faturamento bruto mundial
- US$ 286.168.572
- Tempo de duração
- 2 h 4 min(124 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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