Fuga de Mogadíscio

This movie about a political rift between diplomats from north and south Korea in a respectful way as possible. Moreover what baffles me is the way they portrayed the environment and surroundings which looked actually like a apocalypse.

Its a nice film do watch .

It was entertaining, and I got to learn a little bit about history as well. While it was predictable in parts, I still enjoyed the chase scenes and the drama. The acting and music was pretty well done. Turns out, the movie was filmed in Morocco, and not in Somalia, for obvious reasons. So, they had to create an elaborate set and making a movie of this scale, with these many people involved must not have been easy.

The only gripe I have is the that moviemakers seriously need to rethink how they use "Bullets flying everywhere" part. It's 2021! 10s of people firing 100s of bullets out in the open and the bad guys really THAT incompetent? This plot convenience makes me roll my eyes every time, but oh well.

Overall, the story is about humanity and how we must put our differences aside and help each other out. It's nothing mind-blowing, but it's worth your 2 hours if you can look past the bullets flying everywhere. Easier said than done, as the movie shows. If you enjoyed movies like Argo, you might want to watch this one.

This movie is South Korea's entry for the Best International Picture at the Oscars 2022. - Not sure if it'll make it to the shortlist, but lets see.

South Korea's Argo. While this film is an action film about Somalia, it is more profoundly a film about the sad divide along the Korean Penninsula. The entire ensemble cast of this film is praiseworthy. Whether playing the North and South Korean Diplomats and their families, the Somalia government soldiers, or the key rebel soldiers. All are in top form and immerse the viewer in a world of chaos, fear, and confusion that is unmatched by the majority of films of the past decade.

Movies of this type dealing with escape from civil war like 13 hours, Black Hawk Down, Hotel Rwanda and Argo, each have their good points and unique perspective. I found Escape from Mogadishu to be the most all round entertaining movie of this genre. It has the good elements of each of those movies and the result is a scary thriller that shows the horrors of being caught in a civil war and yet has individual civilian characters that are are involving and easily identifiable so it's more tense than just a soldier vs rebels story like BHD. Firstly the action scenes including street battles and car escape are outstanding even if you think you've seen it before. The murderous rebels are scarier than any zombie horror movie. The director had just the right touch balancing excitement and some humor now and then to keep things from getting overwrought. The twists and turns of escaping and the North South diplomatic complications are interesting. Everything is good about this movie, the story, the pace, the cinematography, the direction, and the production values. S Korea has done it better than Hollywood again.

It looked more like a documentary shot and recorded by a journalist and his camera man. I don't know how this Korean director did it, but it just blow my mind. The riot on the streets, the beatings, the killings, the storming assaults on those foreign embassies' buildings, it's just so top-notched directing. As to the Korean part, whether they played the roles from either side of the 30-octave north latitude, all well acted, albeit sometime had to be a bit of overly dramatic to show how people would have acted under extreme danger.

I don't care about some viewers' narrow-minded complaints, saying this movie was not made in Somali, all the people were not real Somalians. Well, why it should be made in Somali? Why you had to hire the REAL Somali actors or people to play those roles? If we shoot a movie about Nazi or Nazi Germany, do we have to hire REAL Nazis or it won't look real? This is a movie, okay? All I can say is that most part of this movie just looked so real, absolutely incredible and terrifying.