A Garota da Capa Vermelha

I wasn't sure whether I wanted to see this movie. I am not a fan of the Twilight movies(the first of which Catherine Hardwicke also directed) and it didn't look like my kind of film. But I saw it for the wonderful Gary Oldman.

I wasn't expecting much, and I didn't get much. Red Riding Hood(not the fairytale by the way) does try hard to be a lot of things, including introducing a number of horror, fantasy and mystery elements. But due to the sluggish pace and disjointed story structure(that is full of overlong filler, particularly the celebration scene, and the dream sequence was very awkwardly placed) the film fails at pretty much all these elements.

The script is very clunky, underdeveloped and banal as well. A lot of it did not keep my attention and I found myself chuckling into my coke at any unintentionally funny bits. The CGI is quite poor here, with the wolf looking as though it was done in a hurry. Hardwicke's direction never rises above mediocre, the editing is unfocused and frenzied and the three titular characters are incredibly dull and uninteresting with the romantic elements between them poorly written and directed.

The acting doesn't fare much better. Amanda Seyfried is pretty but bland in the title role and shows little or no chemistry with her co-stars, while Max Irons(son of Jeremy), Lukas Haas and Shiloh Fernandez show good looks but awkward line delivery. Virginia Madsen and Billy Burke are both wasted, both over-doing it in a valiant attempt to elevate their weak material(these two actors probably had the worst of the dialogue next to the leads actually). And the climax is little more than a mangled mess and devoid of depth.

Despite these many cons, there are some decent assets. The score is atmospheric enough and the costume and set design are spot on. Plus there are two good performances, Gary Oldman and Julie Christie. Oldman does chew the scenery, but he looks as though he's having a ball, while Christie is very enchanting.

Overall, not terrible, but deeply flawed and over-ambitious. 4/10 Bethany Cox

I let my friends talk me into seeing this film with them because I think Amanda Seyfried is adorable and I had high hopes that this supposedly adult re-imagining of a children's folk tale would be entertaining in the same aspect of Tim Burton's Sleepy Hollow...how disappointed I was.

The acting was so corny and so ridiculous although I can't help but feel that it's not entirely the fault of the actors, but the director. The dialogue was so incredibly cheesy that at several points throughout the movie, groans were heard throughout the audience. Visually, the film is beautiful but the plot is choppy, the romance scenes are cringe worthy, everything about this film was just painful. Shiloh whatever his name is has a constant sneer/smirk on his face that makes his character so annoying. And the other love interest was just plain dull. Seyfried is a perfect Red Riding Hood but she brings nothing to the film other than her constantly doe eyed, surprised expression.

Do not waste your money on this crap.

I went to the cinema today with two good friends to see this film. I had seen the trailer and got worked up that this would be a good film. However, it is not as good as it could have been. Don't get me wrong, I did enjoy some of the film. Amanda Seyfried, Shiloh Fernandez, Max Irons and the excellent Gary Oldman acted brilliantly in the film, and the effects for the Werewolf were pretty fantastic as well. However, the rest of the cast let this film down and although it is classed as a "horror" movie, there is only really one jump-worthy moment. I don't want to give away the secret of the wolf, but if you listen closely, you can easily tell who it is...

There is a bit of gore, but if you are into some of the supernatural stuff (especially Twilight, even though I'm not a fan), you should give it a shot and might like this... but horror-lovers, keep well away, you might end up feeling a bit ripped-off...

The plot of Catherine Hardwicke's "Red Riding Hood" revolves around a series of massacres and a pressing question. The said massacres being caused by a werewolf and the said question being who the wolf is. But as I watched it, the question that kept on running through my mind was not who the wolf was, but rather who cares who the wolf was? This is a very flabby-footed, self-delusional mess of a movie that succeeds in making even the great Gary Oldman look as unnatural in his performance as Steven Seagal.

"Red Riding Hood" suffers from a poorly-constructed screenplay, one that seems was written within a handful of days and not given a single second of revision. The writer, David Johnson, was a production assistant on Frank Darabont's masterpiece "The Shawshank Redemption" but his talents seem to be more focused on polishing up a movie rather than spinning up a story. The plot of "Red Riding Hood" is contrived, flat, and lacking any zest. In fact, even though the denouement has great potential to be a real shocker and (I'll be honest) caught me by surprise, it was handled and executed so sloppily and the writing that summarizes it all up was so flimsy and manipulative, that it registered no impact on me whatsoever.

There are no characters worth caring about and next to nothing in terms of acting. The titular character is played by an up-and-coming starlet by the name of Amanda Seyfried, although if all of her performances are as uncharismatic and dull as this one, I cannot imagine why. In this performance, at least, she did not strike me as being a natural actress. Then again, she has nothing to work with in Mr. Johnson's screenplay. She also has two romantic interests, one played by Max Irons and the other by a wooden-faced Shiloh Fernandez. They are just as boring as their characters. They have absolutely no chemistry whatsoever with Miss Seyfried; I never felt any passion. Even Gary Oldman, so good so many times before, is awful here, hamming up and chewing apart every scene that he is in. His introductory moment, where he explains his experiences with werewolves, is handled by him in a way that is so over-the-top, almost like a really bad vaudeville performance. It's hard to believe that this is the same actor from "The Dark Knight," "The Book of Eli," and the Harry Potter movies.

If there is one good performance at all it is by Julie Christie, who is just as magnetic and wonderful as she was when she graced the screen in David Lean's "Doctor Zhivago" forty-six years ago. She has a powerful star presence and quality that allows her to overcome even the trashy dialogue and nothingness that she was supplied.

Another strike against the movie is the apparent lack of experience by its director, Catherine Hardwicke. She was a production designer before this movie (she designed the wonderful town reconstruction for "Tombstone" in 1993) but her skills with a motion picture camera are next to nothing. She doesn't seem to even know the basics about misc en scene and how to structure a sequence. Not even enough to know that a moment where Mr. Oldman gives a last minute warning to a stubborn old villager about the impending threat of the werewolf that she should have had a reverse angle to show the villager's reaction; instead she chooses to stick to the back of his head. There is no steady flow of images here, with too many medium and long shots and close-ups so claustrophobic that they enter the territory of being loony. One scene that was directed particularly badly was a laughable love moment between Miss Seyfriend and Mr. Fernandez. There is a problem with a romantic moment where the sight of two people making love is neither heart-warming, nor, obviously, erotic.

But Miss Hardwicke did coordinate well with her production designer, for the sets are quite good. And the special effects are decent enough in and of themselves. The werewolf, computer-generated of course, are much better than the cartoony wolves I saw in "Season of the Witch" earlier this year. It's only a shame that that wolf was not on-screen more.

"Red Riding Hood" has a feel of so many medieval melodramas of recent years: half-hearted and flimsy. It is also crippled by that haunting feeling that even the people who made the movie would not even want to see it. It feels like an assignment done by people hopelessly unhappy in their work, who just wanted to get through the dailies so they could go home and relax before getting up to do the same thing again the next day.

Has it become increasingly difficult to write an ending? Have writers suddenly forgotten that the climax is the high point of a story? Or is Hollywood getting lazy? Red Riding Hood is probably the most frustrating and unsatisfying movie I've been to, and the above reason is just one of many. While it certainly isn't bad, I haven't finished feeling so let down since Haneke's "The White Ribbon".

Of course, Hardwicke is a director who is willing take big risks. She did so with Twilight, which was a huge smash with teens everywhere. And she does have a good eye for a shot, and several scenes here show. If had to recommend the movie for one thing alone, it would be for the visuals. The look of the film has a gorgeous, lush and colourful palette that made this film worth seeing on the big screen.

The film's biggest problem aside from being anti-climatic is that the plot is just... a mangled mess. It reads like a really bad fanfiction. If you thought Tim Burton's Alice In Wonderland was bad... .wait till you get a load of this movie. We have several plot points that come in and suddenly are left do die, one of which includes Father Solomon played by Gary Oldman, who is made to be a crazy bastard type character, and we don't see anything to prove it. To top it all off, it's rife with clichés, like the obligatory love triangle, the whodunit, damned protagonist.

The actors are a mixed bag. Seyfried does a good job here and has plenty of emotion in her performance. She has plenty of cheesy lines but she does a good job for what she has to work with. Gary Oldman was also great, but that was expected as he always shines with every performance. On the downside, Shiloh Fernandez gives one of the worst performances ever here. He spends the whole movie looking like he wants to punch someone and reads his lines like he's reading them off a paper. And Virginia Madsen just awful here as well, and is over-acting Billy Burke In short Red Riding Hood is a film that has plenty of promise, but sadly doesn't live up to it. It isn't a bad film by any means, but you are most likely to leave disappointed.