AVALIAÇÃO DA IMDb
6,7/10
1,6 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA female talk show host in Cairo stirs up political controversy when she focuses her on-air discussions on the topic of women's issues.A female talk show host in Cairo stirs up political controversy when she focuses her on-air discussions on the topic of women's issues.A female talk show host in Cairo stirs up political controversy when she focuses her on-air discussions on the topic of women's issues.
- Direção
- Roteirista
- Artistas
- Prêmios
- 6 vitórias e 1 indicação no total
Hasan El-Raddad
- Karim
- (as Hassan El Raddad)
Avaliações em destaque
A nice movie to watch. The movie is full of different insights, contains a lot of messages for different types of audiences. I recommend.
Had the opportunity to see this movie at TIFF and it was simply remarkable! The stories of all characters were based on real life incidents. The actors were really magnificent in translating the miserable treatment the characters went through in their life. The stories depicted in the film and the overall message suggests that some women could be living in difficult situations in Egypt, and it is extremely disturbing. The stories are of real people living in Egypt and the movie has been playing in Egypt since June. By the nature of the film, it is a controversial one but directed extremely well. Try to see this one - an excellent movie!
As a Westerner, albeit one who has lived in the Middle East, though not in Egypt, this was a fascinating inside view of a country most in the US know little about, other than what we see on TV news.
Aspects of the film, such as the production values and the stylized, Telanovela-type melodramatic acting in some scenes, are not what a Western viewer may be used to. In this regard,the film is somewhat uneven. Portions are even at the level 1960's Italian "spaghetti Westerns" or early Japanese low-budget sci-fi. Yet, other aspects, such as the camera work are fresh and innovative, reminiscent of perhaps Pedro Almodovar, and other director/writers who have done a lot with little.
A few technical flaws aside, this film is highly recommended. The story structure and concept of using a classic legend is satisfying to the viewer, making difficult material palatable, and allowing one to see parallels that cross borders, culture and time.
Aspects of the film, such as the production values and the stylized, Telanovela-type melodramatic acting in some scenes, are not what a Western viewer may be used to. In this regard,the film is somewhat uneven. Portions are even at the level 1960's Italian "spaghetti Westerns" or early Japanese low-budget sci-fi. Yet, other aspects, such as the camera work are fresh and innovative, reminiscent of perhaps Pedro Almodovar, and other director/writers who have done a lot with little.
A few technical flaws aside, this film is highly recommended. The story structure and concept of using a classic legend is satisfying to the viewer, making difficult material palatable, and allowing one to see parallels that cross borders, culture and time.
When this movie began, I was very surprised. In the opening scene, I saw Hebba (Mona Zaki) wearing only a camisole and kissing her husband passionately. There is absolutely nothing wrong with this scene but it surprised me how sexy she was behaving....nothing like the austere stereotype of women I had about Islamic nations. This is NOT a complaint of any type...just surprise on my part because of my ignorance about what it's like to live in Egypt or watch Egyptian films. This is only the second Egyptian movie I have seen...the other being made way back in the 1950s. But there ended up being far, far more about this movie that surprised me.
Hebba is a very successful career woman. After all, she hosts her own television talk show and is quite famous. In addition, her husband is a very influential executive and together they have a life that seems ideal. At the same time, the husband really wants a promotion .and Hebba's very liberal-minded talk show does not endear him to his very traditional bosses. One even suggests he talk to Hebba to advise her to tone down her rhetoric and choose nice, safe topics instead of ones that challenge the system.
At first, Hebba tries to do this and she even schedules a safe sort of topic love. But her guest apparently has a lot to say and begins talking about how unfair and sexist their society can often be as well as how content she is now living without a man in her life! Instead of avoiding controversy, this show directly challenged the expectation that a woman marry and live happily ever after.
Hebba's next shows ends up courting even more controversy. She interviews a woman who was jailed for murdering a man a murder that seems a bit justified when you learn her sad story. She also interviews a woman who was essentially raped by her fiancé who then dumped her because she was now 'soiled'!
Where this all goes, I won't say as it will spoil the suspense. Suffice to say, however, that it's a film that demands you have some Kleenex nearby. It's really almost impossible to watch what follows without being strongly impacted.
I did not expect to see a film about feminism and women's rights coming from Egypt. It really challenged me and I know it made a real strong impact when the film debuted at home. Mona Ziki herself was apparently barraged with complaints by her countrymen and women--with folks demanding the film be censored in favor of 'clean cinema'! It's obviously a very brave film one that is incredibly well made, extremely compelling and it among the best foreign films I have ever seen. This one deserves to be seen and is very much like an Egyptian version of The Joy Luck Club but even better.
If you want to see this film, in the States it's on Netflix. It's also one you might want to consider buying it's that good.
Hebba is a very successful career woman. After all, she hosts her own television talk show and is quite famous. In addition, her husband is a very influential executive and together they have a life that seems ideal. At the same time, the husband really wants a promotion .and Hebba's very liberal-minded talk show does not endear him to his very traditional bosses. One even suggests he talk to Hebba to advise her to tone down her rhetoric and choose nice, safe topics instead of ones that challenge the system.
At first, Hebba tries to do this and she even schedules a safe sort of topic love. But her guest apparently has a lot to say and begins talking about how unfair and sexist their society can often be as well as how content she is now living without a man in her life! Instead of avoiding controversy, this show directly challenged the expectation that a woman marry and live happily ever after.
Hebba's next shows ends up courting even more controversy. She interviews a woman who was jailed for murdering a man a murder that seems a bit justified when you learn her sad story. She also interviews a woman who was essentially raped by her fiancé who then dumped her because she was now 'soiled'!
Where this all goes, I won't say as it will spoil the suspense. Suffice to say, however, that it's a film that demands you have some Kleenex nearby. It's really almost impossible to watch what follows without being strongly impacted.
I did not expect to see a film about feminism and women's rights coming from Egypt. It really challenged me and I know it made a real strong impact when the film debuted at home. Mona Ziki herself was apparently barraged with complaints by her countrymen and women--with folks demanding the film be censored in favor of 'clean cinema'! It's obviously a very brave film one that is incredibly well made, extremely compelling and it among the best foreign films I have ever seen. This one deserves to be seen and is very much like an Egyptian version of The Joy Luck Club but even better.
If you want to see this film, in the States it's on Netflix. It's also one you might want to consider buying it's that good.
TELL ME A STORY: A rare glimpse in to the life of a TV show hostess, who has the courage of conviction to present the unpleasant truth in spite of bureaucratic opposition and innumerable hurdles. Every case presented by her is a reflection on the skewed social system that is reluctant to address the issues that plague many of its members and she gathers enough strength to refuse to take it lying down any longer. Yousry Nasrallah has proved his capability as a versatile director in telling the story so grippingly using the camera to his full advantage. The climax is brilliant and we leave the theater with the satisfaction of viewing a masterpiece among contemporary films.
Você sabia?
- Curiosidades"Mona Zaki" faced by campaign criticism and calls to boycott the film, with some accused it abandoned the principle of so-called "clean cinema".
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Scheherazade, Tell Me a Story
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto mundial
- US$ 322.024
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