Mamute

MAMMUTH (dir. Gustave de Kervern and Benoit Delepine) Gerard Depardieu stars in this art house film about a man who has recently retired from a job at a slaughterhouse, but needs verification of his previous work history to receive a full pension. He takes his 1973 Munch Mammut 1200 motorcycle on a journey across France to visit his old job sites in hopes of obtaining the necessary paperwork, and along the way meets an interesting assortment of oddball characters. When he meets his niece he is introduced to the world of 'naive art', and her tiny cottage is an homage to this curious and strikingly odd brand of folk art. This is a strangely fascinating and unconventional film that was clearly made for aesthetic reasons rather than box office appeal. Nominated for the Golden Bear at the 2010 Berlin International Film Festival.

Mammuth comedy movie has a very good idea, but unfortunately it cannot expand this idea well. A trip to the past is a return to oneself, and the result of this trip is to find a renewed passion for life. Gerard Depardieu is a powerful actor. The movie is trying to be realistic and the excessive use of camera on hand is for this reason, but the camera movements in camera on hand shots are sometimes not well designed. Although the film tries to have a realistic structure, the shots in which Mammuth remembers his girlfriend overshadows this realism. The film received attention at the Berlin Film Festival.

Strange and beautiful road movie, and for me that was best role of GD ever. It reminds me about Amelie with it's French beautiful romantic and absurd humor, while grainy filming, "real life" attitude, and Depardieu with long hair remind me of The Wrestler with Mickey Rourke.

If you can imagine how two of them would feel combined, I think you would get this movie as a result.

There was absolutely no weak acting here.

Recommended for people who liked movies like "Pierrot le fou", "Bernie", or anyone who wants to discover french humor - a bit dark, sad, cynical, but still romantic at the same time.

Lets just concentrate on one small matter The knowingness of the filmmakers is apparent with there choice of bike. At the time Serge would have been a biker this would have been an aspiration for a European working man that was possible of fulfilment. In his comatose state the world moved on and his icon becomes a forgotten relic as many of the Mammuths did. Out of touch he would be unaware that the bike has now become a cult and consequently recently accrued great value. I have also had my Sidcup moments and in a sort of way also been redeemed by art so I understand that sector of the film, although perhaps in this film is slightly unbalances the structure And then Yolande Moreau can make shaving an armpits so moving that I cried.

Bought this on DVD and it's been sitting around uwatched for maybe 2 years. Sorry I didnt see it sooner. Hands down this is a really really good movie. It's surreal and funny and poignant. The clown who gave it a bad review is clearly ignorant. He even says he only watched it to see how bad Depardieu looks. Some critique.

If you have a wry sense of humor you are going to love this film. The nuances of dialog were clearly not recognized by that other dummy.

ee it today!