Mamute

France has a rich history of well written and well crafted films, and this is but another example of such.

Showcasing an acclaimed director and a good cast of actors, it has much going for it; and it delivers with splendid writing, good acting and an impressive script.

It's truly one of the greats and should be watched by any fan of french film, or film in general!

Strange and beautiful road movie, and for me that was best role of GD ever. It reminds me about Amelie with it's French beautiful romantic and absurd humor, while grainy filming, "real life" attitude, and Depardieu with long hair remind me of The Wrestler with Mickey Rourke.

If you can imagine how two of them would feel combined, I think you would get this movie as a result.

There was absolutely no weak acting here.

Recommended for people who liked movies like "Pierrot le fou", "Bernie", or anyone who wants to discover french humor - a bit dark, sad, cynical, but still romantic at the same time.

MAMMUTH (dir. Gustave de Kervern and Benoit Delepine) Gerard Depardieu stars in this art house film about a man who has recently retired from a job at a slaughterhouse, but needs verification of his previous work history to receive a full pension. He takes his 1973 Munch Mammut 1200 motorcycle on a journey across France to visit his old job sites in hopes of obtaining the necessary paperwork, and along the way meets an interesting assortment of oddball characters. When he meets his niece he is introduced to the world of 'naive art', and her tiny cottage is an homage to this curious and strikingly odd brand of folk art. This is a strangely fascinating and unconventional film that was clearly made for aesthetic reasons rather than box office appeal. Nominated for the Golden Bear at the 2010 Berlin International Film Festival.

This movie is a road movie in the France of small people, done by an atypical guy on an atypical bike (would you figure that the antique Munch Mammuth that Gérard Depardieu is shown riding is priced around $100.000?)

As Depardieu is making his trip to the places where he used to live and work, so that he can get the paperwork he needs to retire, we meet a number of comic situations, that often reveal the absurdity of our modern world (see the scene where Yolande Moreau fights against an automated voice phone service). Miss Ming character also gives us some nice touches of craziness.

Besides the comic situations, there is a more serious tone. The movie shows us the rigidity of the retirement system, from which a number of people are excluded, as they are anyway excluded from the whole economical system. A few moments in the movie also make us feel how getting old can be a wrecking for these people.

So there is both fun and sensibility there, and Gérard Depardieu is good at conveying both. This is his best role for a great while and it proves that he stills has something to give.

Perhaps if you're a devoté of what used to be called art-house films this movie might not seem so different to you. Otherwise, it is likely to strike the average mover-goer accustomed to average movies as very strange indeed. Much if the dialogue is delivered in a very dead-pan style. Some of the cinematography, however, is really both very original and very beautiful. These are not introspective characters. They sometimes aggravate us because they don't think about their situation and are constantly astounded by what happens. This leaves them the victim of government bureaucracies that are simply too complicated for them to understand. You are unlikely to identify with these characters. Often you wonder whether to take them as mocking caricatures or sympathetic portraits. Still, the movie almost always held me, which is more than I can say for many more "normal" movies.