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4,6/10
1,1 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaAn aspiring teen detective stumbles into her first real case, when investigating the mysterious new family in her neighborhood.An aspiring teen detective stumbles into her first real case, when investigating the mysterious new family in her neighborhood.An aspiring teen detective stumbles into her first real case, when investigating the mysterious new family in her neighborhood.
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Alastair G. Cumming
- Mr. Parker
- (as Alastair Cumming)
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Avaliações em destaque
Bored stoner Elfie Hopkins (Jaime Winston) tries to make village life a little more interesting by dabbling in amateur detective work, investigating the lives of other locals with a little help from fellow weed-toker Dylan (Aneurin Barnard). When a sophisticated city family, The Gammons, moves into the house next door, Elfie's investigative nature begins to tell her something isn't quite right with her new neighbours. Digging into their background, she uncovers a horrific secret that puts the lives of her nearest and dearest in mortal danger.
It took me a while to warm to Elfie Hopkins: at first I found the central character rather irritating, Jaime Winston's attempts at cool and quirky seeming just a little too calculated to appeal to the cult movie contingent (her lovable slacker routine reminding me a little of Simon Pegg in Shaun of the Dead). But as the story progressed, the film gradually started to grow on me, Winston's appeal winning through, the whimsical nature of the story and creepy antagonists slowly getting under the skin. By the time all becomes clear for the final act, I actually found myself enjoying proceedings. The finalé is a real crowd-pleaser, Elfie tooling up for a revenge-driven gore-fest that really gets the blood pumping.
To sum up: the film's offbeat and rather relaxed approach makes it hard to get involved, but perseverance pays off, with a particularly fun finish. A sequel with Elfie investigating even more outlandish situations wouldn't be entirely unwelcome. 6/10, although a repeat viewing might see me bump my rating up to 7.
It took me a while to warm to Elfie Hopkins: at first I found the central character rather irritating, Jaime Winston's attempts at cool and quirky seeming just a little too calculated to appeal to the cult movie contingent (her lovable slacker routine reminding me a little of Simon Pegg in Shaun of the Dead). But as the story progressed, the film gradually started to grow on me, Winston's appeal winning through, the whimsical nature of the story and creepy antagonists slowly getting under the skin. By the time all becomes clear for the final act, I actually found myself enjoying proceedings. The finalé is a real crowd-pleaser, Elfie tooling up for a revenge-driven gore-fest that really gets the blood pumping.
To sum up: the film's offbeat and rather relaxed approach makes it hard to get involved, but perseverance pays off, with a particularly fun finish. A sequel with Elfie investigating even more outlandish situations wouldn't be entirely unwelcome. 6/10, although a repeat viewing might see me bump my rating up to 7.
This is the most underrated work I have ever reviewed. I didn't look it up first so I didn't know what I was going to get. Seeing that this film sits at 3.8/10 makes me never to decide whether or not to see a film on account of the IMDb & the user's collective "wisdom" alone. Although 95% of the time I do completely agree with them. This though was something different that carried a sort of a 60's-70's feel/dark beauty, with the scenery & sets, the wonderful colorful outfits & even the time they took to construct Elfie's room right down to the smallest of things. So the scenery & cinematography are 5/5 which definitely helped to even out some of the weak areas in the film.
Getting back to the story now, a lot of people may compare it to Twilight mainly because of the dark & mysterious neighbors moving in next door, with the girl that starts to investigate the truth behind the obvious facade that they put forth, but wait, don't drop it from my previous observation. If anything it's a Twilight spoof but not the Scary Movie kind at all. It is a well told tale that is quite interesting from beginning to end. The imagery & cool vibe make it worth a watch. For the most part, the film was well acted despite the mostly novice cast. I really liked the character of Elfie Hopkins played by the up & coming Jaime Winstone, yes she is the daughter of Ray Winstone, the talent does seem to be genetic, it's undeniable, well at least in some cases.
Ray Winstone only pops up for a few seconds once in the beginning & once in the end which was cool to see them appear together on screen for a bit. So why this sits at 3.8/10 when there is a unique little story with cute characters whose acting in my opinion didn't stick out a bit with good sound & cinematography that was spot on, is a mystery to me. It has a decent amount of dark humor in it, it's not meant to be a serious, gory, scare the heck out of you film. Although there is some moments of gore & suspense it isn't really that dark a film as its main mission is of a more lighthearted story telling.
In checking the history of 3 of the other reviewers that gave this a 1/10, it was their first review in each case(which sounds personal to me) but the top two users gave it fair reviews so stick to them. I give this a solid 7/10 & I've written plenty(sorta)other reviews on films in these type of genre's in the past year. So you know who to believe, the other review by Tony Bush sums it up a bit better than I, and the mention of the boy & Harry Potter was spot on, I was thinking that during the entire film. I recommend it to anyone, just don't expect a tense gory experience. Even people that hate gore may very well still enjoy the story, just close your eyes for a few seconds here or there...7/10
Getting back to the story now, a lot of people may compare it to Twilight mainly because of the dark & mysterious neighbors moving in next door, with the girl that starts to investigate the truth behind the obvious facade that they put forth, but wait, don't drop it from my previous observation. If anything it's a Twilight spoof but not the Scary Movie kind at all. It is a well told tale that is quite interesting from beginning to end. The imagery & cool vibe make it worth a watch. For the most part, the film was well acted despite the mostly novice cast. I really liked the character of Elfie Hopkins played by the up & coming Jaime Winstone, yes she is the daughter of Ray Winstone, the talent does seem to be genetic, it's undeniable, well at least in some cases.
Ray Winstone only pops up for a few seconds once in the beginning & once in the end which was cool to see them appear together on screen for a bit. So why this sits at 3.8/10 when there is a unique little story with cute characters whose acting in my opinion didn't stick out a bit with good sound & cinematography that was spot on, is a mystery to me. It has a decent amount of dark humor in it, it's not meant to be a serious, gory, scare the heck out of you film. Although there is some moments of gore & suspense it isn't really that dark a film as its main mission is of a more lighthearted story telling.
In checking the history of 3 of the other reviewers that gave this a 1/10, it was their first review in each case(which sounds personal to me) but the top two users gave it fair reviews so stick to them. I give this a solid 7/10 & I've written plenty(sorta)other reviews on films in these type of genre's in the past year. So you know who to believe, the other review by Tony Bush sums it up a bit better than I, and the mention of the boy & Harry Potter was spot on, I was thinking that during the entire film. I recommend it to anyone, just don't expect a tense gory experience. Even people that hate gore may very well still enjoy the story, just close your eyes for a few seconds here or there...7/10
An aspiring teen detective (Jaime Winstone) stumbles into her first real case, when investigating the mysterious new family in her neighborhood... are they cannibals?
I really have no review to put here because it just is not a film that captured my imagination. I do not want to say it was good or bad, because it never really amounted to much one way or the other. I felt like there was potential, but it just did not try hard enough.
To properly review this I would have to watch it again, which I have no intention of doing. I cannot recall ever being so apathetic concerning a title ever... which is pretty bad. Typically there is something that jumps out as great or terrible... I guess I really liked the music in the third act, but that is not saying much.
I really have no review to put here because it just is not a film that captured my imagination. I do not want to say it was good or bad, because it never really amounted to much one way or the other. I felt like there was potential, but it just did not try hard enough.
To properly review this I would have to watch it again, which I have no intention of doing. I cannot recall ever being so apathetic concerning a title ever... which is pretty bad. Typically there is something that jumps out as great or terrible... I guess I really liked the music in the third act, but that is not saying much.
The film follows a pair of detective-wannabe stoners who begin investigating a suspicious family who move into their sleepy hunting village in England. While billed as a horror film it's actually more of a quirky coming-of-age story that just so happens to feature cannibalism and gratuitous violence. The story is overshadowed by the vivid characterisation and splendid performances from the cast. Jamie Winstone and Aneurin Barnard are engaging and likable as the oddball pot-loving duo at the centre of the film while the bizarre family of Gammons provide comedy and terror in equal part.
Elfie Hopkins is a B-movie story with fully-fleshed and precisely portrayed characters that is entertaining, heartwarming and occasionally rather gruesome, with a hilarious cameo from Ray Winstone. It takes elements of cult cinema and mixes them with slick contemporary filmmaking to make the ideal midnight movie and a promising debut from a new young director. As Elfie would say, "skin up", sit back and enjoy.
Elfie Hopkins is a B-movie story with fully-fleshed and precisely portrayed characters that is entertaining, heartwarming and occasionally rather gruesome, with a hilarious cameo from Ray Winstone. It takes elements of cult cinema and mixes them with slick contemporary filmmaking to make the ideal midnight movie and a promising debut from a new young director. As Elfie would say, "skin up", sit back and enjoy.
I wanted to like ELFIE HOPKINS but wasn't really sure what to think. The film itself is a misguided little mystery mixed with horror and blackly comic overtones. The main problem it suffers from is that Jaime Winstone is a pretty poor and unlikeable lead actress and the supposed comedy double act of her and her pot-smoking friend doesn't come across very well, these characters feel desperately like they want to be an likable awkward hero a la SCOTT PILGRIM VS THE WORLD but they just feel irritating and self-centred.
Otherwise the small-town mystery is built up nicely and I particularly liked the kooky members of Gammon family, lead by the dastardly Rupert Evans (a guy well versed in playing baddies after this and his turn in the TV miniseries WORLD WITHOUT END). But ELFIE HOPKINS is better at building atmosphere than it is incident, and the action when it hits is very poorly handled and cheap-looking. This is particularly noticeable in the climax, which should be a large-scale and exciting set-piece but instead which comes across as completely lacklustre and disappointing thanks to indifferent direction. CGI blood effects don't really help either. This film is an interesting stab at doing something different but it's only semi-successful in my opinion.
Otherwise the small-town mystery is built up nicely and I particularly liked the kooky members of Gammon family, lead by the dastardly Rupert Evans (a guy well versed in playing baddies after this and his turn in the TV miniseries WORLD WITHOUT END). But ELFIE HOPKINS is better at building atmosphere than it is incident, and the action when it hits is very poorly handled and cheap-looking. This is particularly noticeable in the climax, which should be a large-scale and exciting set-piece but instead which comes across as completely lacklustre and disappointing thanks to indifferent direction. CGI blood effects don't really help either. This film is an interesting stab at doing something different but it's only semi-successful in my opinion.
Você sabia?
- Versões alternativasThe UK release was cut, the distributor chose to make reductions in two scenes of bloody violence in order to obtain a 15 classification (a frenzied stabbing with a knife and a man's head being shot). An uncut 18 classification was available.
- ConexõesReferences O Falcão Maltês (1941)
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- Elfie Hopkins: Cannibal Hunter
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- US$ 10.726
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