Dentro

"Inside" holds great potential in its opening act, successfully capturing the viewer's attention with its intriguing premise. However, as the narrative progresses, it falls short of expectations, leaving the audience disillusioned. The proficient acting of Willem Dafoe serves as a beacon of hope, pulling the audience back into the story with his unpredictable character choices.

Regrettably, the film takes a sharp turn in the third act, as the plot unravels into complete incoherence. The final act takes place in a "Smart Home," and despite claims of the film being a work of art, the storyline fails to elicit any interest or excitement from the audience, ultimately resulting in a lackluster experience.

The potential displayed in the beginning is ultimately not realized, and the film leaves much to be desired. While the standout performance of Dafoe offers a glimmer of hope, the nonsensical and tedious nature of the latter part of the film leaves a lot to be desired.

Dafoe is excellent in this film. If you are a fan of his, I would definitely give this one a chance. The story is quite meandering at times due to a relatively plotless script, but I have to admit, when Dafoe gets to shine, he is impossible to take your eyes off from. I wish the thematic elements regarding "art is for keeps" was more consistent throughout the piece, and I wish some side characters weren't just throw away characters to expand the run time. This takes place in one location. If you don't like those types of movies or have no interest in Willem Dafoe as an actor, you really don't need to watch this one. Oh, and shout out to the pigeon for contributing to one of the funniest scenes of the year.

First off I really enjoyed this movie. It held my attention the whole time and Willem Dafoe did a great job at keeping my focus.

Movies in a single location with minimal cast are incredibly difficult to pull off but I think this one managed it.

The cinematography was spot on and the photography was there too. The acting made sense the script didn't feel forced and possibly the best atmospheric soundtrack in a very long time with use of tones rather than music tracks.

Now don't get me wrong I'm not fanboying all over this as there were a number of issues that arose but you'll have to watch it to make your mind up about them.

This movie will no doubt be boring to anyone who's a fan of say Michael Bay or Vin Diesel as it isn't an action packed joy ride.

For people who like something a bit weird but focused I'd definitely recommend it.

Plenty of people have commented already, both positively and negatively. I'm in the positive camp. I'll try to help you figure out if this could be for you.

Art, life, human experience, ecology, our place in the world and in our minds. That, for me, is what this film is mostly about.

Arthouse, yes, but gorgeously so.

If you are a student of film or cinematography or photography this movie keeps serving up shots you wish you could create.

Dafoe's performance is brilliant - in a subtle and internal way.

If you thought Aranofsky's Mother was worth watching, this is for you (although completely dissimilar). If you have enjoyed Baraka, Samsara and the rest, this is probably for you.

In terms of plot, it is minimal and has no thrills to speak of.

I think it's important to say that there's nothing wrong with not liking the film, feeling bored by it, not wanting to see it. Those who will enjoy it are not above anyone else - those who are disinterested are not below anyone else.

I hope this has helped someone.

It started off intriguing, suspenseful, and interesting, but then it started to become stale, repetitive, bland, with improbable circumstances, absence of logic, and riddled with plot and technical issues.

And after a slowly paced 100 minutes of an incredible performance by DaFoe - the only reason I kept watching, the ending is not worth the ink the convoluted lazy screenplay was written with. It's all filler with very little substance, and merits no rhyme or reason this film was even made. It just all fades away as a waste of DaFoe's talents, and my invested time to watch this nonsense with hopes of some sort of grand finale.

Classified as a psychological artsy-type thriller, there's been many films like this done before and much better. As the second only film directed, produced and (co-)written film by Vasilis Katsoupis, his work was impressive, especially his camera shots, close-ups and angle choices. He captured the very best of DaFoe's talents. But Katsoupis could only do so much with Ben Hopkins' screenplay. Had Hopkins put more structure to the story, better plot development, and given us a more concrete conclusion, this film could've easily been more compelling than contrived. Sadly the results as-is, are a huge disappointment and I can't recommend this at all. It's a very generous 5/10, all going to DaFoe and Katsoupis doing their best with the terrible script they had to work with.