Shelter

Until the opening credits ended.

Dreadful accents, cliche upon cliche, all with that B-Movie look.

I don't quite know what it is, but you recognize it immediately.

Somebody who really shouldn't have tried to make a movie.

What a waste.

Of time, effort, money. Whatever.

It's a good premise too. We still don't know where all that looted art went. If indeed it went anywhere.

South America?

Private collections?

Swiss Bank vaults?

Such a shame. If only someone had told this director to just STOP.

I felt it was my duty to warn you.

To spare you.

I'll never get those minutes back.

Please DON'T watch this.

Imagine every possible cinema cliché smashed together with amateur writing, gimmicky effects and bellow average directing.

From explosions that look like keyed out greenscreen motion graphics just thrown onto some footage to cringeworthy "hacking scenes" I spent more time laughing at this film than enjoying the story, it's a serious movie with a serious storyline but fails to give any backstory or further information on the characters involved, we almost just get thrown into heist scenes with no real motive for anything? I struggle to connect with the characters or what the greater mission is.

Watch this film for a quick cringeworthy laugh but it's a highschool experimental film level movie.

I think the writer's idea was well intentioned and it really could've been a great film, if only the execution was better 🙁

Bad people do deserve punishment, but hitting them directly won't cut it. Stealing from bad guys really relies on a series of assumptions and careful planning, but having a safety net is like having hidden pieces on the chessboard to prevent moles and set up moles. Seeing from the trailer that a group of people with various skills are getting together to plan an art heist, it's such an exciting and tense scenario that builds up anticipation. You're waiting to see each team member shine in their roles, but the actual content spends quite a bit of time setting up the legitimacy of the art heist, which takes away from the unexpected surprises. Comparing it to another incredible movie about outsmarting bad guys and stealing their stuff, "Now You See Me," it falls a bit short, to be honest.

Annabel (Lisa Vidal) leads a group of thieves who are tasked by Holocaust survivors to retrieve art stolen by the Nazis during WWII.

The concept is interesting. The 1985 section is intriguing. I'm willing to go with the premise. Then the group recruits two Latinas and Cam Gigandet. This is treating the group like every other heist movie. The movie fills the crew with people skilled at individual tasks. It's trying to be Oceans. It misses the point of the base concept. The big takeaway with these characters shouldn't be skills. They should be believers. It's also weird for Jews to hire a Latino crew to take down Nazis. One would expect more Jewish content in the crew. The heist is not that great. There are bad turns. The general filmmaking is weak. It's all weak.

The story is good and could have been an amazing film but there was no passion, no chemistry. It felt like watching a table read. Or a very long amateur Tik tok skit. If they do a sequel I hope they improve.

All of the actors can act. Except for the arrogant collector. If he is the one that directed and produced the film then it makes sense why it had good actors, a good story, but not painful to watch. Especially when there are two actors who work together on a very good tv show together. Two characters who have demonstrated that they have chemistry together.

Maybe it can be turned into a Netflix series.