Mudo

I think this is a film for people who enjoy actually watching films rather that picking apart themes, time periods and futuristic gadgets. Just sit back and enjoy it. It's a slow paced film but has some great side plots to keep you interested.

I think the low reviews are way too harsh.

'Mute had one of the best premises of any film from this early part of this year. One of the year's most unique and daring and of my recent film viewings and it was hard for me not want to see it or miss it with it being so heavily promoted. It also had a good cast on board as well as director Duncan Jones, responsible for two great films 'Source Code' and especially 'Moon', in a passion project.

It made me sad and somewhat angry that such a fabulous concept was pretty much wasted by very wanting execution. 'Mute' is not a bad film, or a terrible one, it is much better than the negative reputation it's got. It's just that it's not a good one either, with the concept it had, the cast and the director one cannot help feeling it should have been much more. Easily Jones's worst film ('Moon' being his best) and his only less than decent one. Saw 'Mute' some weeks back on Netflix, but have been behind with my reviewing and film watching and it took some time to gather my thoughts.

The best thing about 'Mute' is the production values. The film does look wonderful with some of the most beautiful and atmospheric visuals of the year thus far. The photography and production design are sheer beauty while technical aspects are just as eye catching and used wisely. The music is both hypnotic and haunting.

First half had some great moments in atmosphere, emotion and character interaction. The most interesting aspect narratively is the chemistry between Justin Theroux and Paul Rudd. The characters are the only fully rounded ones, especially Rudd's who serves the most point to the narrative and the chemistry is suitably nuanced.

Was not impressed by the cast generally, but Theroux and Rudd come off best, the only ones in fact, rising above the material. Both are great, Rudd gives his all in an against-type role but for me Theoux's intense and nuanced performance was even better.

Didn't care for the rest. The support struggle in underwritten, shallow and often pointless, while Alexander Skargaard, even for a character that's mute, is a stiff and lifeless lead. Couldn't get behind his subplot at all. If anybody wants an example of a truly great lead performance as a mute character, look to Sally Hawkins in 'The Shape of Water'.

Furthermore, while the first half was actually not perfect but with a good deal to like, the second half was a mess. How can such a unique concept be treated in such a derivative and far from creative way? The further 'Mute' progressed the duller, more muddled and more confusing the film got. If it tried to take on less story-wise and in themes had less characters, things would have been more intriguing and clearer. Character motivations are vague and introduced out of the blue, the themes and ideas are too often under-explored or muddled, tonally it's unfocused and too many elements go nowhere or take too long to get there.

Jones's direction has passion and ambition and there are good intentions here, he just didn't seem to know what to do with the concept or different elements. The pace does drag and the film did feel too long by about 20-25 minutes.

Overall, didn't love it. Didn't hate it. More like was indifferent towards it. 5/10 Bethany Cox

In the near future, in Berlin, the Amish bartender Leo (Alexander Skarsgård) works in a bar with his beloved girlfriend Naadirah (Seyneb Saleh) and her gay friend Luba (Robert Sheehan). Leo is mute since he was a boy and had an accident in a lake. His mother, averse to technology, did not let Leo to be submitted to a corrective surgery since she believed God would heal him. Meanwhile, the American surgeons Cactus Bill (Paul Rudd) and Duck (Justin Theroux) work for the local gangsters. Cactus Bill has a daughter and dreams on returning to the United States, but he does not have documentation since he deserted the army. His hope is to get fake documents with the mobsters so that he can go back home. His partner Duck has documents but is a pedophile and likes to live in Berlin. When Naadirah vanishes without a trace, Leo seeks her out and goes to the underworld of Berlin, where his life entwines with Cactus Bill and Duck. Will he find his beloved Naadirah?

"Mute" is a disappointing film by the cult-director Duncan Jones. Despite the good acting and great music score and cinematography that recalls "Altered Carbon", the promising storyline fails mainly because of the messy screenplay and the uninteresting lead character. Most of the viewers certainly wants to like "Mute", but Leo does not help since it is an unattractive and annoying character. In the end credits, Duncan Jones dedicates this film to his father David "Bowie" Jones and to his beloved nanny Marion Skene, an incredible woman for caring for him as a toddler when his parents split. My vote is five.

Title (Brazil): "Mudo" ("Mute")

If you are looking for an action movie, pass this one up. If you are interested in a suspenseful drama mystery that develops characters via story and slower moving story telling, then watch this. It was artfully done. The bad reviews are not telling. It is a moving story worth watching. I like the the futuristic sci fi setting with a mystery and suspense story and ending. Perhaps you will too. Time is taken to develop relationships and characters. My one criticism is the pacing. Yes it is slower than needs to be, but this does building in the suspense factor. The acting was superb. It was interesting to see actors we know in uncharacteristic roles.

Netflix has been going all-in on original content over the last few years, but until recently that was primarily through long-form narrative shows (one story told over multiple episodes) and disposable Adam Sandler movies. The last six months has seen the streaming service giant make a big push into A-grade feature length work (Mudbound, Bright, Cloverfield Paradox, to name just a few), and this sprawling sci-fi is arguably their most intriguing prospect yet. With ambitious auteur Duncan Jones given free rein on what he has expressed as his passion project, having concocted the story with childhood friend and co-writer Michael Robert Johnson, there's zero chance of it being dull. And dull it most definitely isn't, the propulsive story-a man scours the grimy underbelly of a futuristic Berlin when his girlfriend goes missing-keeps the viewer on their toes whilst the gorgeous realisation of a Blade Runner-esque tech-future is a pure feast for thine eyes. But here's the catch: with a reluctance to explain almost anything about this world, or provide character motivation for anyone other than Alexander Skarsgård's silent bartender Leo, the plot can be complicated to the point of pretentious. There are a lot of little flourishes and subtle touches that colour this universe, although they would have meant so much more if the overall context was clearer. As it stands these unexplained moments become increasingly frustrating, threatening to derail the whole movie. His acting skills well and truly put to the test, Skarsgård is likable enough as the gentle giant on a mission; however, Paul Rudd is horribly miscast as a scumbag AWOL soldier, his persistent mean-spirited goading of others regularly veering into pantomime. There is clearly a lot of passion and ambition on display with Mute, but while for some it will be evocative and demanding, for others it will simply be pompous and impenetrable. For me it's somewhere in the middle with the scales tipping ever so slightly towards the latter.