AVALIAÇÃO DA IMDb
5,1/10
5,3 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaLondon based N-gen tests a performance booster on 30000. A month later, agile zombies plague London, spreading the disease with a bite. One man has 54 hours to find the cure/immune woman.London based N-gen tests a performance booster on 30000. A month later, agile zombies plague London, spreading the disease with a bite. One man has 54 hours to find the cure/immune woman.London based N-gen tests a performance booster on 30000. A month later, agile zombies plague London, spreading the disease with a bite. One man has 54 hours to find the cure/immune woman.
- Prêmios
- 3 vitórias no total
Avaliações em destaque
A very low budget action/horror Brit flick featuring freerunning mutant zombie flesh eaters. Craig (Cliffhanger) Fairbrass and Danny (just about every recent cheapo-diamond-geezer pseudo-Arthur Mullard C-Grade megatrash straight-to-video Brit movie in recent years) Dyer take the leads.
The script and dialogue are pretty darned atrocious and the acting is sub-primary school nativity play standard. But, the pace is frenetic, the action violent and unrelenting, and it is a bit of mildly diverting fun. Plus, considering the budget must have stood at around £7.80 and a bag of chps, the convincing representation of London in the midst of a zombie apocalypse is fairly well rendered and quite suitably atmospheric.
There's plenty of punching, strangling, bludgeoning and shooting of the freerunning mutant zombie flesh eaters, and the very fact that the makers thought a Resident Evil type of virus McGuffin with the side-effect of gracing the stricken with parkour skills was a workable creative advance on the "28 Days Later" formula, makes it quite hilarious to watch at times.
Worth a look if you've nothing better to do. A cheerfully trashy time-waster.
The script and dialogue are pretty darned atrocious and the acting is sub-primary school nativity play standard. But, the pace is frenetic, the action violent and unrelenting, and it is a bit of mildly diverting fun. Plus, considering the budget must have stood at around £7.80 and a bag of chps, the convincing representation of London in the midst of a zombie apocalypse is fairly well rendered and quite suitably atmospheric.
There's plenty of punching, strangling, bludgeoning and shooting of the freerunning mutant zombie flesh eaters, and the very fact that the makers thought a Resident Evil type of virus McGuffin with the side-effect of gracing the stricken with parkour skills was a workable creative advance on the "28 Days Later" formula, makes it quite hilarious to watch at times.
Worth a look if you've nothing better to do. A cheerfully trashy time-waster.
Despite the fast paced action scenes I managed to be bored bored BORED(!) after 40 minutes. The story is so straight lined and clichéd that you can't even be bothered to hope for any twists, and the only character who's slightly believable and sympathetic is Craig Fairbrass (Cole).
Don't get me wrong. I'm a huge zombie(/virus) fan, and I am aware that you don't necessarily need an amazing script nor 100% believable characters to make an entertaining zombie movie. But if you have neither and you don't have a single new interesting idea – well maybe you should just donate the money for charity instead of wasting it on another dull movie. People seem to compare this with 28 days/weeks later which apart from all of them being British and (relatively) low budget is blasphemy in my ears. In my opinion; if you like 28 days/weeks later – go watch them again instead of wasting your time on this one.
Don't get me wrong. I'm a huge zombie(/virus) fan, and I am aware that you don't necessarily need an amazing script nor 100% believable characters to make an entertaining zombie movie. But if you have neither and you don't have a single new interesting idea – well maybe you should just donate the money for charity instead of wasting it on another dull movie. People seem to compare this with 28 days/weeks later which apart from all of them being British and (relatively) low budget is blasphemy in my ears. In my opinion; if you like 28 days/weeks later – go watch them again instead of wasting your time on this one.
I sat through this bum-fluff at the recent GoreZone Festival in London's West End and almost lost the will to live before the opening credits had rolled. The prologue featuring bargain-basement 'action-man' Craig Fairbrass woodenly spouting even more wooden dialogue at the camera as a prep for the sub '28 Days Later' 'Rollercoaster' to come, made my heart sink faster than 'The Detonator' ride at Thorpe Park, and quickly proved its pedigree as a very bad omen for things to come.
Despite the first half hour containing a few nods to the guilty pleasures of Tobe Hooper's 'Lifeforce', there is little to no fun to be derived from this joyless and dispiritingly derivative Brit-Horror that scrapes the bottom of the 'Zombies-what-can-run' barrel into the dirt.
Accomplished camera-work and Sean Pertwee's hilarious cameo stave off some of the boredom, but a hopeless script and Danny Dyer's pathetic attempt at an emphatic hero put debut director Mark McQueen's puny entry into this exhausted genre deservedly into the dustbin of the underachieving undead.
Despite the first half hour containing a few nods to the guilty pleasures of Tobe Hooper's 'Lifeforce', there is little to no fun to be derived from this joyless and dispiritingly derivative Brit-Horror that scrapes the bottom of the 'Zombies-what-can-run' barrel into the dirt.
Accomplished camera-work and Sean Pertwee's hilarious cameo stave off some of the boredom, but a hopeless script and Danny Dyer's pathetic attempt at an emphatic hero put debut director Mark McQueen's puny entry into this exhausted genre deservedly into the dustbin of the underachieving undead.
Another plague has broken out in London, causing normal humans to become growling, flesh-chompiing zombies with cat-like quickness.
A small band of survivors hole up in a mechanic's garage, until they're forced to make a run for it.
DEVIL'S PLAYGROUND is one of the better "runner" or "infected" zombie films. Those still insisting that all such creatures must shamble slowly while moaning politely will be disappointed once more.
These biters are hopped up on goofballs! They're "free runners" like that maniac at the beginning of CASINO ROYALE!
An exhilarating experience...
A small band of survivors hole up in a mechanic's garage, until they're forced to make a run for it.
DEVIL'S PLAYGROUND is one of the better "runner" or "infected" zombie films. Those still insisting that all such creatures must shamble slowly while moaning politely will be disappointed once more.
These biters are hopped up on goofballs! They're "free runners" like that maniac at the beginning of CASINO ROYALE!
An exhilarating experience...
Stop me if you've heard this before.
A superdrug is tested inadvertently causes the patients to turn into mindless, rage filled ummm aaaaahhhh zombies I guess. Coming into contact with fluids or being bitten by the infected allows the virus/condition/disease to be spread, leading to a massive contagion in the entire nation of Great Britain.
Sound familiar? Well what about this? Only one patient seems immune to the negative symptoms – you know the flesh eating and general insanity – she is on the run, with various parties in pursuit to see if she holds the key to a cure.
OK so Devil's Playground hardly breaks into new territory, but it has a couple of moments, not the least of which is the count the clichés bingo that can be played while watching.
The reporter on the street being interrupted and killed on screen.
The guy who repeats "Mum. Mum. MUM!" as his destiny shuffles ever closer, covered in blood and ready to teach the poor dumb guy a lesson in common sense.
The guy who's infected and needs a cure immediately, only he lasts half the film without one while others who share a glass turn in 45 seconds flat.
The whole 'but she's pregnant' bit.
After the Zompocalypse © starts the infected immediately turn into parkour-ing Reapers from Blade 2, all leaping, snarling, unnecessary wall climbing menaces. They spill lots of blood and cause lots of gore all over the UK, usually with backdrops of carefully constructed carnage reminiscent of the Left 4 Dead video games.
Devil's Playground is uninspired and formulaic and doesn't do much to separate it from a million other similarly bland zombie flicks. As much as I love zombies I can't help but think for the time being they are a little overdone, this isn't the film that will revitalize the genre, but I give a couple bonus points for at least trying to make the film look bigger and flasher than a lot of other low budget efforts.
Final Rating – 4.5 / 10. So you say zombies are threatening the very social fabric of a nation again and it's up to a few individuals to save humanity? Wake me when it's finished will ya?
A superdrug is tested inadvertently causes the patients to turn into mindless, rage filled ummm aaaaahhhh zombies I guess. Coming into contact with fluids or being bitten by the infected allows the virus/condition/disease to be spread, leading to a massive contagion in the entire nation of Great Britain.
Sound familiar? Well what about this? Only one patient seems immune to the negative symptoms – you know the flesh eating and general insanity – she is on the run, with various parties in pursuit to see if she holds the key to a cure.
OK so Devil's Playground hardly breaks into new territory, but it has a couple of moments, not the least of which is the count the clichés bingo that can be played while watching.
The reporter on the street being interrupted and killed on screen.
The guy who repeats "Mum. Mum. MUM!" as his destiny shuffles ever closer, covered in blood and ready to teach the poor dumb guy a lesson in common sense.
The guy who's infected and needs a cure immediately, only he lasts half the film without one while others who share a glass turn in 45 seconds flat.
The whole 'but she's pregnant' bit.
After the Zompocalypse © starts the infected immediately turn into parkour-ing Reapers from Blade 2, all leaping, snarling, unnecessary wall climbing menaces. They spill lots of blood and cause lots of gore all over the UK, usually with backdrops of carefully constructed carnage reminiscent of the Left 4 Dead video games.
Devil's Playground is uninspired and formulaic and doesn't do much to separate it from a million other similarly bland zombie flicks. As much as I love zombies I can't help but think for the time being they are a little overdone, this isn't the film that will revitalize the genre, but I give a couple bonus points for at least trying to make the film look bigger and flasher than a lot of other low budget efforts.
Final Rating – 4.5 / 10. So you say zombies are threatening the very social fabric of a nation again and it's up to a few individuals to save humanity? Wake me when it's finished will ya?
Você sabia?
- CuriosidadesSean Pertwee makes his cameo as a favor to producer Jonathan Sothcott after having to drop out of Dead Cert at the last minute.
- Erros de gravaçãoNatalie Quye is credited as "Infected Doctor-eating Man", but since she is a woman, that credit should be "Infected Doctor-eating Woman".
- ConexõesReferenced in Cinemassacre's Monster Madness: Dawn of the Dead (1978) (2013)
- Trilhas sonorasBringing London To A Standstill
By James Edward Barker
Performed by James Edward Barker
Copyright 2010
Published by Veneration Music 2010
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- How long is Devil's Playground?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Sân Chơi Của Quỷ
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 2.400.000 (estimativa)
- Tempo de duração
- 1 h 36 min(96 min)
- Cor
- Proporção
- 2.35 : 1
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