Os Pilares da Terra

One of my favorite books of all time turned into a TV series that shows up out of no where. I was expecting something truly disappointing. After watching the first two episodes I can honestly say this is beyond my highest expectations. The plot development is different from the book, but the emotional impact of the story is fully present. The character development draws you in just like the book did. Your desire to know what happens next will surpass that of reading the book. It is such a wonderful thing to see an adaptation that captures it's source so fully and even surpasses it at times. I can't wait for the remaining episodes. This show will win many awards. Addendum after Episode #3: Things dipped a bit in this episode. If I was rating this show using the 10 stars that IMDb uses, I would have gone from 9 previously to 7 now. There were some overly cheesy moments in this episode that seemed to dilute the storytelling skill from the first two episodes. Hopefully this is a rare occurrence.

"Pillars" is amazing! Yes, it does differ some from the original book but it's another story-telling device that enhances an enthralling tale from the 12th century that is fascinating and exquisitely portrayed. I read the book as well as its sequel and thoroughly enjoyed both. The characters in the mini-series were intriguing, beautifully casted and totally believable. There is no way every detail from the book could be worked into the 8+ hour movie for TV. Critics can take exception to some of the what-was-left-out rather than realizing reading a book and watching a movie involve entirely different enjoyment method levels. The mini-series is worth every effort to view. I sometimes watched episodes 2 or 3 times again to take it all in. The sets, special effects, displays of church control vs. every day life for many was portrayed amazingly well. Say what you will about fractured details, overall "Pillars of the Earth" is a fabulous experience that captivates and informs, most of all, invites interest in the metaphor of the building of some of Europe's most gorgeous reaches for heaven architecture-wise as well as the corruption and deceit of many who defied religious belief in the worst ways when they should have been stellar examples of loving leadership.

I have read everything Ken Follett has written, but I pretty much had him pegged as a writer of extraordinarily readable suspense potboilers. Better than Stephen King, but no Cormac McCarthy. Then, in 1989 he unveiled "Pillars of the Earth" and I was stunned. Follett gave full rein to his incredibly vivid and compelling storytelling abilities. When I finished I was sad. I could no longer follow the adventures of these heroic and scheming English men and women in the the tumultuous 12th Century, a time of uncertainty over who should be on the throne.

I have now watched the first six episodes (available on Netflix for instant viewing) and am dying to see the final two when they come available. I didn't know what to expect, but I can declare myself fully satisfied.

What worried me most going in was the series was what the tone would be. Follett is a master of grand, operatic gestures. The mini-series captures that.

He also is far from shy about sex, barbarism and vulgarity. There's a scene when the monks put Ellen on trial as a witch that made my jaw drop. No F-bombs, but one startling c**t bomb. The incest theme between William and his mother is not explicitly shown, but very clear.

Occasionally, it's a bit "stagey" and the CGI is good, but not state of the art.

Still, "Pillars" is a triumph of epic storytelling.

I always wondered why nobody ever thought about turning Ken Follett's brilliant epic "The Pillars of the Earth" into a movie. Without a doubt, it is the greatest book I have ever read, with a cleverly constructed and well-researched story, engaging characters and is full of intrigues, violence and sex. There is so much going on in the book that not a single page seems to be wasted, which is saying a lot about a novel that has over 1000 of them. Now, over two decades after the novel hit the bookshelves, Ridley and Tony Scott bring you an eight-part miniseries that promises to be one of the best ones I have seen in recent years.

It is 1135 and a dark time in the history of England. 15 years earlier the king's only legitimate heir died during the sinking of a ship, and England's monarch has neglected God and the church during his reign. The priests and bishops are most eager to ensure a religious man ascends the throne after the death of the king, and in return for swearing allegiance to them, they promise Stephen, the nephew of the king, to put him on the throne. A fierce battle of succession ensues between Stephen and King Henry's only legitimate child Maude. In these times, a young and ambitious monk named Philipp is made Prior of Kingsbridge, a fairly large city that has suffered in recent times and that is in dire need to have its church remodeled. Tom Builder travels through England with his son Alfred, his daughter Martha and after his wife Agnes died in childbirth, they are joined by the two outlaws Ellen and Jack. Finally, Tom finds a job in Shiring, but the Lord Bartholomew is conspiring against the new king Stephen and the William Hamleigh, who was rejected by the lord's daughter Aliena, finally sees an opportunity to take revenge. Philipp, Tom and his family and Aliena are faced with several challenges and hardships, but their paths cross in Kingsbridge, and they all will play a vital role in the construction of the brand new cathedral.

Two episodes into the miniseries, I'm quite impressed by how much the atmosphere of the book was kept and although I was prepared to be disappointed, I am really enjoying it so far. It seems that the best and most expensive stuff was just good enough for this series and the medieval cities of the book such as Kingsbridge and Shiring look stunningly real. I am glad that eight episodes were dedicated to tell the story of "The Pillars of Earth" instead of merely a two-hour movie, although it's not nearly as epic as Ridley Scott's big movies such as "Gladiator". The series does have combat scenes, but ultimately it's more of a dark drama, focusing on characters and relationships before anything else.

The miniseries stays very close to the plot in the novel, and only minor details were changed. One of them is that Tom knows that his son is raised in Kingsbridge from the beginning, and in the novel it's only revealed at almost the very end. And then there is the king, who dies at the beginning of the novel, but here lives through almost the entire first episode. Those are merely small deviations though, unnecessary perhaps, but not really something to make a big deal about. The series was mostly shot in Hungary and Austria, although most scenes are actually confined to the insides of a castle or a town. On a side note, there's a lot of blood, obscenity, violence and nudity in the series, and if you have seen HBO's "Rome", you should already know what to expect.

While there are not too many big names in the cast, some of them you have probably heard of and those are the ones standing out acting wise as well. Ian McShane was the perfect choice to play Bishop Waleran, and he is wonderfully slick and cunning as the main antagonist of Prior Philipp, played by Matthew Macfadyen. I actually find Macfadyen to be almost a little dry in the role of Philipp, but since the character is described with exactly that word many times in the book, I guess he should be commended for his performance. Rufus Sewell so far is the best of the actors in the series, and he is very emotional as Tom and exactly how I imagined him from the books. Natalie Woerner, a German actress, really stands out so far as Ellen and it's unbelievable that she is 43 years old already. She and Sewell have an amazing chemistry together and I completely believe the character's passionate, but scorned upon relationship. Hayley Atwell and Eddie Redmayne as Aliena and Jack will have more to do as the series progresses, as will David Oakes who doesn't seem evil enough for William quite yet. Anatole Taubman, whom you might know from the last James Bond film, is also quite good as Remigius, the manipulative sub-prior of Kingsbridge and Donald Sutherland also appears as Bartholomew in a few episodes. The cast is not well-known perhaps, but definitely strong and I really like what I'm seeing of them so far.

I suppose the miniseries won't be quite as epic as the book, but from what I'm seeing so far it will be a big candidate to pick up a couple of Golden Globes and Emmys in the miniseries category next year. "The Pillars of Earth" deserved a fantastic adaptation, and I'm glad to see that the producers and the director Sergio Mimica-Gezzan were seemingly ambitious enough to ensure that this would be a memorable series, worthy of this great book. But watching the series, no matter how good it is now and will be in the weeks to come, will never be an adequate substitute for actually reading the book.

Ken Follett is one of the most brilliant novelists of modern times. His stories immerse and engage the reader into worlds so real that it seems possible to step into them.

"Pillars of the Earth" is one of his most popular books. Originally published in 1989, it gained a cult following through word of mouth then achieved even greater prominence when Oprah discovered back in the mid 1990s.

Tandem Productions and Tony and Ridley Scott took the risk of adapting the sweeping historic novel into a miniseries. The novel is such an intricate spiderweb of lust, revenge, and triumph of an iron will that the mere act of adapting the screenplay for sound-bite and short attention span 21st century viewers was a daunting challenge.

After all, the book is almost 1,000 pages long and covers an approximate 40 year period. My original review of the series came just after it aired and I had only seen part 1. Having reread the novel recently and re-watched the entire series 14 years later, here are some new thoughts.

The best part is that all of the novel's characters are there. Practically all of them are true to how they were described in the novel, with the most spectacular casting being Jack Jackson. Then unknown actor Eddie Redmayne brought the character to life in a delightful way showing his sensitivity and strength at the same time. Natalia Woerner nearly steals the show with her portrayal of the mysterious Ellen, Jack's mother.

The other strong woman character is Lady Aliena, portrayed beautifully by Hayley Atwell. A Ken Follett hallmark is his ability to populate his stories with strong women characters going all the way back to "Eye of the Needle" where Lucy Rose outwits a dangerous Nazi spy. In "Pillars," Lady Aliena rises from pampered highborn daughter to one of the most important merchants in Kingsbridge.

Some reviewers who loved the novel blanched at the changes producers made for the miniseries. The kings and queens in England play much smaller roles in the novel, but in the miniseries more attention is paid to them since it gives context and scope to the struggles of the monastery in Kingsbridge and the odds stacked against them in building their "compass to God" cathedral. One of the most arresting scenes from an early episode happens when Prior Phillip must confer with King Stephen about assistance in building a cathedral and the king conducts the meeting outside the castle ramparts with archers bearing down on them.

The most glaring character change occurred with Regan Hamleigh, who is described in the novel as an ugly crone but in this miniseries is portrayed by the opposite-of-ugly actress Sarah Parish. Well, they made her personality ugly anyway, and her son, Lord WIlliam Hamleigh is as much of a fiendish villain in the miniseries as in the novel. The producers added an Oedipal element to the relationship between William and his mother, which may have disappointed or even outraged some novel purists but for me seemed ingenious. It added a further creepy element to both characters.

Speaking of creepy; Ian McShane as Bishop Waleran is a great character and performance for which he should have won an Emmy. His voice booms like a thunderclap as he is involved in one double-dealing after another between the Hamleighs and the Kingsbridge monastery.

The special effects and art direction masterfully create the grimy, gritty world of 1100s England and the stark contrasts between privileges of royalty and serfs wallowing in the mud beside the hogs they keep. Public executions and dismembering are commonplace as one plot change involving the deposed Earl Bartholomew of Shiring (portrayed aristocratically by Donald Sutherland) tears at the heart.

While the novel relied on straightforward storytelling, the miniseries offers deftly executed, haunting flashbacks to establish the mysterious Ellen's role in the dirty laundry of Percy Hamleigh and Archbishop Waleran's past. Her husband had been mysteriously executed around the time the ship burned. Ellen's son Jack, who is portrayed as an artistic savant, becomes a force in building the cathedral.

Overall, the television miniseries should thrill the fans of the novel. Even the opening credits contain a clever, metamorphosing animated sequence and a stirring dramatic musical score punctuates and accentuates the grandeur.