Mistério da Rua 7

The movie is creepy and dark and functions well without shock moments and the spilling of blood. There is some solid acting and the characters are not totally unbelievable, though they appear a little like the usual all-American suspects. I definitely don't agree with the frequent criticism that the movie lacks an explanation. The lack of an explanation is the actual concept of the movie. If the movie provided one, it would be as much fun as looking at a filled-in sudoku. The viewer is given food for thought by the different explanatory approaches done by the movie characters. I liked the reference to the "lost colony"-case, a historical oddity concerning the unresolved vanishing of a group of early settlers in America. I agree that the ending can be understood in a way that makes it seem cheesy - I interpreted it differently and so for me it was satisfying. I don't want to give anything away so let me just say as much: In my opinion no one survives at the end, but that certainly is disputable. My rating is a solid 6, although I was tempted to give more just to lift the overall rating since imo it is undeserved.

While parts of the movie peaked my interest, overall, it was very disappointing. A vague plot, poor script, weak effects and actors trying their best to make it work. Too bad they failed. A movie with this premise has great potential, it can lead the viewer down a path and let the audience intellectually fill in the blanks. In order for that to occur, the movie itself must provide the plot points, the material that that allows, and draws the viewer to want to connect the dots and create, so to speak, their own movie within a movie. I just gave up, and so, apparently, did the filmmakers. I won't gave away anything, because there really isn't anything to tell.

An unexplained blackout plunges the city of Detroit into total darkness, and by the time the sun rises, only a few people remain-surrounded by heaps of empty clothing, abandoned cars and lengthening shadows. A small handful of strangers that have survived the night each find their way to a rundown bar, whose gasoline-powered generator and stockpile of food and drink make it the last refuge in a deserted city. With daylight beginning to disappear completely and whispering shadows surrounding the survivors, they soon discover that the enemy is the darkness itself, and only the few remaining light sources can keep them safe. As time begins to run out for them, darkness closes in and they must face the ultimate terror. -- (C) Magnolia

I hate to use something from RUBBER, a film I loathed, but it fits so well here: VANISHING uses the plot of "no reason," a plot that raises many questions but doesn't answer them by the time the credits roll. It is this very reason why the film is disliked by many. Yet, films like THE HAPPENING, KNOWING, and THE FORGOTTEN get bashed because of the explanations of their plots. Go figure. Yes, as human beings, we often want to make sense of events that occur, especially in films, yet we need to realize things in life just happen. VANISHING may be low on explanation, but it's high on suspense due to the use of a common fear: the dark.

Let's take a moment to talk about why so many people fear the darkness: It's not the darkness itself that people are afraid of, but rather, the fear of the unknown. Just what is lurking in the darkness? VANISHING uses this fear and capitalizes on it which generates many of the films' unnerving moments. In fact, its resistance on explaining everything is what makes the film scary. And no, the film doesn't use any "pop out" scares. It's better than that. The film builds up its scares with a chilling atmosphere. That, ladies and gentlemen, is called suspense, and don't be surprised. Director Brad Anderson is in the chair. With films like TRANSIBBERIAN and THE MACHINEST already under his belt, Anderson knows how to make films that are thrilling.

The cast is good as well, but that's probably because I have a soft side for them. Haters of Hayden Christensen will find themselves unconvinced, but I thought he pulled off a good performance. Although their characters don't ask for much, John Leguizamo and the beautiful Thandie Newton do a great job providing sympathy to their roles. Jacob Latimore, the kid actor, plays quite an annoying character at first, which shouldn't be a surprise, but I got to eventually warm up to him in the middle point of the film.

Overall, VANISHING impressed me. While there may be some inconsistency in its high-concept premise, it really makes up for it on the scares. The actors are good as well and the production values are great for a small film like this. Give this film a chance.

How can you run from the dark? After waking up to an empty city Luke (Christensen) and a small group of survivors try to find a way to escape. When they realize the darkness is what is causing the vanishings can they find enough light to survive? Based on the previews I had pretty high expectations for this movie, it was very slow moving. The idea was pretty creepy, and it is tons better then "The Happening", although the story line was pretty similar. This movie seems like a really good "Twilight Zone" episode, but it doesn't really work as a full length movie. It gets repetitive pretty quick. It begins as a pretty scary movie, but runs out of steam quick and begins to drag. This is not a bad movie at all, but after the "last man on earth" type movies like "I Am Legend" this one doesn't really compare. Much, much better then "The Happening", but not one to rush out and see. I give it a C.

Would I watch again? - Probably not.

*Also try - Skyline & The Happening

Why nut burn stuff for light. They had a entire city full of wooden objects to burn for light. Even if this was set in a rural area, they could've collected wood to burn at night.