AVALIAÇÃO DA IMDb
6,6/10
1,1 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaAmid a strict Muslim rearing and a social life he's never had, Tariq enters college confused. New peers, family and mentors help him find his place, but the 9-11 attacks force him to face hi... Ler tudoAmid a strict Muslim rearing and a social life he's never had, Tariq enters college confused. New peers, family and mentors help him find his place, but the 9-11 attacks force him to face his past and make the biggest decisions of his life.Amid a strict Muslim rearing and a social life he's never had, Tariq enters college confused. New peers, family and mentors help him find his place, but the 9-11 attacks force him to face his past and make the biggest decisions of his life.
- Direção
- Roteirista
- Artistas
- Prêmios
- 7 indicações no total
Vladimir Versailles
- Cedric
- (as Vladimi Versailles)
Jonny Manganello
- Matthew
- (as Jonathan Manganello)
Qasim Basir
- Quincy
- (as Qasim 'Q' Basir)
Attika J. Torrence
- Abdul Malik
- (as Attika Torrence)
Avaliações em destaque
Evan Ross deserves an Oscar. This was an award winning performance for someone so new to the industry. Nia Long also gives one of the best performances of her career to date. As expected Danny Glover plays one of his better known characters {a Mister-type, think Color Purple}. He pulls this off as only he can. Roger G.Smith's maturity shows how much he has grown as an actor since "Malcolm X". His performance is also dead-on. He plays the stern Dad that many of us have grown up with. However it is the climatic end of this tale that really sets this movie apart from the rest. Grown men (macho-types) nearly came to tears at the end of this movie. This is a must-see! Enjoy it with your family.
10dnmjr
We have watched more movies than at any time in our lives and agreed that this one is near the top in terms of acting, content and relevance. Finding engrossing things has always been hit-or-miss but this is hit all the way. They are the kinds of performances I would use to judge others, as in, "Was it as good as _________?"
I think that is a question people should ask themselves.
In interviews, I got the impression from Qasim Basir and Roger Guenveur Smith that this movie would be about prejudice and hatred against Muslims. Which I think is a very important issue especially these days. But while that is part of "Mooz-lum", it seems to me to play a minor role.
The core theme of the movie really are the troubles of this young man with his religious community, where those troubles originate and whether he will overcome them. When Qasim Basir says the movie would appeal to everybody, he automatically sees it from his theistic point of view. Because this movie should indeed appeal to everybody who is faithful and not a bigot - no matter what their faith might be. But if you are against religious institutions, you will probably not enjoy this movie unless you for some reason romanticize Islam. As I said in the beginning: ask yourself whether you would still like it if it was about Christianity. Personally, I cannot stand movies that promote the idea that a certain religion is good, that faith in general is important and that religious communities are great.
Also, the movie at one point makes the argument that sticks and stones really are more harmful than words, calling one of the most awful characters in the movie a "nice guy" - just because he is not violent. I find it reprehensible how lenient people often are with those who cause considerable psychological damage to others.
And from a more "technical" point of view, there are quite a couple of scenes in there that seem over-dramatic, and visually there were rare elements that made it look unprofessional (e.g. cheesy titles design and I am pretty sure there were flat-out mistakes in one or two picture transitions).
What I do give this movie credit for is the fact that it for the most part looks decently shot, that it does tackle the issues of conservatism among religious people, prejudice/hatred against Muslims and a fantastic soundtrack.
So to sum up - if you are "pro-faith" and tolerant, you will probably enjoy this movie. But if you are agnostic/atheist and even though tolerant towards religious people still think that faith is a bad idea - you will probably not enjoy "Mooz-lum".
In interviews, I got the impression from Qasim Basir and Roger Guenveur Smith that this movie would be about prejudice and hatred against Muslims. Which I think is a very important issue especially these days. But while that is part of "Mooz-lum", it seems to me to play a minor role.
The core theme of the movie really are the troubles of this young man with his religious community, where those troubles originate and whether he will overcome them. When Qasim Basir says the movie would appeal to everybody, he automatically sees it from his theistic point of view. Because this movie should indeed appeal to everybody who is faithful and not a bigot - no matter what their faith might be. But if you are against religious institutions, you will probably not enjoy this movie unless you for some reason romanticize Islam. As I said in the beginning: ask yourself whether you would still like it if it was about Christianity. Personally, I cannot stand movies that promote the idea that a certain religion is good, that faith in general is important and that religious communities are great.
Also, the movie at one point makes the argument that sticks and stones really are more harmful than words, calling one of the most awful characters in the movie a "nice guy" - just because he is not violent. I find it reprehensible how lenient people often are with those who cause considerable psychological damage to others.
And from a more "technical" point of view, there are quite a couple of scenes in there that seem over-dramatic, and visually there were rare elements that made it look unprofessional (e.g. cheesy titles design and I am pretty sure there were flat-out mistakes in one or two picture transitions).
What I do give this movie credit for is the fact that it for the most part looks decently shot, that it does tackle the issues of conservatism among religious people, prejudice/hatred against Muslims and a fantastic soundtrack.
So to sum up - if you are "pro-faith" and tolerant, you will probably enjoy this movie. But if you are agnostic/atheist and even though tolerant towards religious people still think that faith is a bad idea - you will probably not enjoy "Mooz-lum".
President Obama said in his 2011 State of the Union Address - "American Muslims are part of the American Family".
Mooz-lum was in theaters less than 1 month from this historic statement. A story about a yong Muslim boy Tariq (Evan Ross) growing up as a Muslim in America. We experience his challenges, his rebellion and most of all his emotional struggle in accepting the religion that he was born into while living in the country that sometimes reject and ridicule it.
I strongly suggest non-Muslims take a leap of understanding the American Family and go see this film. Directed by Qasim "Q" Basir and a star studded cast including Nia Long, Evan Ross, Danny Glover and more.
Mooz-lum was in theaters less than 1 month from this historic statement. A story about a yong Muslim boy Tariq (Evan Ross) growing up as a Muslim in America. We experience his challenges, his rebellion and most of all his emotional struggle in accepting the religion that he was born into while living in the country that sometimes reject and ridicule it.
I strongly suggest non-Muslims take a leap of understanding the American Family and go see this film. Directed by Qasim "Q" Basir and a star studded cast including Nia Long, Evan Ross, Danny Glover and more.
Just walked in my front door after seeing this movie...One word: Amazing! It truly delivers the right note. The right emotional punch - several actually.
A movie like this is a necessary step in bringing the dialog necessary to open minds.
A welcome voice of reason and respect in a time of EXTREME and painfully illogical right-wing bullying. A nice message of peace amidst a daily attack by bigot shock jocks who are the true terrorists for inciting violence and fear.
I was NOT expecting this movie to be this good. The performances were so on point. You could really tell that this was a labor of love. I really want to see more from this writer/director. If I had to choose the very best performances, I would say Evan Ross (I was not familiar with his work, but I'm a fan NOW!!!) the girl who played his sister (very emotional without once going over the top) and Roger G. Smith (quiet intensity - just amazing).
This movie deserves global recognition.
A movie like this is a necessary step in bringing the dialog necessary to open minds.
A welcome voice of reason and respect in a time of EXTREME and painfully illogical right-wing bullying. A nice message of peace amidst a daily attack by bigot shock jocks who are the true terrorists for inciting violence and fear.
I was NOT expecting this movie to be this good. The performances were so on point. You could really tell that this was a labor of love. I really want to see more from this writer/director. If I had to choose the very best performances, I would say Evan Ross (I was not familiar with his work, but I'm a fan NOW!!!) the girl who played his sister (very emotional without once going over the top) and Roger G. Smith (quiet intensity - just amazing).
This movie deserves global recognition.
Você sabia?
- CuriosidadesKimberley Drummond's debut.
- Erros de gravaçãoWhen Tariq is slow dancing the one song with Ayanna the scene quickly changes from daylight to evening.
- ConexõesReferenced in Ebert Presents: At the Movies: Episode #2.21 (2011)
- Trilhas sonorasMy Dear Disco
Written by Tyler Duncan, Michelle Chamuel, Robert Lester, Theo Katzman, Christian Carpenter, Aaron Gold
2008
Album: Dancethink LP
Publishers: Dancethink Publishing, BMI
Performed by My Dear Disco, Michelle Chamuel (vocals)
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Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Мусульманин
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 369.129
- Fim de semana de estreia nos EUA e Canadá
- US$ 139.835
- 13 de fev. de 2011
- Faturamento bruto mundial
- US$ 369.129
- Tempo de duração
- 1 h 34 min(94 min)
- Cor
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