Avaliações de usuários

Aloners swiftly enchants its viewers with quiet and simple images that slowly build up the solitude of our protagonist. Ji-na isn't per se lonely, she might not even be unhappy, she simply chose to be alone, wafting through the weeks with single lunches and the ever-accompanying noise of technology. When a few encounters threaten to unravel her solitude she is forced to face her past, present and future. Hong Sung-eun's debut is so tender and warm and struck a deep cord within me. The way she uses the camera to portray Ji-Na's life, always focused, always following the same movements, never shattering to slowly making the young woman re-experience her surroundings is incredibly powerful. I especially appreciated Gong Seung-yeon's delicate performance as well as the script's refusal to make its aloners a bad thing - there can be comfort in being alone, and there might be a different comfort in finally connecting with people and life again. Absolutely incredible!

A young girl works at a call-in centre for a credit card company. Aside from greeting customers and looking at her cellphone constantly, she hasn't much of a social life. She is a misanthrope, avoiding any human interaction. When she is forced to have a trainee she is rude and abrupt to her.

All this is well done by the main actress (Jeong Da-eun) and she certainly can't be accused of over-acting. The film is also sprinkled with humour, which alleviates the atmosphere and prevents the film from being overly world-weary.

Obviously the purpose is to demonstrate the alienation and loneliness of young people in today's' world - yet hasn't this been a perennial problem - listen to some of the folk music from the 1960s.

Film, like all art forms, has to offer us something personally. That also means that there will be lot of film that just never click. I would ask those who were bored, however, that they consider what the director was trying to do. Here we have a young woman who has fallen into a sort of despair. She works at a call answering service for a credit card company. We get to see how this could be really unpleasant. People often call because their own incompetence led them there. Some are angry because they needed their cards to work but they don't. And some treat these operators as if they were like minded friends. One guy has supposedly built a time machine and he doesn't want to carry cash into the past. He is a frequent caller and always gets the same response. What has happened to this young woman as that her life has become so consistently withdrawn, that she has lost all the joy. A man dies next door to her, and it turns out she never really knew him. She retreats to her apartment and shuts out the outside. Her father has become a widower and she can't handle his loneliness and rejects him out of hand. Eventually, she gets an epiphany from a young woman whose incompetence invites her cruelty. But there is much more to the story. I rather enjoyed this.

I am really surprised - though honestly not shocked - that more people don't note that the glaring truth of this film is that it's about the invasion of Western capitalism in South Korea. The more SK has Westernized, the more its people have the same problems as anyone stuck in a capitalist grind.

The main character is basically a robot who takes abuse constantly in her job as a customer service agent who answers phones for a credit card company. She handles every call with rational detachment and feigned politeness, obeying the commands of rude and irrational customers who don't see her as a person.

Jina's plight is further complicated by her bottled up grief over the death of her mother. It takes the death of a neighbor, who appears to her as a ghost, and a young, needy trainee at work to reach into Jina's solitary world of work and television.

This is a review for those who, like me, like to come back here after watching a film, just to see if anyone else shared their concluding thoughts. Thought there are no spoilers, this short review will only resonate with those who have already seen the film.

The director/writer felt the need to insert a few completely uneccessary and very implausible events into the plot, which almost spoiled what should have been a quite good viewing experience. Not sure if the "uneccesaries" were derived from cultural humor or whimsical creativity. Once again, without giving anything away, the silly implausibles were: the magazine death; the hidden camera confession; the restaurant seating incident.

Jinah is an einzelgänger, someone who really prefers to be alone over socializing with others. She has her reasons and slowly begins to feel the angst of loneliness after her neighbor suddenly dies in the film Aloners.

This movie is very realistic and sometimes feels more like a documentary and abstract commentary on the daily lives of some people who are considered loners.

We work the 9/5 to get along. We survive and yet we feel so disconnected by the people around us. I would compare this movie to Fight Club, but a drowned out introspective feminine version. It's a story about a woman working a job, living in a one room apartment, as life happens around her. Of course she doesn't have a murderous compulsion to do violence, but a slow realization that life isn't what it seems and that life is of the habit to keep us from living. If you are into film and understand the lifeless grind of working to survive, this movie hears you.

If you want a solid Korean movie about the working class that has zero frills and tons of humanity, this movie is for you. If you need action and still want some class consciousness, there is always Snowpiercer or Parasite. This one is a much more low key vibe.

Summary

Notable directorial debut by the Korean Hong Sung-eun, which exposes with a subtlety as extraordinary as it is forceful the crisis of a young woman who chose solitude as a way of life.

Review

A young woman leads a solitary existence until certain events begin to question that way of life.

Jina (or Jin-ah) works in a credit card customer service call center. She is a holojok, a term that defines in South Korea people who live alone in cities, without relatives, partners or friends. She avoids as much as possible any contact and verbal communication, unless it is unavoidable. The film recounts how certain circumstances begin to crack this emotional strength: the reunion with her father, being forced to train a new employee, the death of a neighbor, circumstances that force her to socialize and that in some cases constitute an uncomfortable mirror.

Hong Sung-eun's remarkable debut feature exposes with extraordinary subtlety what Jina is feeling (she is not the only lonely one in the story), in front of that game of mirrors that speak to her of her present and perhaps of her future and those interactions who lives as intrusions in his world dominated by efficient and dispassionate work and permanent connection to screens. The story is not content with sticking to the drama, but rather adds some disturbing elements and few but accurate touches of humor, creating a climate that captures the viewer. And always with what I call the "elegance" of South Korean fiction.

All of this could not work without the extraordinary performance of Gong Seung-yeon as Jina, who owns a mask of infinite shades that perfectly describe what she expresses and suggest what she hides.

Human beings thrive on connections, it's in our nature. In today's fast-paced world, it's easy to get caught up in the hustle and bustle, to isolate in the name of survival. But deep down, we all crave human touch, that sense of belonging.

"Aloners" by Hong Seong-eun expertly captures this essence. It serves as a poignant reminder of the importance of human connection in a society that is increasingly losing touch with humanity.

Perhaps it's high time for us to take a page out of our protagonist, Jina's book and begin to truly live. Let us embrace the chaos, the messiness of human relationships, all the highs and lows, and rediscover the beauty of empathy and human connection.

"To tell you the truth, I am not cut out for eating alone. Or sleeping alone or taking the bus alone. I don't like smoking alone. I am no good on my own. I just pretend to be."

Aloners is a story about a woman working at a call centre of a bank. She is the top performing employee at the office due to her ability to deal with people efficiently, without getting caught up in emotions. However, she is severely alienated from people close to her (family, coworkers). She is cold and even callous, seemingly as a choice.

This is a unique movie with an ambiguous horror ambience. It is not clear if the supernatural aspect is real, or if it is the effect of the protagonists worn down, detached psyche. The characters are very well done, and the tension rising from the uncannily mundane situations makes viewers emphathise with the protagonist, whether she's likable or not.

It is a slow burn, character focused movie. That said, I found the pacing engaging, there is hardly a wasted scene: all of them either work to build up the creepy tension by tacking obscure incidents and interactions on top of the bent-over protagonist, or else they work to flesh out the characters. All of this is enhanced by the excellent acting and pleasant cinematography. The climax is very effective and heart rending, but the ending doesn't leave viewers depressed in the emotional gutter; it's hopeful.

To me, this is one of the best movies in recent years. It is sincere, emotional, eerie and beautiful. I am surprised the director doesn't have more projects coming up.

Its about our new gen live since 1-2 decades sgo. Nobody cares anyone, especially with smart phones neighbours or colleagues ignored each other.

This story lacked too much, nothing interesting from start to end. Some are minor illogical but biggest problem is its boredom.

It is too simple written and too hectic made without realizing it does not content ant punch or effect. Wasted my time and money, max rating is 4.8/10 because thousands better movie out there.

This film bored me to tears.

I lasted 20 minutes and had to switch off.

I didn't care for the main actor and her chosen solitude.

Boring, slow and pretentious.