Crime de Amor

As someone who firmly believes that Ludivine Sagnier and Kristin Scott Thomas are two of the finest actresses working today in any country, watching them go head-to-head against each other was obviously something I was going to be looking forward to. When it came to Love Crime, the story lacked a little bit of punch but seeing them go at it wasn't disappointing in the least. Both women are at the top of their game here, with Thomas taking some inspiration from Glenn Close in a very cold and cerebral Patty Hewes-esque role while Sagnier expertly utilizes her skill for vulnerability and sexuality.

I was hoping the whole thing would pack some real heat, so I was disappointed that it was a lot more slow-moving than I thought and wasn't as thrilling as something like this should be, but that's not to say that it didn't keep me interested throughout. The concept was pretty unique for this kind of film and it's hard to get into without bordering on spoiler territory, but I was very curious as to how the events were going to unfold. It felt like you knew what the endgame was, but seeing how the story got to that point was very intriguing. At the end of the day though, the film is all about being able to watch these great talents bounce off each other, with slightly less impact than I was expecting.

I enjoyed this movie very much, as I usually enjoy French movies, whether they are comedies or dramas. The look of this film is impeccable, all interiors are exquisitely designed and of top quality as is the photography and the lighting, as perfect as they can get nowadays. The acting is superb and the pacing flawless. I just found among the dubious happenings, a most obvious flaw: Anyone will see immediately that a piece of cloth that was cut quite sharply with an Exacto knife, will get a sharp edge, a look totally different from a piece of the same fabric torn by accident, like getting the fabric caught on a nail or any sharp corner, accident that will practically destroy the edge of that fabric, leaving it completely unraveled. To me that is the most flagrant mistake in the whole script. Otherwise an excellent movie, quite absorbing and entertaining.

Someone who says that only men are capable of cruelty has not watched this movie. A fine example of cruelty and a very good movie (with very good actresses as well). I won't spoil anything about the story or the characters, but I can tell you that it is more about the road than the ultimate goal. It isn't very hard to see where this is heading and you might also see what it achieves to do.

Still very well made and executed with the mentioned central performances that are just amazing. The women go head to head (with different style and results of course), which might be enough for you to not see the obvious flaws. It was as you can see and read, enough for me.

Having watched Sweet Karma earlier tonight, I don't know if I was in the mood for two revenge movies, but this is very different.

A favorite of mine, Kristin Scott Thomas (The English Patient, Four Wedding and a Funeral) stars with another fave, Ludivine Sagnier (Swimming Pool, 8 Women). They are number one and two in a multinational's Paris location. Christine Thomas) is not above stealing the ideas of Isabelle (Sagnier) to get transferred to New York.

This was director Alain Corneau's last film, and it has already been picked up for a remake by Brian DePalma coming out this year. It is rumored that Rachel McAdams (Sherlock Holmes, Red Eye) and Noomi Rapace (the original Lisbeth Salander) will star.

After Christine threatens and humiliates Isabelle, she plots her revenge. Needless to say, it is an elaborate plot. I can't say anything more or it will spoil the film for you.

It had me on the edge of my seat in the second half.

Alain Corneau wrote (with Nathalie Carter) and directed this little French thriller about the extremes to which people will go to maintain their goals - and the spatter of mess they leave behind on everyone who comes into contact with them. Despite a fine cast of actors this story is one in which the audience simply doesn't care about anyone involved. Bad things happen to bad people, and that concept is taken to extremes.

Christine (Kristin Scott Thomas) is a wealthy corporate executive in Paris who makes international deals through her brainy cunning. Her protégé is the equally bright but less world-wise Isabelle (Ludivine Sagnier). At times it appears that Christine wants to be in a relationship with Isabelle but at the same time Christine has a lover Philippe (Patrick Mille) who works for her and who incidentally is also sleeping with Isabelle. Games are played; Christine takes credit for Isabelle's ideas in a manipulative way to gain a position in the US. Two tigers cannot in the same environment survive and Isabelle carefully plots the murder of Christine: we see Isabelle stabbing Christine to death. After the murder Isabelle, in an apparent drugged state, confesses to the murder and is sent to jail. But the story is far from over as Isabelle's brilliant and now criminal mind knows how to manipulate this predicament as well as Christine would have had the tables been turned.

Despite the fact that both Kristin Scott Thomas and Ludivine Sagnier are both extraordinarily beautiful women and superb actors, neither is a character with whom we can empathize much less care. Yes the plot is a brilliant Hitchcock type story and the film, though it drags in many places, is very well made. But in the end we are left in an emotional vacuum. Where is the love of the title?

Grady Harp