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IMDbPro

2050

  • 2018
  • 1 h 46 min
AVALIAÇÃO DA IMDb
3,8/10
1,3 mil
SUA AVALIAÇÃO
Stefanie Bloom in 2050 (2018)
Trailer 1
Reproduzir trailer1:02
2 vídeos
99+ fotos
DramaFantasiaFicção científicaFicção científica distópicaInteligência artificial

Adicionar um enredo no seu idiomaA family man struggling to hold it all together discovers a hidden parlor that offers a solution...sexbots.A family man struggling to hold it all together discovers a hidden parlor that offers a solution...sexbots.A family man struggling to hold it all together discovers a hidden parlor that offers a solution...sexbots.

  • Direção
    • Princeton Holt
  • Roteiristas
    • Brian Ackley
    • Princeton Holt
    • David Vaughn
  • Artistas
    • David Vaughn
    • Irina Abraham
    • Devin Fuller
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    3,8/10
    1,3 mil
    SUA AVALIAÇÃO
    • Direção
      • Princeton Holt
    • Roteiristas
      • Brian Ackley
      • Princeton Holt
      • David Vaughn
    • Artistas
      • David Vaughn
      • Irina Abraham
      • Devin Fuller
    • 38Avaliações de usuários
    • 13Avaliações da crítica
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 16 vitórias no total

    Vídeos2

    Trailer [EN]
    Trailer 1:01
    Trailer [EN]
    2050
    Trailer 1:02
    2050
    2050
    Trailer 1:02
    2050

    Fotos587

    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    + 583
    Ver pôster

    Elenco principal91

    Editar
    David Vaughn
    David Vaughn
    • Michael Greene
    Irina Abraham
    Irina Abraham
    • Brooke Greene
    Devin Fuller
    Devin Fuller
    • Drew
    Dean Cain
    Dean Cain
    • Maxwell
    Stefanie Bloom
    Stefanie Bloom
    • Sophia
    Stormi Maya
    Stormi Maya
    • Quin
    Shannone Holt
    • Reign Regan
    Hope Blackstock
    Hope Blackstock
    • Alli
    Chris Riquinha
    • David
    Jace Nicole
    Jace Nicole
    • Diana
    Jonathan Ercolino
    • Cameron
    Juliana Corsetti
    • Georgia
    • (narração)
    Ben Bott
    • Atticus
    • (narração)
    Gregory Rawrysz
    Gregory Rawrysz
    • Parlor Bartender
    Merrill Joseffer
    • Parlor Hostess
    Jor el Jordan
    • Juice Bar Patron
    Billy Marshall Jr.
    • Rudy the Bartender
    Jerry Hebrank
    Jerry Hebrank
    • Business Investor
    • Direção
      • Princeton Holt
    • Roteiristas
      • Brian Ackley
      • Princeton Holt
      • David Vaughn
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários38

    3,81.3K
    1
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    10

    Avaliações em destaque

    Andrew-Props

    Ehhhhhh!

    With the exception of Dean Cain, the acting was not very good, the soundtrack was silly and the actor playing the brother was awful and seemed gay. (Not there there is anything wrong with that!) The concept for the film is a good one but the dialogue seemed unnatural, the music was distracting and overall this movie was a waste of time! The only difference in the future in New York City seems to be drones.... Lots of drones!!!

    I think this could have been a much better movie in spite of being low budget... maybe the writer and director learn from this movie and do better next time... just like Ed Wood said! 😁🎥🎬
    tetrahex

    Too afraid of the subject to say anything interesting about it.

    The film takes an interesting premise and plays it inoffensively as possible, and drags the thin plot over far too long of a run time. If this was a short youtube scifi short it might have been bearable, but at full length its just wasted potential.
    1pidstr

    Speaking as a fan of Robot Genre films,....

    ...., Don't Bother, you'll never get these wasted minute back.

    Go watch the UK production 'Humans' instead, it's a lot more thought provoking and deals with the disruptions to society and family that the technology will bring in the near future. There's very little to make this turkey stand out from the crowd, visually it's uninspiring, there's no real plot, just a load of over-wordy sentences strung together with no real meaning - the Director and Writer should watch "Ghost in the Shell : Stand Alone Complex" to understand how to use dialog properly during scenes with limited activity on camera. The actors do a fair job of trying to deliver the lines with conviction, but the dialog they're given to work with, just makes the viewer want to skip forward.
    2orleanslady

    Remake of Cherry 2000

    While some elements are different, it is essentially a remake made to appear different. Sorry Cherry 2000 from the 80's is better than this film
    BarneyGrapes

    Acting:5, directing:5, occasional flashes of insight:10

    I really struggled rating this one. I have a softspot for any nice cinematography set in New York City. Don't know why, have never been there. Just something so human and organic about that city.

    As for acting: some really really bad, most slightly below average, and occasionally excellent. Same for directing.

    The main companion robot was really good in her role. The others were fine. There was some unevenness in how the director saw their movements and expressions. Maybe he could explain it off as older and newer models. The companion to the main protagonist seemed more natural, but with a slight emptiness in the eyes. The other models felt very artificial.

    And finally to what drags my rating way up to 7, which most wont agree with it deserving for good reasons. But I just had to give it some reward for a couple things it does very well.

    It doesn't get too deep. It's not a complicated highly metaphysical issue. It's an issue we are currently facing, just in a different form. Devices. Loss of human contact and meaningful interaction. Inability to know how to interact.

    On the flip side, they make the very valid point that we overcomplicate the meaning we give to sexual devices. Our social conditioning adds way too much subtext (you need the device or the roll play because Im not enough, you don't trust me enough, etc...).

    Finally, there is a brilliant comment near the end (non-spoiler, it doesn't impact the outcome or story of the film). It involves releasing sterile insects into a population to help control or eradicate that population. A simple comment, but one the writers were brilliant to see and make the connection to sex bots.

    So I don't want to over emphasize this film and say it's amazing. It's more of a film with a lot of lost potential. In the right hands, with the right director, and some cleaning up of the script and dialogue, it could be an excellent film. Not ground breaking, but good. But again, some people may find it too simplistic. I loved the simplicity.

    And we certainly can't fault those who struggle to get through this film. They have good reason.

    Last note: the ending dialogue is excellent, however, it ultimately ends flat.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Stefanie Bloom believes that many of the topics addressed in the film will be real before the eponymous year of 2050.
    • Citações

      Alli: If you control the people, you control the world. They tried everything they could to try to control us. Because they know we are emotional people. They tried to divide us by playing on our emotions. You know why, right? Because, if you keep the people emotional and angry you distract them from building their own financial empires and taking care of their families, and their family's families. I mean, think about it, bro. First you program people emotionally, right? Next you destroy their health. The best way to do that is through the food and water supply. I mean, Henry Kissinger snitched on the whole operation. He said, "If you control the oil, you control the country." "And if you control the food, you control the population." So now we've been programmed to rely on microchips more than we rely on each other. We no longer talk to each other, we only follow each other online, what? But this, this is the remedy. This is how we get back to our roots. This is how we bring humanity back to our essence, I mean, guys, oh. Just take this.

    • Conexões
      References Os Jetsons (1962)
    • Trilhas sonoras
      What We're Left With
      by Konstantinos Lyrakis

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    Perguntas frequentes15

    • How long is 2050?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 14 de janeiro de 2020 (Estados Unidos da América)
    • Países de origem
      • China
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • Robot de compañia
    • Locações de filme
      • Long Island City, Nova Iorque, EUA
    • Empresas de produção
      • Be Your Own Hollywood
      • Butterfly Chasers
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 46 min(106 min)
    • Mixagem de som
      • Dolby Digital
      • D-Cinema 96kHz 5.1

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