Evocando Espíritos 2
Título original: The Haunting in Connecticut 2: Ghosts of Georgia
AVALIAÇÃO DA IMDb
5,3/10
19 mil
SUA AVALIAÇÃO
Uma jovem família muda-se para uma casa histórica na Geórgia e descobre que não são os únicos habitantes da casa. Eles se encontram na presença de um segredo que surge do subsolo e ameaça de... Ler tudoUma jovem família muda-se para uma casa histórica na Geórgia e descobre que não são os únicos habitantes da casa. Eles se encontram na presença de um segredo que surge do subsolo e ameaça derrubar qualquer um em seu caminho.Uma jovem família muda-se para uma casa histórica na Geórgia e descobre que não são os únicos habitantes da casa. Eles se encontram na presença de um segredo que surge do subsolo e ameaça derrubar qualquer um em seu caminho.
Lauren Pennington
- Nell
- (as Lauren Whitney Pennington)
Wayne Pére
- Station Master - 1858
- (as Wayne Pere)
C. Stuart Rome
- Hooded Attacker
- (as Stuart Rome)
Avaliações em destaque
For a standalone sequel The Haunting in Connecticut 2: Ghosts of Georgia could have been far more worse. The film had some freaky visuals, a few old-fashioned frights and decent enough acting and an appropriate atmosphere to fit the mold. I think the title should just be Ghosts of Georgia because the film has no relation to the first movie and it's not even based in Connecticut, it seems obvious that was a cash grab decision. This new story is purposively based on actual events about the Wyrick family and even has a made for TV. Reenactment film called A Haunting in Georgia, which I haven't seen but I'm interested now. The back-story on why this paranormal disturbance is happening was dealt with in a non hard-hitting way and wasn't effective. The story/script just has several gaps and flaws that holds the film back and wasn't genuine or believable.
The performances were decent but not great. Abigail Spenser plays Lisa Wyrick, a mother and wife who is struggling with a passed down gift of seeing and speaking with the dead, her sister and daughter also seem to have this suppose gift. Abigail was the highlight of this lackluster horror film and carries most of the weight and but the script limited her performance. Chad Michael Murray plays the father Andy Wyrick and gives a pretty bland performance and doesn't have much of a part. Katee Sackhoff from Battlestar Galactica fame plays the sister of Lisa, Joyce Wyrick, who also has the gift of seeing the dead. Katee gives a lively performance but like Chad's character there wasn't much to her role even though she has one of the more memorable moments in the film, which involve needle threads coming out of her mouth. Emily Alyn Lind plays Heidi Wyrick the young daughter of Lisa Wyrick, who starts to show signs of contacting the dead. She surprisingly holds her own as she plays one of the key roles in the film. All in all the performances were OK but their script lacked depth and charisma.
Director, Tom Elkins who is also the editor of this film and the first one, as well as the editor of a couple of other horror films, most notably the superior sequel to White Noise, White Noise 2: The Light. Tom seems like a gifted editor, but as a first time Director he has some learning to do as this horror film looks like it should be on ABC family. The just wasn't a solid direction to this film; its subject matter should have been more powerful. Writer David Coggeshall has only written for television shows before like the short lived Watch Over Me series. The elements of a good ghost story is there because of the true story aspect of the film, but David Coggeshall didn't put it into good use and created something uninspired and vague.
Overall, forget about the beginning of the movie's title and just go with Ghosts of Georgia because it's not a sequel to The Haunting in Connecticut, it's a completely different story. It was neat at the end credits to see a picture of the actual family on which this film is based on. Their true story is probably far more interesting and terrifying than the actual film being presented. The film had tiny moments of creepiness and intrigue with grotesque imagery but the pacing was slow, it was scare free for the most part, didn't take advantage of the back-story and was mostly an unoriginal affair. An unnecessary and pointless sequel that isn't really a sequel.
The performances were decent but not great. Abigail Spenser plays Lisa Wyrick, a mother and wife who is struggling with a passed down gift of seeing and speaking with the dead, her sister and daughter also seem to have this suppose gift. Abigail was the highlight of this lackluster horror film and carries most of the weight and but the script limited her performance. Chad Michael Murray plays the father Andy Wyrick and gives a pretty bland performance and doesn't have much of a part. Katee Sackhoff from Battlestar Galactica fame plays the sister of Lisa, Joyce Wyrick, who also has the gift of seeing the dead. Katee gives a lively performance but like Chad's character there wasn't much to her role even though she has one of the more memorable moments in the film, which involve needle threads coming out of her mouth. Emily Alyn Lind plays Heidi Wyrick the young daughter of Lisa Wyrick, who starts to show signs of contacting the dead. She surprisingly holds her own as she plays one of the key roles in the film. All in all the performances were OK but their script lacked depth and charisma.
Director, Tom Elkins who is also the editor of this film and the first one, as well as the editor of a couple of other horror films, most notably the superior sequel to White Noise, White Noise 2: The Light. Tom seems like a gifted editor, but as a first time Director he has some learning to do as this horror film looks like it should be on ABC family. The just wasn't a solid direction to this film; its subject matter should have been more powerful. Writer David Coggeshall has only written for television shows before like the short lived Watch Over Me series. The elements of a good ghost story is there because of the true story aspect of the film, but David Coggeshall didn't put it into good use and created something uninspired and vague.
Overall, forget about the beginning of the movie's title and just go with Ghosts of Georgia because it's not a sequel to The Haunting in Connecticut, it's a completely different story. It was neat at the end credits to see a picture of the actual family on which this film is based on. Their true story is probably far more interesting and terrifying than the actual film being presented. The film had tiny moments of creepiness and intrigue with grotesque imagery but the pacing was slow, it was scare free for the most part, didn't take advantage of the back-story and was mostly an unoriginal affair. An unnecessary and pointless sequel that isn't really a sequel.
A small family moves into a home in Georgia only to discover they are not alone. Soon they realize that the house holds a mysterious past...
Although I do not understand the title or the need to call it a sequel I thought this movie was good. It offered a solid background story with outstanding acting. The movie starts well paced and keeps going until the end. The climax I found to be a bit outlandish but good and the ending offers a good resolution the story. The horror scenes are well placed and not overdone. The set ties in well with the story and the production quality is excellent. This film will satisfy the horror movie junkie and is well worth your time.
Although I do not understand the title or the need to call it a sequel I thought this movie was good. It offered a solid background story with outstanding acting. The movie starts well paced and keeps going until the end. The climax I found to be a bit outlandish but good and the ending offers a good resolution the story. The horror scenes are well placed and not overdone. The set ties in well with the story and the production quality is excellent. This film will satisfy the horror movie junkie and is well worth your time.
Overall, THE HAUNTING IN CONNECTICUT 2: THE GHOSTS OF GEORGIA, does a good job delivering what it promises, despite the idiotic tie to its namesake movie. Folks, this film has literally nothing to do with the first film NOR Connecticut, even tangentially, and the transparent money grab in the title was all at once deceptive, obvious, and detrimental to the movie's image. So much so, I almost didn't watch it.
So why did I watch? The simple answer is Abigail Spencer, a truly fine actor I first encountered in her role on the excellent TV series RECTIFY. Spencer is spot on and was the driving force behind this movie. Her performance as a clairvoyant mom-in-denial from a family of clairvoyants is well executed -- not her best work I've seen, but just very good. Nevermind the script is a rife with clichés and could have offered so much more to work with had the writer been on his game. Spencer still digs in and elevates her character beyond what one would expect from both a weak script and the genre. I predict there are big things in the future for this skilled actor.
Not that the other actors gave poor performances. Katee Sackhoff, whose acting can be hit or miss (which may be a function of her choice of roles), delivered a good performance and especially rang true as Spencer's sister. There's an undeniable sibling vibe between the two, and this helps the movie.
Chad Michael Murray adds some fairly non-substantive beefcake to the mix. He didn't make any big mistakes, but it's hard to mess up showing off a polished physique and looking hot in jeans. Finally, toward the end, he hits the sweet spot in a dialog with Spencer that reveals he actually can act at more than just a surface level of non-wooden competence. It's an important scene, and he gamely rises to the occasion.
A juvenile Emily Alyn Lind and her chin deliver a performance better than anything I've seen in her young adult roles. She was god awful in the recent THE BABYSITTER: KILLER QUEEN, and this movie is a reminder that she can actually act if she could just get out of her own way.
I would be remiss not to mention the great Cicely Tyson, positively the most unnerving though benign character in the film. She accomplishes more in a few short minutes of screen time than most of actors can in an hour. She's a national treasure, brilliant and timeless, as always.
What hurts THE HAUNTING IN CONNECTICUT 2: THE GHOSTS OF GEORGIA most of all is the aforementioned weak script by David Coggeshall. It stays on track and doesn't lose focus, but it also somehow lacks excitement. It occasionally plods, but that's not the worst of it. It moves in a straight line, and mostly lacks the reversals and twists that create true suspense. Dialog is its main strength, and at its best, it reads as real and well though out. There's very little throwaway jawing. Oh that dialog were all a script needed to succeed. Coggeshall has an impressive list of credits -- maybe he just wasn't feeling it on this one.
More, director Tom Elkins, an apparently first-time director, seemed to play it a little bit safe. It appears he stayed in his lane rather than try to remediate. Overall, however, a good first film for a new director, which could have been great had his more experienced scriptwriter handed him something less in need of fixing.
Otherwise, the production values were good. The camera work is focused and clear, even in dark scenes; the color saturation is good; the lighting is atmospheric; and the sparse special effects, while not at all original (are we getting tired of the elastic ghoulie scream mouth yet), are clean and well done. It would have been cool if the filmmakers had followed the lead of, for example, the Hearse Driver in BURNT OFFERINGS, whose smile haunted me in the dark for years. Let the actors be scary. They can do it, and without the help of a computer!
The sound, too, was good: the dialog was crisp and clear, the sound effects were correct, the Foley artists exercised restraint, and the music provided atmosphere while not competing with more important elements of the film.
There are a lot of good things to say about THE HAUNTING IN CONNECTICUT 2: THE GHOSTS OF GEORGIA. I debated between a 6- and 7-star rating. Unfortunately, the good can't overcome the deficiencies in this movie's founding document.
Recommendation: Watch for good performances and good production values, while understanding the script overall is workmanlike at best, though not full of holes and sporting some pretty decent dialog.
So why did I watch? The simple answer is Abigail Spencer, a truly fine actor I first encountered in her role on the excellent TV series RECTIFY. Spencer is spot on and was the driving force behind this movie. Her performance as a clairvoyant mom-in-denial from a family of clairvoyants is well executed -- not her best work I've seen, but just very good. Nevermind the script is a rife with clichés and could have offered so much more to work with had the writer been on his game. Spencer still digs in and elevates her character beyond what one would expect from both a weak script and the genre. I predict there are big things in the future for this skilled actor.
Not that the other actors gave poor performances. Katee Sackhoff, whose acting can be hit or miss (which may be a function of her choice of roles), delivered a good performance and especially rang true as Spencer's sister. There's an undeniable sibling vibe between the two, and this helps the movie.
Chad Michael Murray adds some fairly non-substantive beefcake to the mix. He didn't make any big mistakes, but it's hard to mess up showing off a polished physique and looking hot in jeans. Finally, toward the end, he hits the sweet spot in a dialog with Spencer that reveals he actually can act at more than just a surface level of non-wooden competence. It's an important scene, and he gamely rises to the occasion.
A juvenile Emily Alyn Lind and her chin deliver a performance better than anything I've seen in her young adult roles. She was god awful in the recent THE BABYSITTER: KILLER QUEEN, and this movie is a reminder that she can actually act if she could just get out of her own way.
I would be remiss not to mention the great Cicely Tyson, positively the most unnerving though benign character in the film. She accomplishes more in a few short minutes of screen time than most of actors can in an hour. She's a national treasure, brilliant and timeless, as always.
What hurts THE HAUNTING IN CONNECTICUT 2: THE GHOSTS OF GEORGIA most of all is the aforementioned weak script by David Coggeshall. It stays on track and doesn't lose focus, but it also somehow lacks excitement. It occasionally plods, but that's not the worst of it. It moves in a straight line, and mostly lacks the reversals and twists that create true suspense. Dialog is its main strength, and at its best, it reads as real and well though out. There's very little throwaway jawing. Oh that dialog were all a script needed to succeed. Coggeshall has an impressive list of credits -- maybe he just wasn't feeling it on this one.
More, director Tom Elkins, an apparently first-time director, seemed to play it a little bit safe. It appears he stayed in his lane rather than try to remediate. Overall, however, a good first film for a new director, which could have been great had his more experienced scriptwriter handed him something less in need of fixing.
Otherwise, the production values were good. The camera work is focused and clear, even in dark scenes; the color saturation is good; the lighting is atmospheric; and the sparse special effects, while not at all original (are we getting tired of the elastic ghoulie scream mouth yet), are clean and well done. It would have been cool if the filmmakers had followed the lead of, for example, the Hearse Driver in BURNT OFFERINGS, whose smile haunted me in the dark for years. Let the actors be scary. They can do it, and without the help of a computer!
The sound, too, was good: the dialog was crisp and clear, the sound effects were correct, the Foley artists exercised restraint, and the music provided atmosphere while not competing with more important elements of the film.
There are a lot of good things to say about THE HAUNTING IN CONNECTICUT 2: THE GHOSTS OF GEORGIA. I debated between a 6- and 7-star rating. Unfortunately, the good can't overcome the deficiencies in this movie's founding document.
Recommendation: Watch for good performances and good production values, while understanding the script overall is workmanlike at best, though not full of holes and sporting some pretty decent dialog.
This movie has everything, amazing story, scary moments which anyone wants in Horror movie. It's comparable to Conjuring and Nun. It has more scary moments than both of them. Being a fan of Conjuring and Nun horror movies, whatever, I watched it won't satisfied my expectations as it's hard to find a decent horror movie with good storyline. Actually,all horror movies are same, the same haunted house story or a person being possessed. However, this story is so broad. It not only has several scary moments but also has some mysteries too. This is just wholesome, that's I really wanted in a horror movie. Perfection!!
First off, let's just get something out of the way. "The Haunting in Connecticut 2: Ghosts of Georgia" never had a chance to succeed. With a paradoxical title like that, audiences are given a red flag immediately. If the producers of a movie can't decide on a better name for a film, then how could they make bigger decisions during production? Just pick a name! Was "Ghosts of Georgia" any more generic than "The Haunting in Connecticut?" The reason I sound so frustrated is because it deserves better.
The Wyrick family moves into a country house in Georgia. Their daughter, Heidi, soon begins telling her parents she talks to a man who warns they're in danger. Upon investigating, they find out their house is located on land once owned by a stationmaster of the Underground Railroad. The souls of the slaves are restless and begin haunting the family for unknown reasons.
Director Tom Elkins and writer David Coggeshall put together quite an impressive ghost story with "The Haunting in Connecticut 2: Ghosts of Georgia." While "based on a true story," it's obvious some creative license is utilized to spice things up. However, there are some genuinely frightening moments that will resonate with viewers. Let's just say Elkins and Coggeshall know our innermost fears and exploits them.
The entire cast of "The Haunting in Connecticut 2: Ghosts of Georgia" put forth their best efforts and embrace their individual characters. You can tell they took the material seriously and ran with it. Chad Michael Murray plays the father of the family. Abigail Spencer takes on the role of the mother. Katee Sackhoff portrays Spencer's free-spirited sister who comes to live with them. Emily Alyn Lind is perfect in as the little girl Heidi. She embraces the role straight-faced with an air of authentic innocence.
"The Haunting in Connecticut 2: Ghosts of Georgia" is a good supernatural tale that should have been released in theaters like its predecessor. There are nice twists to the story, the acting is good, and the scares are genuinely creepy. Maybe it's selfish, but I was looking forward to seeing the movie on a big screen in a quiet atmosphere where it could have my full attention. Seeing the movie at home will provide genre fans with a satisfying experience, too.
The Wyrick family moves into a country house in Georgia. Their daughter, Heidi, soon begins telling her parents she talks to a man who warns they're in danger. Upon investigating, they find out their house is located on land once owned by a stationmaster of the Underground Railroad. The souls of the slaves are restless and begin haunting the family for unknown reasons.
Director Tom Elkins and writer David Coggeshall put together quite an impressive ghost story with "The Haunting in Connecticut 2: Ghosts of Georgia." While "based on a true story," it's obvious some creative license is utilized to spice things up. However, there are some genuinely frightening moments that will resonate with viewers. Let's just say Elkins and Coggeshall know our innermost fears and exploits them.
The entire cast of "The Haunting in Connecticut 2: Ghosts of Georgia" put forth their best efforts and embrace their individual characters. You can tell they took the material seriously and ran with it. Chad Michael Murray plays the father of the family. Abigail Spencer takes on the role of the mother. Katee Sackhoff portrays Spencer's free-spirited sister who comes to live with them. Emily Alyn Lind is perfect in as the little girl Heidi. She embraces the role straight-faced with an air of authentic innocence.
"The Haunting in Connecticut 2: Ghosts of Georgia" is a good supernatural tale that should have been released in theaters like its predecessor. There are nice twists to the story, the acting is good, and the scares are genuinely creepy. Maybe it's selfish, but I was looking forward to seeing the movie on a big screen in a quiet atmosphere where it could have my full attention. Seeing the movie at home will provide genre fans with a satisfying experience, too.
Você sabia?
- CuriosidadesAccording to screenwriter David Coggeshall, this movie was never intended to be any kind of sequel to Evocando Espíritos (2009) and they only became "related" when Gold Circle, the studio behind both movies, decided they wanted to try and capitalize on the success of the first movie.
- Erros de gravaçãoAccording to the dates on the screen, the moon is full on three nights in July over a period of 20 days.
- Cenas durante ou pós-créditosAt the beginning of the credits, the names that appear are turning from white into bloody red.
- ConexõesFollowed by The Haunting in New York
- Trilhas sonorasCountry Kind of Way
Performed by Amy Wallace and Kai Brown
Written by Kai Brown, Andrew Bush and Amy Wallace
Courtesy of Amy Wallace
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Detalhes
Bilheteria
- Orçamento
- US$ 9.000.000 (estimativa)
- Faturamento bruto mundial
- US$ 5.127.434
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