AVALIAÇÃO DA IMDb
6,1/10
33 mil
SUA AVALIAÇÃO
Quando seu país é invadido e suas famílias aprisionadas, oito adolescentes do ensino médio se unem para ir à luta.Quando seu país é invadido e suas famílias aprisionadas, oito adolescentes do ensino médio se unem para ir à luta.Quando seu país é invadido e suas famílias aprisionadas, oito adolescentes do ensino médio se unem para ir à luta.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 8 vitórias e 14 indicações no total
Andrew Ryan
- Chris Lang
- (as Andy Ryan)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
sometimes i just choose to simply like a movie and not care too much about its possible faults.
(i have not read the book.)
what appealed to me most was the way the story is being told. just enough 'foreplay' to introduce the characters and then: war. the war-thing reminded me a little of 'war of the worlds'. how an invasion takes place but the focus stays on the characters rather than on big guns and fireworks. we don't even know what nation these soldiers belong to. it doesn't matter, that's not the point. it's hat makes the movie special instead of just another war-movie with people taking turns in getting shot. there was just enough romance, humor and action to make it work. after having seen hundreds of action movies, i'm starting to appreciate it, when it's not overdone. sure enough this movie is for teens, but enjoyable for everybody.
to all critics: of course it's impossible for a bunch of teens to steal a petrol truck and blow up the most important bridge of the region. in real life, helicopters would shoot them to bits in a matter of seconds. we know. and we also know that a petrol truck would not cause an explosion like this. this would cause a low-speed detonation at best, because yada-yada-yada...
so stop criticizing you big science-nerd. ;-)
watch it. no worries: you 've seen worse movies, i'm sure!
(i have not read the book.)
what appealed to me most was the way the story is being told. just enough 'foreplay' to introduce the characters and then: war. the war-thing reminded me a little of 'war of the worlds'. how an invasion takes place but the focus stays on the characters rather than on big guns and fireworks. we don't even know what nation these soldiers belong to. it doesn't matter, that's not the point. it's hat makes the movie special instead of just another war-movie with people taking turns in getting shot. there was just enough romance, humor and action to make it work. after having seen hundreds of action movies, i'm starting to appreciate it, when it's not overdone. sure enough this movie is for teens, but enjoyable for everybody.
to all critics: of course it's impossible for a bunch of teens to steal a petrol truck and blow up the most important bridge of the region. in real life, helicopters would shoot them to bits in a matter of seconds. we know. and we also know that a petrol truck would not cause an explosion like this. this would cause a low-speed detonation at best, because yada-yada-yada...
so stop criticizing you big science-nerd. ;-)
watch it. no worries: you 've seen worse movies, i'm sure!
Fans of the Tomorrow book series rejoiced at the news of a cinematic adaptation of John Mardson's iconic Australian teen epic, Tomorrow When the War Began. As an enthusiast of the first 3 books (in a series of 7), I was ecstatic that it would get big screen treatment and not some shitty b-grade telly movie as I had feared. I'm pleased to announce that I walked out of this energised, with a racing pulse and a smile on the face.
For those unfamiliar with the material, the concept of is pretty much identical to Red Dawn – a group of teens from a country town go camping for a weekend to find out their country has been invaded, and their family have been held captive. They hide out and guerrilla warfare ensues.
Thematically, the film captures the clichéd 'working together' virtues of friendship corn from the novel. It is definitely in the writing that the film falls down well, more of a stumble than a fall. I found this particularly unusual given the writer/director is Stuart Beattie – a screenwriter with an exceptional resume. He handles action far better than he handles characters in his directorial debut. Despite the ham and cheese in the writing, the broader screenplay is emotionally satisfying.
Whilst the acting is not of the highest calibre, I would say it was on par with other large franchise films with a young, teen cast (specifically Harry Potter and Twi). The actor who plays Lee is the weakest link here. Although he has the visual presence for the role, his delivery is consistently wooden. Caitlyn Stacey was a standout for me. She displays genuine emotion, genuine intensity and fear. I would have preferred if she spoke like less of a 'toff', and ripped into that bogan Aussie accent, but she brings a solid and believable strength.
As well as capturing the essence of the novel, the action sequences have been stunningly realised. The visuals have a polished look and feel, on par with films with a much higher budget (this had only $20AUD million) thus I believe it would stand up well in an international market. By any standards, the action is exhilarating and has been directed with clarity. Although I wouldn't have minded a bit more grit to the imagery, the cinematography is exceptional and captures the Australian landscapes beautifully. The soundtrack and score was nicely chosen, and the balance of humour and darker tones was effective.
Whilst not being the major box office success some would have liked, The Dead of the Night has been green lit, so thankfully there is more to come in this promising franchise. Despite some awkwardness, there is an energy in the characters and action that permeates Tomorrow When the War Began, making it an entirely gripping experience. For me, this was resonant action that sweeps you up and takes you on an exhilarating and emotionally fulfilling ride.
For those unfamiliar with the material, the concept of is pretty much identical to Red Dawn – a group of teens from a country town go camping for a weekend to find out their country has been invaded, and their family have been held captive. They hide out and guerrilla warfare ensues.
Thematically, the film captures the clichéd 'working together' virtues of friendship corn from the novel. It is definitely in the writing that the film falls down well, more of a stumble than a fall. I found this particularly unusual given the writer/director is Stuart Beattie – a screenwriter with an exceptional resume. He handles action far better than he handles characters in his directorial debut. Despite the ham and cheese in the writing, the broader screenplay is emotionally satisfying.
Whilst the acting is not of the highest calibre, I would say it was on par with other large franchise films with a young, teen cast (specifically Harry Potter and Twi). The actor who plays Lee is the weakest link here. Although he has the visual presence for the role, his delivery is consistently wooden. Caitlyn Stacey was a standout for me. She displays genuine emotion, genuine intensity and fear. I would have preferred if she spoke like less of a 'toff', and ripped into that bogan Aussie accent, but she brings a solid and believable strength.
As well as capturing the essence of the novel, the action sequences have been stunningly realised. The visuals have a polished look and feel, on par with films with a much higher budget (this had only $20AUD million) thus I believe it would stand up well in an international market. By any standards, the action is exhilarating and has been directed with clarity. Although I wouldn't have minded a bit more grit to the imagery, the cinematography is exceptional and captures the Australian landscapes beautifully. The soundtrack and score was nicely chosen, and the balance of humour and darker tones was effective.
Whilst not being the major box office success some would have liked, The Dead of the Night has been green lit, so thankfully there is more to come in this promising franchise. Despite some awkwardness, there is an energy in the characters and action that permeates Tomorrow When the War Began, making it an entirely gripping experience. For me, this was resonant action that sweeps you up and takes you on an exhilarating and emotionally fulfilling ride.
I suppose studios have genre classifications that would put this as "action," with a (Austalian) patriotic flavor. But my own personal genre classification system has this as a teen stereotype movie. Maybe 20-25% of all movies are of this type, even those featuring adults. I credit John Hughes with refining the idea: the story doesn't matter because it is only there to give these kids some place to be.
The important thing is that they start out with the distinct types. In this edition we have four boys and four girls, all played by young adults. You have the jokester, the stoner, the jock, the beauty queen and so on. They are interesting to me only in how these stereotypes differ from the American ones I know.
You have the redhead who is experimenting with sex, but instead of being the fiery one, she is reserved. You have the reserved daughter of some fundamentalists who is unique to Australia in my experience. The happy go lucky guy is separate from the stoner, who is the only one of whom they disapprove. The sexy blond here is unaware that she is.
Other differences: they are quick to go camping to an extremely remote, and quite bucolic, place. The war that they encounter is the Indonesian invasion of Australia, justified by forcing Australia to share their natural resources. The kids fight back as kids from movies anywhere are expected to do, but here the two leaders are girls.
This must have been the pilot for a series because some money was spent on effects. But other than noticing the Aussie twists on the seven basic stereotypes, its a waste of time.
Ted's Evaluation -- 3 of 3: Worth watching.
The important thing is that they start out with the distinct types. In this edition we have four boys and four girls, all played by young adults. You have the jokester, the stoner, the jock, the beauty queen and so on. They are interesting to me only in how these stereotypes differ from the American ones I know.
You have the redhead who is experimenting with sex, but instead of being the fiery one, she is reserved. You have the reserved daughter of some fundamentalists who is unique to Australia in my experience. The happy go lucky guy is separate from the stoner, who is the only one of whom they disapprove. The sexy blond here is unaware that she is.
Other differences: they are quick to go camping to an extremely remote, and quite bucolic, place. The war that they encounter is the Indonesian invasion of Australia, justified by forcing Australia to share their natural resources. The kids fight back as kids from movies anywhere are expected to do, but here the two leaders are girls.
This must have been the pilot for a series because some money was spent on effects. But other than noticing the Aussie twists on the seven basic stereotypes, its a waste of time.
Ted's Evaluation -- 3 of 3: Worth watching.
To the reviews that question the logic of the film and mentioned the driving around "without a care in the world" do not understand military parameters of making a perimeter. In the film the only time they were driving freely was when they were outside of the city limits, where there were never soldiers.
When you play close attention to the small details you will notice things like that rather than writing in a review you found the movie "laughable." I loved the human interaction and how the movie was crafted to not just be a war movie, but something much deeper about people from different walks of life coming together for a cause.
The acting I felt was also very well done, as well was the script. Every character develops in their own unique way, which gave the script a very complete feeling. I really don't have any complaints for how it was presented, it was a very solid film. It was just missing a spark to push it over the top of being good to great.
True Score: 7.3
When you play close attention to the small details you will notice things like that rather than writing in a review you found the movie "laughable." I loved the human interaction and how the movie was crafted to not just be a war movie, but something much deeper about people from different walks of life coming together for a cause.
The acting I felt was also very well done, as well was the script. Every character develops in their own unique way, which gave the script a very complete feeling. I really don't have any complaints for how it was presented, it was a very solid film. It was just missing a spark to push it over the top of being good to great.
True Score: 7.3
Really good film but a total rip-off of Red Dawn. Even if it is based on a series of books, then the books are a total rip-off of Red Dawn, the story lines are practically identical. Enjoyed watching it but at the end I was expecting credits to say based on the original film 'Red Dawn,' because while good it is nothing more than an Australian version of that film. Credit needs to be given where credit is due.
Você sabia?
- CuriosidadesThe language spoken by the invaders in the film is a totally made up language, sampled from many languages worldwide and then scrambled.
- Erros de gravaçãoWhen Lee is getting worked on by the doctor his pant leg is cut off, but later as he climbs into the dump bucket he has a full length pant leg again.
- Citações
Ellie Linton: Good book?
Corrie Mackenzie: Better than the movie.
Ellie Linton: Yeah, books usually are.
- ConexõesFeatured in The 7PM Project: Episode #1.274 (2010)
- Trilhas sonorasSteer
Written & Performed by Missy Higgins
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Tomorrow, When the War Began
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- AU$ 25.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 4.936
- Fim de semana de estreia nos EUA e Canadá
- US$ 3.172
- 26 de fev. de 2012
- Faturamento bruto mundial
- US$ 16.533.595
- Tempo de duração
- 1 h 44 min(104 min)
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente