As If I Am Not There
- 2010
- 1 h 49 min
AVALIAÇÃO DA IMDb
7,2/10
1,4 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA young female teacher from Sarajevo who travels to a remote village. Soon after arriving, the village is attacked by a group of soldiers. The men are killed, the women separated from the ch... Ler tudoA young female teacher from Sarajevo who travels to a remote village. Soon after arriving, the village is attacked by a group of soldiers. The men are killed, the women separated from the children, and placed in a makeshift brothel.A young female teacher from Sarajevo who travels to a remote village. Soon after arriving, the village is attacked by a group of soldiers. The men are killed, the women separated from the children, and placed in a makeshift brothel.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 7 vitórias e 7 indicações no total
Natasha Petrovic
- Samira
- (as Natasa Petrovic)
Zvezda Angelovska
- Halida
- (as Zvezdana Angelovska)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
10fais84
A poignant haunting look at the Bosnian War and the atrocities committed. The film focuses on a young Bosniak girl who winds up at a Serbian War Camp. From here a story of the worst of humanity and the strength that lies within people to endure unspeakable hardship unfolds. The actress who plays the lead character Samira gives one of the best performances I have ever seen on film and says more with her eyes than other actress can say with pages of dialogue. The director does a phenomenal job of capturing the horror or war and more importantly does not use sensationalist tactics to solicit emotional responses from the audience. The story itself and the performances from the actors are powerful enough where they can stand alone.
A film that will likely fly under the radar - but an important one to see; as it acknowledges one of the saddest moments in recent history.
A film that will likely fly under the radar - but an important one to see; as it acknowledges one of the saddest moments in recent history.
Quite a dreary choice of material - in keeping with the director's earlier work: a film about wheelchair-bound cerebral palsy sufferers (producer); the aftermath of the Chernobyl disaster (short); and now this, a film about the Serbian sex-camps during the Bosnian war. Possibly a cynical mind at work here, choosing material that is sure to garner liberal, politically correct attention.
The fact that this is Juanita Wilson's second film shot in a language other than her own suggests a fear on the director's part, or rather an acknowledgment of an inability to grapple with speech and all the dramatic possibilities involved in dialogue. Likewise this film's extremely laconic nature excludes so much about the central character and her relationships, her survival instinct, that might potentially have been explored and clarified. The film unfolds in a series of almost mute scenes that appear to lay claim to documentary significance. It all seems lazy and earnest; and no matter that there are moments of dread, small points of freighted resonance, minor visual notes, this does not make for a satisfactory cinematic experience.
As for the heroine - why she made no attempt to conceal herself from the enemy, or better again to flee from danger, is a mystery compounded by her entering into a relationship with the chief of her captors. This morbid fantasy of imprisonment, of Stockholm Syndrome embraced, seems a minor trope (cf Emma Donoghue's novel "Room" - again a cynically opportunist choice of subject) without originality or resonance.
To hide behind one's joyless subject matter, in a calculated attempt at rendering one's work, one's sensibility and aesthetic, unassailable, is a product of dubious self-regard. The film titles which Ms Wilson is connected with "Inside I'm Dancing" and "As If I Am Not There" signal an unease with herself and her place in the world. If she had been bold enough or rather contrary enough to question the political verities of the Yugoslavian conflicts then we might be in a better position to judge her abilities. Going on the work here presented we struggle to come to terms with an anxiously anodyne outlook. Perhaps next time if she has the stomach or the wit or imagination for it she might attend to contemporary Ireland rather than run off and take shelter behind another nation's traumas.
The fact that this is Juanita Wilson's second film shot in a language other than her own suggests a fear on the director's part, or rather an acknowledgment of an inability to grapple with speech and all the dramatic possibilities involved in dialogue. Likewise this film's extremely laconic nature excludes so much about the central character and her relationships, her survival instinct, that might potentially have been explored and clarified. The film unfolds in a series of almost mute scenes that appear to lay claim to documentary significance. It all seems lazy and earnest; and no matter that there are moments of dread, small points of freighted resonance, minor visual notes, this does not make for a satisfactory cinematic experience.
As for the heroine - why she made no attempt to conceal herself from the enemy, or better again to flee from danger, is a mystery compounded by her entering into a relationship with the chief of her captors. This morbid fantasy of imprisonment, of Stockholm Syndrome embraced, seems a minor trope (cf Emma Donoghue's novel "Room" - again a cynically opportunist choice of subject) without originality or resonance.
To hide behind one's joyless subject matter, in a calculated attempt at rendering one's work, one's sensibility and aesthetic, unassailable, is a product of dubious self-regard. The film titles which Ms Wilson is connected with "Inside I'm Dancing" and "As If I Am Not There" signal an unease with herself and her place in the world. If she had been bold enough or rather contrary enough to question the political verities of the Yugoslavian conflicts then we might be in a better position to judge her abilities. Going on the work here presented we struggle to come to terms with an anxiously anodyne outlook. Perhaps next time if she has the stomach or the wit or imagination for it she might attend to contemporary Ireland rather than run off and take shelter behind another nation's traumas.
I kinda knew what to expect. The war in Bosnia was brutal. They didn't care about Geneva Conventions( I don't think they even heard about them) Rape was the instrument of the war by all sides. Thousands of Bosnian women were raped. There are many war movies but I think this movie is unique because it shows rape victims of war. Natasha Petrovic is incredible in this movie. Her eyes revealed everything every feeling. Hope to see her in different movie soon. And having read the book from Slavenka Drakulic I have to say that Juanita did great job. She didn't put blame on any side. You don't see army insignias and don't hears speeches about who started the war. You just see how innocent suffer in the war. This movie is very hard to watch and there are parts were you might even close your eyes. But it also shows strength of human being in midst of madness As a women I had to think what would I do in Samira's place. And probably the answer will be everything necessary in order to survive
I believe her name is Petrovic. Either a Muslim Bosniac or Croatian! It's not fair to confuse the agressors with the victims! Wow, I am getting a note saying my comment must be 150 characters long. Really??
Incredible Movie claims that the movie doesn't lay blame on any side in the war and that women were raped on all sides. This is ludicrous because it's obvious that Bosniak women in the movie were violated by the Serb militants. International commissions have established that most of the 12,000-50,000 women raped between 1992 and 1995 were Bosniak as a way of genocide by other means. The rapes of Serbian and Croatian women, as horrible as they are, occurred as instances of war crimes, not as part of Bosniaks' genocidal program of genetic transformation and intimidation.
Anyone interested in the facts of the rape issue in BiH should consult Wikipedia's article on the subject.
Anyone interested in the facts of the rape issue in BiH should consult Wikipedia's article on the subject.
Você sabia?
- CuriosidadesIreland's official submission to the Best Foreign Language Film category of the 84th Academy Awards 2012.
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Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- Как будто меня там нет
- Locações de filme
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- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto mundial
- US$ 8.347
- Tempo de duração
- 1 h 49 min(109 min)
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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