Dois astronautas tentam sobreviver após um acidente que os deixa isolados no espaçoDois astronautas tentam sobreviver após um acidente que os deixa isolados no espaçoDois astronautas tentam sobreviver após um acidente que os deixa isolados no espaço
- Direção
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- Ganhou 7 Oscars
- 240 vitórias e 188 indicações no total
- Mission Control
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- Aningaaq
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- Shariff
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- Explorer Captain
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Avaliações em destaque
Alfonso Cuaron is is an extremely talented director, all his films to date have proved that. 'Children of Men' is especially good and one of the best films of the decade, have always have had a huge soft spot for 'A Little Princess', 'Y Tu Mama Tambien' is not for everyone but for me it was a near-masterpiece, 'Prisoner of Azkaban' is one of the best directed films of the 'Harry Potter' franchise and as polarising as 'Gravity' is there is no denying that Cuaron's direction and the visuals were exceptional. 'Gravity' may be my second least favourite film of his, with 'Prisoner of Azaban', still very good, faring least, this is saying little and is testament to Cuaron's talent.
'Gravity' does fall short of perfection. Its weak spot is the script, it does tend to ramble, feel manufactured and cheesy and doesn't do an awful lot to make the characters more than mere clichés. The story doesn't always grip with a few slow, dull spots, and the ending puzzles.
However, as said already in this review and by previous reviews (acknowledged in most less than positive postings, 'Gravity' is a triumph visually and technically. The cinematography is tremendous, quite possibly the most beautiful and best shot film of 2013. The setting is striking and the special effects are a marvel. Cuaron's direction is exceptional, some of the best he has ever done, a master of visuals and mood.
With that being said, 'Gravity' has much more to it than the visuals and direction. The music is an incredible fit, it's haunting, sweeping and breathtakingly beautiful. A good deal of the story is gripping, with intimacy, tension and great emotional impact.
Sandra Bullock gives one of her finest performances here and gives the film a certain grace, while George Clooney has a cool calmness that fits his role perfectly. Ed Harris is also impressive.
Overall, an achievement visually, technically and directorially, but despite its faults 'Gravity' is much more than those things. 8/10 Bethany Cox
Acting/Characterization: 1.5/2 - George Clooney is, well, Clooneyesque, but Sandra Bullock shows palpable emotion. It's easy to root for her character as a fellow human being, despite her seeming incompetence as an astronaut.
Script/Writing: 0.5/2 - The script is uninspired, peppered with unfunny anecdotes, clichéd backstories, and inarticulate fretting, but it wisely avoids pretentious meditation on the meaning of it all for a few poignant moments of the heroine quailing in the face of death.
Visuals: 2/2 - Impeccably shot, Gravity is stunning from start to finish. Objects move with geometric beauty, while Earth is a vivid, distant dream.
Concept (Plot/Theme): 1.5/2 - The threat of space debris is wonderfully mundane and realistic, but everything that follows the initial catastrophe requires some suspension of disbelief as survival becomes increasingly improbable. Still, the film adeptly captures the minuscule fragility of human existence.
Total Score: 7.5/10
Gut Feeling: 8/10 - While I wondered how her character qualified for a space mission in the first place, Bullock delivers a moving performance in an immersive film that is worth seeing for the cinematography alone.
Final Average Score: 7.75
It was one of the better 'space' movies. However, as a geek (I know, I know it's a movie) the orbits are all wrong for some of the events to even remotely take place. So if you know anything about space travel, as usual suspend disbelief for the moment. It at least stayed largely true to the no sounds in space thing, and provides some good lessons about linear and angular momentum. The fact I even get to bring this up, means I give the film makers some serious props... I wouldn't go so far as some of the reviews where they says the movie is creating a whole "new genre". The reviewers and movie makers just never realized, until now, what us geeks knew all along... space is much more awesome and frightening if you portray it more realistically.
Hopefully the movie also provides a good reminder about how special this little rock is, and how unforgivable the rest of the universe is. Let's try and keep our planet that way! At least I was reminded of this when I left the theater.
Você sabia?
- CuriosidadesThe film's cascade of debris is a very real possibility. This scenario is known as the Kessler syndrome, named after N.A.S.A. scientist Donald J. Kessler who first proposed the theory in 1978. A cascading Kessler syndrome involving an object the size of the International Space Station would trigger a catastrophic chain-reaction of debris. The orbiting debris field would make it impossible to launch space exploration missions or satellites for many decades.
- Erros de gravaçãoWhen Kowalski asks Stone to let go of him because the rope will not hold them both, that could never happen because they are both in the same orbit around the earth. A short simple tug would have brought him back to her. Additionally, once they are drifting away from the ISS, disconnecting from Kowalski would not cause her to rebound back toward the ISS unless another force pulled her back in its direction. At most she would stop when the ropes reach the end of their slack, in which case Kowalsky would also have stopped.
- Citações
Matt Kowalski: Listen, do you wanna go back, or do you wanna stay here? I get it. It's nice up here. You can just shut down all the systems, turn out all the lights, and just close your eyes and tune out everyone. There's nobody up here that can hurt you. It's safe. I mean, what's the point of going on? What's the point of living? Your kid died. Doesn't get any rougher than that. But still, it's a matter of what you do now. If you decide to go, then you gotta just get on with it. Sit back, enjoy the ride. You gotta plant both your feet on the ground and start livin' life. Hey, Ryan? It's time to go home.
- Cenas durante ou pós-créditosThe director thanks his mother during the end credits, in Spanish: "a mi mamá, gracias".
- ConexõesFeatured in Filmselskabet: Episode #4.1 (2013)
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Detalhes
- Data de lançamento
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- Também conhecido como
- Gravedad
- Locações de filme
- Space(Earth's orbit)
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Bilheteria
- Orçamento
- US$ 100.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 274.092.705
- Fim de semana de estreia nos EUA e Canadá
- US$ 55.785.112
- 6 de out. de 2013
- Faturamento bruto mundial
- US$ 723.753.370
- Tempo de duração
- 1 h 31 min(91 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1