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Oscar Oscar Oscar – Kathryn Stockett's beautiful book is Oscar worthy in this film -- for editing, screenplay, supporting actress (several deserving) – Emma Stone just shines – at just 22 years old, this film proves she is a force to be reckoned with in Hollywood. There are so few roles written for black women and I was thrilled to see such great roles filled by Viola Davis (Abigail) and Octavia Spencer (Minnie) - both should be nominated for supporting roles although in my opinion, along with Emma Stone, all three share top billing.

The character development in this movie is really outstanding – I hate movies with flat single dimension characters and these from the lowest to those with the most screen time are just remarkably developed – even the newspaper editor, the lines they chose for him to keep gave you enough information that even he is a memorable character with only three scenes, maybe 4 in the entire movie. Same for Stuart, Skeeter's love interest – you actually like him then hate him and he only has maybe 3 minutes of air time. Great great job. Sissy Spacek with so few speaking moments is great as is Cicely Tyson who speaks volumes even in scenes with no words. Admittedly, being based on an amazing book the background story was already set out and tracks the book closely without some of the details but they have done a great job of putting it to film –

This movie sets out beautifully a terrible time in our history that unfortunately is not over – it is better, but not over by a long shot. Being a child of the south and coming up during that time, being raised by such bigoted grandparents and parents, it leaves me pause to wonder how I avoided this rabid virus of hate and takes me back to long hot lazy days in the deep south before every building was air conditioned – such attention detail right down to the Jesus fans they waved in church – awesome flick. You FEEL the heat, the tension, the pain, the injustice of the time but still you laugh with them even as you cry for them - both races - ignorance is to be wept over.

However, I think this movie does more, goes further in its exploration of the behavior of the privileged during that time. They were rabid toward blacks but were not that much better toward anyone who did not share their socio-economic status (the way the "Junior League" treated Celia) and the enormous peer pressure they put on one another (the club encouraging Skeeter's mother to make a poor decision). It visits the sins of the parents passed on to their children – the bigotry and injustice that is learned at the knee of our elders. OMG it is just an awesome, poignant, moving, NOT TO BE MISSED film.

Mesmerizing from start to finish – never once drags – just an easy easy easy 10

Recently the other Dude and I were discussing that not many award worthy movies come out during the summer; then I see The Help. To say it is not a story that I am normally interested in would be an understatement. I wasn't around during the time of segregation to fully appreciate the depth of this story. Additionally, if there was ever a movie that screamed "chick flick" it would be this one. In spite of that, I've heard wonderful things about the book and decided to view the movie. I'm happy to say that I'm glad that I did. Virtually unknown director Tate Taylor put together a cast of relatively unknown actors and actresses that truly made the story go.

Taylor, whose last movie was the little seen Pretty Ugly People, grabbed a familiar actress to join him in making The Help, Allison Janney. Other than Janney the only other familiar actresses in the movie are Cicely Tyson and Sissy Spacek. The rather unknown cast has a fresh feeling on the story and there are no preconceived notions based on a past actor or actresses work. That being said Emma Stone (Easy A), and Viola Davis had a true coming out party in The Help. Both women played fantastic parts, which really made the cast mesh nicely together. Bryce Dallas Howard, Octavia Spencer and Jessica Chastain were all spectacular in supporting roles alongside Stone and Davis.

When a movie doesn't have the explosions, crazy action or crude humor that we've become accustomed to seeing in newer movies there has got to be a great story attached in order to maintain your interest; The Help had that great story. There aren't many movies that have you laughing, crying, or getting angry and end up still being fantastic and that is where this one had me. With my common rule of no movie should be over 2 hours unless it is special; this one is very special. I would be surprised if there aren't a number of nominations coming.

Children: If they can handle a lot of dialog it is age appropriate for 10+ Award Worthy: YES! Nominations for: Best Actress, Best Supporting Actress, Screenplay, Picture, Director Entertaining: Yes Summer Movie Grade: A+ Is it Worth the Price of a Movie ticket: Yes Would I watch It Again: Yes

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While "The Help" has received TONS of great press and a ton of SAG and other awards, I am also aware that there is some controversy concerning the film. Some people have felt that the film was a bit paternalistic--as it might be interpreted as yet another story of a rich, enlightened white lady going out to help all the downtrodden black folk. I am just not sure if I could see this or not--especially as the black women in the film end up showing LOTS of strength during the course of the film. BUT, I am also a white guy--and it's not fair for me to automatically brand the film one way or another. Just be aware that there are a few who resent the idea of this film.

I could discuss the plot, but LOTS of other reviewers have discussed this. So instead, let's talk about what I liked and didn't like. I liked the acting. The problem, however, is that giving any of these actresses awards is tough as it's such an ensemble cast. I can truly understand why the Screen Actor's Guild chose to award ALL the cast a joint award. The direction was very nice and the movie was well filmed. The script was also very nice--and quite inspiring. My quibbles are VERY small---very, very small. I felt that a few characters were a bit one-dimensional (particularly the lead villainess). Also, the ending of the film seemed to drag out a bit and wrapping it up a bit sooner. It wasn't a bad ending--but tightening would have heightened the overall emotional impact.

So my advice for you is to see this film. While I still think "Hugo" is the best nominated film this year, I can see the merit in "The Help" winning and "The Artist" sure seems to have a lot of momentum. So, do yourself a favor and see all three--all three are terrific.

I took our 12 year old daughter to see this movie and we both loved it. She was not thrilled when I told her we were going to see a film that told a story from the civil rights era but when we left she said she loved it because of the women's courage, their humor and the power of their friendships. We had never seen most of the actors which was refreshing and the acting by the entire cast made it easy to get totally involved. I laughed out loud and shed quite a few tears in The Help, and will remember it and recommend it to my friends. It was wonderful to see so many scenes in which the actors related to each other so perfectly. Even the vilest characters showed moments of conflict within themselves as they played out poor behavior that had long been inbred in them. I am especially grateful to the team who provided a film that told an engaging story about human relationships with important lessons for my daughter. That is a rare occurrence in today's movies.

I grew up in the 60's, the setting for The Help, a story of Southern prejudice and cruelty toward African Americans, who were chattel of the Southern rich treating their servants as expendable and marginal. I can say that as a Northerner with a black maid for our household, there was love but always a barrier, a carryover from the strict separation still prevailing after reconstruction.

Director Tate Taylor keeps the race relations taut but not strident, as if we were living through the emerging civil rights movement slowly but inevitably aimed at equality, not "separate but equal." Skeeter (Emma Stone) graduates, returns to Jackson, Miss., and decides to write about the black help, whose "perspective' needs to be told. As more maids join in the writing of the manuscript, the more possible it is to counter the assassination of Medgar Evers and eventually that of Martin Luther King.

While we have grown used to the base scatological humor of the Hangovers, Change-UP, and other rom-coms, the fundament motif in The Help is as low-key as will ever be depicted in film. Not only is the idea of the bad guys "eating s—t" effective, it is funny and poignant.

A note about the performances—Bryce Dallas Howard as the conservative, prejudiced Hilly, is remarkably successful, making her a full-fledged actress and not just a famous director's daughter. Jessica Chastain as the ditzy but big-hearted Celia Foote cements her place as a great modern actress following her memorable role as the compliant wife in Tree of Life. Emma Stone no longer need rely on rom-coms, for she stars in The Help with a performance nuanced and underplayed, just the way I like it, albeit a bit too hip for the times.

Although the film tends toward the simplistic, e.g., there are no bad blacks and most whites are obtuse, Viola Davis as maid Aibileen Clark successfully carries the film displaying the ambivalent nature of slavery ready to burst out of its chains.