14 Lâminas

It's about time Donnie Yen made an impact yet again in the fantasy wuxia-pian genre, given the rather recent dismal films with Painted Skin (where he only had a supporting role), An Empress and the Warriors, and Tsui Hark's Seven Swords back in 2005. Most of us went ballistic with his more modern action roles ranging from SPL to Ip Man, and his 14 Blades character of Qing Long (Green Dragon, thanks to those mean looking tattoos adorned all over his upper torso) here looks quite set to become yet another memorable role similar to his morally ambiguous one in Bodyguards and Assassins.

Here, Yen's Qing Long is the General-in-chief bodyguard to, and assassin for a Ming Dynasty king, who had set up the Jin Yi Wei (the Mandarin title), or the Brocaded Robe Guards, a special army known for its dogmatic principles in fulfilling mission objectives, whose loyalty is to the king only, and are at his beck and call to do just about anything the king commands. That of course leaves room for evil eunuchs to manipulate, especially when they can get the king easily distracted with wine, song and plenty of nubile women.

The first few minutes of the film introduces us to the background of Qing Long and his army of bodyguards and assassins, the evil that lurks within the royal family and palace from eunuchs to an exiled prince (an extremely short cameo by Sammo Hung), and of course, the fabled 14 Blades. Unfortunately, we are told of the uniqueness and names of each blade, but never see all of them in action, coupled by the fact that they look quite generic. Only Qing Long is assigned this utility box containing the swords and lugs it everywhere ala El Mariachi's guitar case, and at his will can throw up the appropriate weapon to battle adversaries, including a set of grappling hooks!

Writer-director Daniel Lee managed to create a film consisting of a successful amalgamation of wuxia-pian elements, with iconic fight action sequences set in tea houses, desert duels, forest brawls with abandoned temples and exotic cities enhanced by CG to play host to a film complete with double crosses, a prized possession that everyone is after, and had time to sneak in unrequited romance. In some ways the film plays out like a Cowboy Western with its one man sheriff and an escort agency up against various bands of outlaws in endless desert filled land, with that theme of hope that they'll make it unscathed against changing odds, save the day and to ride off into the sunset with the damsel.

The story though gave way at the midway mark, where it clearly became nothing more than a stringing together of battles and one on one duels, which thankfully were still exciting to sit through, with none of the fast cut edits or crazy closeups that will make you cringe. With the introduction of Wu Chun as Judge, the leader of a brigade of bandits who has this cool boomerang double blade, and Kate Tsui in a role where she only grunts as loud as Maria Sharapova in a return volley, ample time got dedicated for one to mirror QIng Long's transformation and road to redemption, while the other, well, just serves to grunt a lot, in a get up that looks inspired by Medusa, and armed with a serpent sword-like-whip, and powers of CG stealth.

But underneath the fights, the flimsy storyline and gorgeous costumes, 14 Blades turns out to have an incredibly strong romance instead, with Vicky Zhao (her umpteenth period role straight) starring as Qiao Hua, daughter of the Justice Escort agency founder (played by veteran Wu Ma), enamoured by the manliness of the legendary leader of the Jin Yi Wei, since she grew up on fairy tales and harbouring the hopes that a fabled swordsman would one day save society from its evils. In a way her Qiao Hua exhibits the Stockholm Syndrome, being held captive against her wishes, but slowly being drawn romantically to her captive, even endangering herself (in a scene to provide comic relief) by willingly becoming his aide and pawn.

It's far from being the perfect film, especially with unbelievably incoherent flashbacks and the going overboard with explosions (of the RPG type), but Donnie Yen once again shows that when it comes to the fisticuffs, he still has a lot to offer, despite the story's potential that had it go off the blocks strongly, only to fizzle out before the end in a case of severe narrative burn-out.

This is another martial arts flick with weapons and it's a pretty good one at that, just isn't great. Mainly it's because the story is sort of flat although all over the place at times. But I liked the comic book style of this movie and since it works sometimes. The title of this movie is the weapons that Donnie Yen's character carries around with him in a wooden box, but they mostly all look generic. Although each weapon has it's purpose, but you can't tell which weapon is which while watching for the most part. Also the 14 blades isn't even used in a special manner, it just seemed like regular swords for the most part. It would have been cool if it showed each weapon with a distinctive different look and style of fighting to it. But that just doesn't apply to this movie for the most part. What starts out as a bit over the place plot while being somewhat interesting quickly becomes a romance movie between Donnie Yen and Zhao Wei's characters. However the fight choreography is done really well in this and doesn't come off as being super lame to watch or anything like that. It seems like Donnie Yen's talent is increasing with every martial arts movie he is in. The set pieces are well crafted as well and if the plot carried it's own weight as well, this would have been a great martial arts movie.

5.8/10

I'm not talking about the blades, but about the story. It's a shame that the story (as good as it is and it's not bad) is not more fleshed out. Recent movies have shown that there are ways to make the eastern movies attractive (again). Though I am a bit biased, having grown up watching the Shaw Brothers movies, I do think that this could have done with a bit of script writing upgrade.

Of course the Shaw Brothers movies might not stand up to the test of time (or script writing I come to expect these days), but apart from that they had great actors. Donnie Yen holds his stand here and he does a good job. Of course that also means that the action is well shot and choreographed. I'm just saying you might be left with a feeling that there could have been more.

14 Blades (2010) is a movie I recently rewatched for the first time in a long time on Tubi. The storyline follows a secret service agent during the Ming Dynasty who is sent on a secret mission only to discover he has been betrayed and now his former colleagues are after him. Can he clear his name before his former colleagues kill him?

This movie is directed by Daniel Lee (Three Kingdoms) and stars Donnie Yen (Iron Monkey 2), Wei Zhao (Red Cliff), Sammo Kam-Bo Hung (Knockabout), Chun Wu (My Kingdom) and Kar-Ying Law (From Beijing with Love).

Sammo Hung and Donnie Yen are always awesome and worth watching. Yen was ripped and in terrific shape. The attire, sets and cinematography was very well done. The choreography was inconsistent with some scenes well done and some with too much reliance on wires. The integration of CGI into the weapons was also inconsistent with some scenes working better than others. I will say that I did appreciate the variety of weapons used throughout the film.

Overall this is far from a classic martial arts picture but it is worth a viewing. I would score this a 6/10 and recommend seeing it once.

Although it gets off to a shaky start, after the first half an hour 14 Blades acquits itself well as a perfectly serviceable martial arts romp with all the requisite elements, ranging from hard-hitting kung fu action, weapon play and court intrigue to romance, picturesque locations and heroic endeavours. It's all made better than it has any right to be thanks to the presence of martial arts supreme Donnie Yen, who's quickly established himself as my favourite of the modern-day action stars.

14 BLADES sees Yen playing the role of a powerful governmental assassin who finds himself betrayed by a dastardly villain and forced to flee for his life while an endless stream of warriors pursue him. Along the way, he must contend with his growing feelings for a female ally, played by the ravishing Zhao Wei, while at the same time battling a superior warrior women played by Kate Tsui. There's a pointless cameo for Sammo Hung and some decent fight action along the way, although it has to be said that the choreography isn't as superior as I'd expect given Yen's involvement. Still, for martial arts fans this is a fun if disposable outing.