Broken

Eloise Laurence, in her motion picture debut, is really terrific as Skunk, aka Emily Cunningham, in this extremely dark British drama. Tim Roth gives his usual very solid performance as Skunk's father Archie, a lawyer who is left to raise Skunk and her brother Jed (Bill Milner) after Archie's wife has run off with an accountant. They're aided by a live-in nanny Kosia, ably portrayed by Zana Marjanovic.

Skunk is an 11 year old girl who must face numerous challenges in addition to the loss of her mother. She's a Type 1 diabetic, who must take daily injections and constantly monitor her blood sugar levels. She also has to contend with a new school and the bullying therein, a crush on her teacher Mr. Kiernan, played by the fine actor Cillian Murphy, as well as a first boyfriend Dillon (George Sargeant) and a first real kiss.

However, even more scary and potentially more dangerous are her neighbors. There's the rageful and violent neighbor Bob Oswald, believably portrayed by Rory Kinnear, who along with his three out of control daughters are causing havoc in the neighborhood. There's also the seriously mentally disturbed Rick (Robert Emms), living across the street with his doting mother and overwhelmed father.

All of these families and characters will eventually come together in brutally stark ways. The film does little to shield the viewer from very bleak and difficult scenes.

Thank goodness for the movie's powerful ending or I may just have felt the whole film was just too depressing and unflinching for me.

All in all, Eloise Laurence's riveting presence on screen was I think the true heart of the film. Most likely this film is not for everyone with its' heavy themes, but with its' very strong ending I was glad I stayed with it.

The film was directed by Rufus Norris, an accomplished stage director but making his film debut here. It was written by Mark O'Rowe (Boy A), based on the novel by Daniel Clay.

This is going to be a very quick review as I do not wish to give anything away. It is a gritty, beautifully made, completely believable gem of a film.

The story could be set in any street in the UK and no doubt most will realise parallels with our own lives. Laughter, sorrow, pain, joy and all the things that make a stunner of a movie.

Brilliant acting through-out and no-doubt we will see these young stars again in the future. Tim Roth is Tim Roth and never lets you down so no news there.

Just go watch it.

'Broken' is a film about a young girl named skunk, her life is turned upside down after witnessing a violent incident happen to one of her neighbours. From then one things go from bad to worse amongst the neighbourhood and her own family.

This film is acting debut of Eloise Laurence who plays Skunk, she is faultless. She keeps Skunks emotions right on the edge of her sleeves which makes her performance more real. When you look at her you can't help but smile even when it's a serious scene, she is just so cute and so amazingly talented. I hope to see her more in the future.

Tim Roth plays Skunk's dad Archie. As always Tim is amazing, he really brings all the emotions a father would feel towards his daughter and puts it into his performance and let's face it, who wouldn't want Tim Roth as their on-screen father? Cillian Murphy plays Mike, the boyfriend of their au pair Kasia, he also becomes Skunk's teacher. Murphy plays Mike as the most loyal/devoted boyfriend who anyone would want, Which makes him a really likable character and even comes to Skunk's rescue which I think any girl would want. You really feel for him when things turn upside down on him, and want to reach out a give him a hug. Plus he keeps is Irish accent for this one! 'Broken' is a film full of emotions, be them happy, sad, anger or love. This film is an emotional roller-coaster ride with some brilliant actors and some wonderful singing from the lead lady herself.

So simple and yet so complicated, as often life can be. Normal houses and plain faces on your block often conceal mini dramas. A cul de sac, to be precise, symbolic perhaps of the impasse that certain characters in "Broken" have reached.

Hats off to the director (and editor?) for the way certain sequences were handled. You would see a scene - the conclusion of certain events - and at the right moment (when you'd start wondering "when and how did this happen?"), the action would rewind itself and everything would make sense. From effect to cause...

I guess this movie is not for the "Batman" crowd. No jumping off roofs, no wild chases, no gunshots, just bleeding. The real kind that could happen to your sister or brother or parent or child. Or to your neighbour. The kind that you might read about in the newspaper the next day. Bleeding external and bleeding internal. Of the lip and of the heart.

The acting was very convincing. Not the kind that sticks in your mind forever, but that's exactly what I consider to be one of the film's main assets: the lack of exaggeration in the delivery of the lines is what makes the story plausible, real, as if though you're witnessing events unfold outside your window.

And hats off to the new kid on the block. Eloise Laurence is a natural. I'd love to have her for my daughter too! Or sister. Or neighbour. I have a feeling we'll be hearing more from her. And from director Rufus Norris. The chain must not be broken.

Broken (2012)

A high stakes middle class melodrama that gets more and more intense—and improbable —as it goes. Well done stuff, with some disturbing insights into contemporary British suburbia.

Besides all the tense thrills of watching some rivalries between kids and parents in this world, and a couple of love affairs blossom, what is the takeaway? I've been wondering that for two days after watching it. And in a way I think there isn't any "message" or large point here. It's a slice of life kind of approach even though the "slice" here is an unrealistic bit of hyper-drama.

In a way this kind of interwoven tale of ordinary people experiencing extraordinary things (like murder) is a justification in itself. It's a high-drama movie, nothing less. That it is well made and well acted is a bonus. And the fact it manages to touch on issues of intolerance and misunderstanding in our current world is valuable. In all, well done, and well meant.

It also avoids what you might call insight, for lack of a better word. That is, there are all these horrible events (and some lovely ones) and we don't quite know why that are happening, or why not, other than because of circumstance. The underlying psychology, and social fabric, is supplied only sparingly, though it is implied often. What results is still quite dramatic, but why do I feel drained and incomplete by it all?

See this? Yes, absolutely. But knowing its deeper limitations.