Uma jovem misteriosa seduz homens solitários à noite na Escócia. No entanto, os eventos a levam a iniciar um processo de autodescoberta.Uma jovem misteriosa seduz homens solitários à noite na Escócia. No entanto, os eventos a levam a iniciar um processo de autodescoberta.Uma jovem misteriosa seduz homens solitários à noite na Escócia. No entanto, os eventos a levam a iniciar um processo de autodescoberta.
- Direção
- Roteiristas
- Artistas
- Indicado para 2 prêmios BAFTA
- 23 vitórias e 113 indicações no total
Krystof Hádek
- The Swimmer
- (as Krystof Hadek)
Avaliações em destaque
From the beginning shot of this film depicting lights and eclipses, we will already see that this will not be just another run-of-the-mill motion picture. When we see a nude Scarlett Johansson for the first time in that pristine white room, we definitely know we are in for a different sort of ride.
A woman drives around Scotland. She strikes up conversations with various men she picks up along the way. She will seduce them into coming with her and they follow her into her black void of a house. However, as this woman encounters more men, she will also realize and discover new things about herself.
Despite the presence of a big name star Scarlett Johansson, this is not a mainstream film. The techniques are unmistakably art-house, with long stretches of silence, of Johansson just driving around, of random people just going about their daily routines. It is said that to be realistic, the film makers shot Johansson picking up real men off the street (not actors) and interviewed them without a script as they were driving around. The thick Scottish accents may be unintelligible.
Many audiences may just dismiss this as a fruitless waste of 100 minutes, since on paper, the plot seems to be simple enough for a single "X-Files" episode. However, serious cinephiles will be enraptured by the film's bizarre cinematographic beauty, deeper symbolic meaning and recall films by hallowed directors like Stanley Kubrick or David Lynch.
There are carefully orchestrated shots of seduction, very effective (of course with Johansson in various stages of undress) and mysterious (with that pitch black shiny room and that eerie piercing music by Mica Levi). There was a scene with a couple, their baby and their dog on an isolated windswept beach which will disturb you. There was a scene involving a man with a disfigured face which will haunt you.
"Under the Skin" is a unique artistic movie experience which will polarize audiences. Director Jonathan Glazer has created a bleak masterpiece which will visually mesmerize and thematically baffle his viewers. So, are you seduced to take up this challenge? 7/10.
A woman drives around Scotland. She strikes up conversations with various men she picks up along the way. She will seduce them into coming with her and they follow her into her black void of a house. However, as this woman encounters more men, she will also realize and discover new things about herself.
Despite the presence of a big name star Scarlett Johansson, this is not a mainstream film. The techniques are unmistakably art-house, with long stretches of silence, of Johansson just driving around, of random people just going about their daily routines. It is said that to be realistic, the film makers shot Johansson picking up real men off the street (not actors) and interviewed them without a script as they were driving around. The thick Scottish accents may be unintelligible.
Many audiences may just dismiss this as a fruitless waste of 100 minutes, since on paper, the plot seems to be simple enough for a single "X-Files" episode. However, serious cinephiles will be enraptured by the film's bizarre cinematographic beauty, deeper symbolic meaning and recall films by hallowed directors like Stanley Kubrick or David Lynch.
There are carefully orchestrated shots of seduction, very effective (of course with Johansson in various stages of undress) and mysterious (with that pitch black shiny room and that eerie piercing music by Mica Levi). There was a scene with a couple, their baby and their dog on an isolated windswept beach which will disturb you. There was a scene involving a man with a disfigured face which will haunt you.
"Under the Skin" is a unique artistic movie experience which will polarize audiences. Director Jonathan Glazer has created a bleak masterpiece which will visually mesmerize and thematically baffle his viewers. So, are you seduced to take up this challenge? 7/10.
I implore anybody that has seen this movie once, and not liked it, to watch it once more. This time, however, take into account that film is a visual medium. Instead of expecting a narrator or a character to easily explain to you what is happening try paying attention to what is happening. Examine and truly THINK about what is expressed visually. The brilliant part about Under The Skin is how well it tells a story without dialog, without running commentary, and without the central character saying much at all.
Think about the purpose of what the female character is doing. The entire story tells itself so easily if you let it. The problem with the modern movie-goer, and admittedly myself, is that we want things explained to us. We're happy to be treated like ignorant flatheads that don't know our butts from our elbows. Look at any other review here on IMDb and pay close attention to what is being criticized. They are mostly the same things over and over again.
They don't criticize what is conveyed through the film's imagery. Instead, they say things like "Not enough was explained." "This film had no plot." "The movie went nowhere." or "Nothing happened." At the risk of sounding smug, I will say that these people are looking for the wrong things in this movie, or any movie. When going into any new film it's important to remember the medium you're choosing to entertain you. It's not like a book on tape, or music. Movies can explain the plot, story, character motivations, and roles without having to have a character, or narrator explain it to you.
I was one of those people that didn't "get" this film and gave it an extremely low rating of 1 star. But I decided to change to a 7 after much reflection on the content and thoughts it provoked afterward. After reading over 5 or 6 positive I got curious. Why do so many people think this movie is fantastic and innovative? I implore you to look up the video review by Renegade Cut.
This one video, in addition to Under The Skin, made me rethink what I think a movie should be. It can be artistic, and different, and entertaining without following the well established formula for modern movies. Personally, I feel like people in general are too harsh. A one star rating should be reserved for terrible films, with nothing to say at all. Well, that's not this film. It certainly has plenty to say about what it's like to be an outsider, and what a gift it truly is to be human.
A one star rating should be reserved for the most thoughtless trash in existence. This isn't even close to that. Was it for me? No, but I certainly "get" it. I get what the message is, and what it was trying to do. That I had to think to myself "What did I just watch?" was enough for a 7 star rating. It made me think, re-evaluate, and wonder. As much as I like Guardians of the Galaxy, or Indiana Jones, I have to ask myself "Did either one of those films make me feel this way?" No, they didn't.
And also, do films necessarily have to be for entertainment? To which I also say no. Films can be about raising a question, or provoking a thought, or experiencing emotions. Maybe the tedium of a scene evokes boredom, but what if that's the point of the scene being shown? Look past your eyes, think about what the director's intent was, and I think you'll enjoy this one way more on a repeat viewing.
Think about the purpose of what the female character is doing. The entire story tells itself so easily if you let it. The problem with the modern movie-goer, and admittedly myself, is that we want things explained to us. We're happy to be treated like ignorant flatheads that don't know our butts from our elbows. Look at any other review here on IMDb and pay close attention to what is being criticized. They are mostly the same things over and over again.
They don't criticize what is conveyed through the film's imagery. Instead, they say things like "Not enough was explained." "This film had no plot." "The movie went nowhere." or "Nothing happened." At the risk of sounding smug, I will say that these people are looking for the wrong things in this movie, or any movie. When going into any new film it's important to remember the medium you're choosing to entertain you. It's not like a book on tape, or music. Movies can explain the plot, story, character motivations, and roles without having to have a character, or narrator explain it to you.
I was one of those people that didn't "get" this film and gave it an extremely low rating of 1 star. But I decided to change to a 7 after much reflection on the content and thoughts it provoked afterward. After reading over 5 or 6 positive I got curious. Why do so many people think this movie is fantastic and innovative? I implore you to look up the video review by Renegade Cut.
This one video, in addition to Under The Skin, made me rethink what I think a movie should be. It can be artistic, and different, and entertaining without following the well established formula for modern movies. Personally, I feel like people in general are too harsh. A one star rating should be reserved for terrible films, with nothing to say at all. Well, that's not this film. It certainly has plenty to say about what it's like to be an outsider, and what a gift it truly is to be human.
A one star rating should be reserved for the most thoughtless trash in existence. This isn't even close to that. Was it for me? No, but I certainly "get" it. I get what the message is, and what it was trying to do. That I had to think to myself "What did I just watch?" was enough for a 7 star rating. It made me think, re-evaluate, and wonder. As much as I like Guardians of the Galaxy, or Indiana Jones, I have to ask myself "Did either one of those films make me feel this way?" No, they didn't.
And also, do films necessarily have to be for entertainment? To which I also say no. Films can be about raising a question, or provoking a thought, or experiencing emotions. Maybe the tedium of a scene evokes boredom, but what if that's the point of the scene being shown? Look past your eyes, think about what the director's intent was, and I think you'll enjoy this one way more on a repeat viewing.
I am a Scarlett Johansson fan, ever since I saw her in "Horse Whisperer" in 1998. Realizing I had not seen this one yet, I managed to find it via the Kanopy streaming service through my public library's subscription.
It is not a mainstream movie, with a clear story and character motivations. It is a good watch for those who enjoy occasionally exploring alternative themes and filming styles. There is a vague opening, to suggest that an alien character has arrived and will explore Earth, in the process hunting down unsuspecting males. Scarlett Johansson plays the lead and is only known as "The Female."
All filmed in Scotland, much of it outside towns and cities in the unusual and mostly beautiful countryside. There isn't much action, nor is there much dialog. The film is atmospheric and attractive, and when it ends it is very easy to think "so what?"
I am glad I took the time to watch it but I will estimate that most lovers of clear-cut, mainstream movies will not enjoy it.
It is not a mainstream movie, with a clear story and character motivations. It is a good watch for those who enjoy occasionally exploring alternative themes and filming styles. There is a vague opening, to suggest that an alien character has arrived and will explore Earth, in the process hunting down unsuspecting males. Scarlett Johansson plays the lead and is only known as "The Female."
All filmed in Scotland, much of it outside towns and cities in the unusual and mostly beautiful countryside. There isn't much action, nor is there much dialog. The film is atmospheric and attractive, and when it ends it is very easy to think "so what?"
I am glad I took the time to watch it but I will estimate that most lovers of clear-cut, mainstream movies will not enjoy it.
How do you even rate a film when you sort of loved almost everything about it yet have no concrete opinion on what it was all about? It's pretty rare in cinema to find yourself constantly struggling with your very own feelings, unsure of which side to settle with for whenever a step is taken in either direction, something from the opposite end of the spectrum keeps bringing you back in the middle.
Under the Skin is one film that provides such unique experience. It is a mystical blend of horror, sci-fi & mystery that's easily one of the most perplexing, challenging & polarizing narratives to come out in years and tells the story of a mysterious woman who drives through the streets of Scotland, seducing lonely men into her van until one particular event sets her on a journey to self-discovery.
Directed by Jonathan Glazer, this is my first stint with his works & even though I'm still connecting the dots of this mind-bending puzzle, there were still many elements I was instantly impressed with. Glazer presents a Kubrick-like control over all aspects of filmmaking here & that's no mere compliment. Use of dialogues is minimal & even though the plot is sort of repetitive, it's never expository.
Coming to the technical aspects, Under the Skin is a work of dazzling beauty. The camera nicely follows its lead character like a silent observer, shooting locations are elegantly chosen & every single image is exquisitely captured. Editing lets the story unfold at its own pace & is never in a hurry while Mica Levi's skin-crawling score ends up encapsulating the whole picture with a very creepy, haunting & surreal ambiance.
As far as acting goes, it's Scarlett Johansson show all the way for the actress commands the screen unlike ever before and chips in with an unexpectedly impressive, audacious & intensely alluring performance. Trying to make sense of the human world, getting to know people for a brief time & attempting to understand a human feeling, Johansson is able to express all that through her piercing gaze & subtle body language with effortless naturalness.
On an overall scale, Under the Skin is too complex a film to be fully analyzed on the first watch but it nevertheless delivers a haunting, hypnotic & heartbreaking cinematic experience. Certainly not for everyone, it's one of those art-house features that viewers will either embrace or reject outright. A difficult film to review & an even harder film to rate, Under the Skin does manage to live up to its name by getting under your skin & is one of the most stimulating motion pictures of its year. Multiple viewings advised.
Under the Skin is one film that provides such unique experience. It is a mystical blend of horror, sci-fi & mystery that's easily one of the most perplexing, challenging & polarizing narratives to come out in years and tells the story of a mysterious woman who drives through the streets of Scotland, seducing lonely men into her van until one particular event sets her on a journey to self-discovery.
Directed by Jonathan Glazer, this is my first stint with his works & even though I'm still connecting the dots of this mind-bending puzzle, there were still many elements I was instantly impressed with. Glazer presents a Kubrick-like control over all aspects of filmmaking here & that's no mere compliment. Use of dialogues is minimal & even though the plot is sort of repetitive, it's never expository.
Coming to the technical aspects, Under the Skin is a work of dazzling beauty. The camera nicely follows its lead character like a silent observer, shooting locations are elegantly chosen & every single image is exquisitely captured. Editing lets the story unfold at its own pace & is never in a hurry while Mica Levi's skin-crawling score ends up encapsulating the whole picture with a very creepy, haunting & surreal ambiance.
As far as acting goes, it's Scarlett Johansson show all the way for the actress commands the screen unlike ever before and chips in with an unexpectedly impressive, audacious & intensely alluring performance. Trying to make sense of the human world, getting to know people for a brief time & attempting to understand a human feeling, Johansson is able to express all that through her piercing gaze & subtle body language with effortless naturalness.
On an overall scale, Under the Skin is too complex a film to be fully analyzed on the first watch but it nevertheless delivers a haunting, hypnotic & heartbreaking cinematic experience. Certainly not for everyone, it's one of those art-house features that viewers will either embrace or reject outright. A difficult film to review & an even harder film to rate, Under the Skin does manage to live up to its name by getting under your skin & is one of the most stimulating motion pictures of its year. Multiple viewings advised.
I can handle not knowing who our characters are, what their motives are, how they relate to one another, and what the point is for so long, but at some point you need to articulate something... anything. Let me know what they're thinking, why they're doing what they're doing. I was starved of answers for the entire duration of the movie.
This movie seems to rely on its mood and tone over anything of substance and form. It has remarkably few lines of dialog, and what is there is mostly unimportant. We're left to interpret Johansson's character based on her facial expressions and behaviors, and even those are quite vague. There's just not a whole lot here. The film hints at a lot but never truly defines it.
The ending isn't setup aside from the ethereal sequences prior. In the end, we still don't know quite who she is or what she was. I doubt the writer had a specific idea either.
Overall, I didn't like this movie. I found myself asking questions that just were never answered. The film hides behind a layer of mystery, which piques your interest, but there's nothing underneath. Even now having seen the ending, knowing what she is, doesn't leave me feeling satisfied in any way.
Skip this one. Not worth the time.
This movie seems to rely on its mood and tone over anything of substance and form. It has remarkably few lines of dialog, and what is there is mostly unimportant. We're left to interpret Johansson's character based on her facial expressions and behaviors, and even those are quite vague. There's just not a whole lot here. The film hints at a lot but never truly defines it.
The ending isn't setup aside from the ethereal sequences prior. In the end, we still don't know quite who she is or what she was. I doubt the writer had a specific idea either.
Overall, I didn't like this movie. I found myself asking questions that just were never answered. The film hides behind a layer of mystery, which piques your interest, but there's nothing underneath. Even now having seen the ending, knowing what she is, doesn't leave me feeling satisfied in any way.
Skip this one. Not worth the time.
Você sabia?
- CuriosidadesChampionship motorcycle road racer Jeremy McWilliams was cast as the motorcyclist to handle the treacherous driving conditions of the Scottish Highlands.
- Erros de gravaçãoWhen Laura is walking down the street before she trips, you can see reflections of a crew member in a high-vis vest helping the camera follow her down the street.
- Cenas durante ou pós-créditosNone of the characters are named in the closing credits: the cast-list is only a list of actors' names.
- ConexõesFeatured in At the Movies: Venice Film Festival 2013 (2013)
- Trilhas sonorasReal Gone Kid
Performed by Deacon Blue
Written by Ricky Ross
Published by Sony/ATV Music Publishing (UK) Ltd.
Licensed courtesy of Sony Music Entertainment UK Limited
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
- How long is Under the Skin?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Bajo la piel
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 13.300.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 2.614.251
- Fim de semana de estreia nos EUA e Canadá
- US$ 133.154
- 6 de abr. de 2014
- Faturamento bruto mundial
- US$ 7.494.387
- Tempo de duração1 hora 48 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente