Quando seu mentor é capturado por um xeque árabe desonrado, um assassino contratado é forçado a agir. Sua missão: matar três membros da elite britânica do Serviço Aéreo Especial responsável ... Ler tudoQuando seu mentor é capturado por um xeque árabe desonrado, um assassino contratado é forçado a agir. Sua missão: matar três membros da elite britânica do Serviço Aéreo Especial responsável pela morte de seus filhos.Quando seu mentor é capturado por um xeque árabe desonrado, um assassino contratado é forçado a agir. Sua missão: matar três membros da elite britânica do Serviço Aéreo Especial responsável pela morte de seus filhos.
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Danny Bryce is a retired mercenary but he is forced to return to work when his mentor, Hunter, is taken captive by an employer after failing to complete a mission. Bryce is told he must finish the job if Hunter is to live. The employer is an Omani Sheikh whose three eldest sons were killed during a war; he wants the Danny to kill the three men responsible... it won't be easy though; they were all members of the Special Air Service. Each man must confess then the death must look like an accident. He, and a small team of associates go after the targets but it quickly becomes apparent that somebody, former SAS officer Spike Logan, knows what they are up to.
This is a decent enough story but it would have been better if it didn't claim to be true. It starts well with a prologue that serves to introduce Danny and Hunter and explain why Danny has retired. The way that he is pulled back into that world is effective enough. Once the action starts it is solid and nicely captures the feel of the early eighties. Jason Statham is solid as Bryce and Clive Owen is equally solid as Logan; although both have been better elsewhere. Robert De Niro is decent enough as Hunter although he is rather old to be playing a mercenary. The story provides plenty of twists and turns, some rather far-fetched. Overall I thought it passed the time nicely; not a must see but still entertaining.
This is a decent enough story but it would have been better if it didn't claim to be true. It starts well with a prologue that serves to introduce Danny and Hunter and explain why Danny has retired. The way that he is pulled back into that world is effective enough. Once the action starts it is solid and nicely captures the feel of the early eighties. Jason Statham is solid as Bryce and Clive Owen is equally solid as Logan; although both have been better elsewhere. Robert De Niro is decent enough as Hunter although he is rather old to be playing a mercenary. The story provides plenty of twists and turns, some rather far-fetched. Overall I thought it passed the time nicely; not a must see but still entertaining.
Killer Elite starts with the Jason Statham super-assassin fare, some random Mexican or South American dude is getting whacked and Jason Statham as Danny here kills car-fulls of them. But, then it manages to enormously over-complicate things the way only a British movie can do. There is the secret society called the feather-men (because their touch is sooo soooft), some oil sheik who hires Danny by kidnapping his mentor and a whole slew of characters and sub-characters that inhabit the Killer Elite world that all manage to be a little inconsistent with the rules of the movie.
Jason Statham, DiNiro and Clive Owen star, one gets the feeling they aren't in the movie but are sort of doing their thing floating above it. Statham has to be the super-man, the assassin who can kill a whole army if he wants to, DiNiro has to have his intricate monologues and dialogs, and Clive Owen has to be a badass. It does claim to be inspired by a true story but it's hard to weed out the "it could happen" true part and the chaff that all the big actors drag into the movie. We have the hokey "it's easy to kill but the hard part is living with it" kind of assassin introspection and on the other hand it hints at blood for oil military campaigns and political web but they distinctly form two separate layers in the movie.
As an action movie, it's full of it's shares of shootouts, grisly deaths, car chases and burly men punch-ups. It does that weird thing where goons are shot in the leg or punched in the head rather than killed. I suppose if you don't really care how the plot stupidly unravels itself, it's a decent action movie. But, as a plot, it's over-complicated and borderline nonsensical.
Jason Statham, DiNiro and Clive Owen star, one gets the feeling they aren't in the movie but are sort of doing their thing floating above it. Statham has to be the super-man, the assassin who can kill a whole army if he wants to, DiNiro has to have his intricate monologues and dialogs, and Clive Owen has to be a badass. It does claim to be inspired by a true story but it's hard to weed out the "it could happen" true part and the chaff that all the big actors drag into the movie. We have the hokey "it's easy to kill but the hard part is living with it" kind of assassin introspection and on the other hand it hints at blood for oil military campaigns and political web but they distinctly form two separate layers in the movie.
As an action movie, it's full of it's shares of shootouts, grisly deaths, car chases and burly men punch-ups. It does that weird thing where goons are shot in the leg or punched in the head rather than killed. I suppose if you don't really care how the plot stupidly unravels itself, it's a decent action movie. But, as a plot, it's over-complicated and borderline nonsensical.
I'm not sure what it was about Killer Elite that disappointed me, but it just didn't seem to live up to its potential. It might have been that the movie relied on Jason Statham to act, instead of just do action. He plays a retired hit man who gets pulled out of retirement to save a friend's life. But it just doesn't work, he's unconvincing. The retirement isn't convincing and neither is his reluctance to return to work. He was much better in the Mechanic which dealt with similar issues.
Overall the movie doesn't hold together very well. There is too much that they are trying to accomplish, but not enough gets developed. For instance, the romance between Danny (Statham) and Anne (Yvonne Strahovski) just seems to be cut in to the movie in a few places. The Feathermen (the group about whom the book the movie draws from is written) appear in a few scenes, yet they're role is barely explored. They are spliced in just enough to give Spike (Clive Owen) a support system.
It's not a terrible movie, but it could have been much more. I think it would make a better mini-series, so that the different parts could be explored properly. If not, eliminate the things that aren't given justice.
Overall the movie doesn't hold together very well. There is too much that they are trying to accomplish, but not enough gets developed. For instance, the romance between Danny (Statham) and Anne (Yvonne Strahovski) just seems to be cut in to the movie in a few places. The Feathermen (the group about whom the book the movie draws from is written) appear in a few scenes, yet they're role is barely explored. They are spliced in just enough to give Spike (Clive Owen) a support system.
It's not a terrible movie, but it could have been much more. I think it would make a better mini-series, so that the different parts could be explored properly. If not, eliminate the things that aren't given justice.
STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning
Set in 1980, Killer Elite is based on a true story, revolving around SAS agent Danny (Jason Statham) who owes everything to his friend and mentor Hunter (Robert De Niro.) So when he is taken hostage in Oman, Danny is forced to co-operate with the kidnappers demands: that the three soldiers responsible for the death of his son are hunted down around the globe and killed. But even when he goes through with the mission, he finds, as well as having to contend with the relentless Agent Spike (Clive Owen) that not everything is as it seems.
Holding true to it's claim of being a story spinning all round the globe, Killer Elite literally dashes with hyperactive energy from the deserts of the Middle East to the Australian outback, to European cities like Paris and London, all the while holding it's accolade of being a true story. But then fact is often stranger than fiction, and the exploits of Britain's elite special forces could no doubt throw up even stranger tales.
This is a slick, stylish enough film, that carries off it's various action sequences and tense moments with the requisite style and aplomb, even if it doesn't generate the amount of suspense it could have and the whole thing does feel a tad disjointed and sporadic.
Performances wise, Statham is simply the reliable sturdy action hero, while De Niro in support commandeers another generic performance and Owen as the adversary can resort back to his old wooden ways. Not a lot to write home about on that front, then, but thankfully it's not a film driven by this aspect and so the more superficial stuff that carries it through.
It's a messy, chaotic, sketchy and unbelievable (even for something based on a true story) film, but entertaining and enthralling enough to be well worth a watch. ***
Set in 1980, Killer Elite is based on a true story, revolving around SAS agent Danny (Jason Statham) who owes everything to his friend and mentor Hunter (Robert De Niro.) So when he is taken hostage in Oman, Danny is forced to co-operate with the kidnappers demands: that the three soldiers responsible for the death of his son are hunted down around the globe and killed. But even when he goes through with the mission, he finds, as well as having to contend with the relentless Agent Spike (Clive Owen) that not everything is as it seems.
Holding true to it's claim of being a story spinning all round the globe, Killer Elite literally dashes with hyperactive energy from the deserts of the Middle East to the Australian outback, to European cities like Paris and London, all the while holding it's accolade of being a true story. But then fact is often stranger than fiction, and the exploits of Britain's elite special forces could no doubt throw up even stranger tales.
This is a slick, stylish enough film, that carries off it's various action sequences and tense moments with the requisite style and aplomb, even if it doesn't generate the amount of suspense it could have and the whole thing does feel a tad disjointed and sporadic.
Performances wise, Statham is simply the reliable sturdy action hero, while De Niro in support commandeers another generic performance and Owen as the adversary can resort back to his old wooden ways. Not a lot to write home about on that front, then, but thankfully it's not a film driven by this aspect and so the more superficial stuff that carries it through.
It's a messy, chaotic, sketchy and unbelievable (even for something based on a true story) film, but entertaining and enthralling enough to be well worth a watch. ***
Based on a true story?? It's 1980. Danny (Jason Statham) and his mentor Hunter (Robert De Niro) fail their latest scheme because Danny didn't want to take a little girl. Then one year later, Danny is living in self-imposed exile when he receives a photo of a captured Hunter. Hunter had a job from a Sheikh for $6 million to kill the three SAS special forces men that killed his sons. The Sheikh has 6 months to live and Danny has to get their confessions and their deaths have to look accidental while the Sheikh holds Hunter prisoner. Spike (Clive Owen) leads the rogue group of ex-SAS assassins.
It's a very convoluted story and it seems like a badly written Bond movie. It's better than most rambling thrillers. That's mostly due to the very effective Jason Statham. The big problem is that I don't find any rooting interest in anybody. Newby director Gary McKendry seems more interested in working out exciting action scenes. What's needed is a reason why I care if either side wins or dies. Part of me like Spike more than Hunter. The movie goes all over the world but this confuses the story more than any good that the exotic locations give. It's basically a mess.
It's a very convoluted story and it seems like a badly written Bond movie. It's better than most rambling thrillers. That's mostly due to the very effective Jason Statham. The big problem is that I don't find any rooting interest in anybody. Newby director Gary McKendry seems more interested in working out exciting action scenes. What's needed is a reason why I care if either side wins or dies. Part of me like Spike more than Hunter. The movie goes all over the world but this confuses the story more than any good that the exotic locations give. It's basically a mess.
Você sabia?
- CuriosidadesSir Ranulph Fiennes, an English adventurer, polar explorer and former S.A.S. man is the author of The Feather Men, the novel on which this film is adapted. Although he has often claimed the novel was a true story, the families of the real dead S.A.S. men named in the novel who died on S.A.S. exercises, and the S.A.S. themselves publicly attacked it as sick exploitation and complete fiction. The S.A.S. even went on the record to disown both Fiennes and the book, with Lieutenant Colonel Ian Smith telling the Daily Mail "It was utter bullshit", the figment of a fertile imagination. What was really upsetting, was that it was making a story out of a tragedy." Maggie Denaro, the widow of one of the dead S.A.S. men said of Fiennes, "It's time he grew up. He's made his money out of the book. He should come clean. When the book came out saying Mike had been murdered, we knew it wasn't true. But that didn't stop our children from being upset when other people believed it." Although Fiennes claims he sent a manuscript of the book to the S.A.S. and the families of the dead men, who gave their approval, they have all unequivocally denied his claim.
- Erros de gravaçãoWhen Hunter sits with Anne in the cafe in Paris the menu items written on the wall have prices in Euros, in 1980 it should have been Francs.
- ConexõesFeatured in The Tonight Show with Jay Leno: Episode #19.214 (2011)
- Trilhas sonorasDelilah
Composed by Barry Mason (as B. Mason) / Les Reed (as L. Reed)
(c) 1968 Donna Music Limited
Administered by J. Albert & Son Pty Limited
Used with permission
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- Data de lançamento
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- Também conhecido como
- Nacidos para matar
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 70.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 25.124.966
- Fim de semana de estreia nos EUA e Canadá
- US$ 9.352.008
- 25 de set. de 2011
- Faturamento bruto mundial
- US$ 57.084.522
- Tempo de duração
- 1 h 56 min(116 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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