StreetDance 3D

I was really entertained when I watched this in the cinema. The story is nice enough (yes clichés ahead, but it's a picture about dancing, about overcoming odds, you expect it to have a few), with obstacles build in the way, that you will expect and predict, but all told nicely. And it did not originate from the US, which came as a surprise to me (since almost every dance movie minus the Bollywood fare, seems to be made in the US)!

I liked the acting (for the movie that it is) and the dance scenes were good enough, to be told in 3-D. Though I have to admit, that there are a few sequences in the new Step up, that easily put anything to shame that is shown here. But in contrast to that, the story here is more solid, more believable (in my eyes). Nice entertainment and unfortunately overseen at the Box office (at least that's what I heard)

For a minute this looks like another American film that just can't wait to jump onto the 3D bandwagon, and taking along the teenage dance film fan demographic with them. But surprise, it's a British film, and the Brits can street dance just as well, going heads up with yet another upcoming American dance film continuing the Step Up franchise, also presented in 3D.

So is this new three dimensional format any good for this genre? There are a few moments and scenes here specifically crafted with 3D in mind, such as the tossing of items toward the screen, from hats to a busy food fight in a school canteen. There's also some jarringly added bullet-time choreography during one of the street dance battles in a club, but the real treat here is for that depth of field when we sit around and admire the precision-timed and energetic dance choreography from procedural balletic moves to raw, improvisational street dancing.

But this film does go the distance to explain and show the basics 101 of street dance, since it has characters from different camps put together to try and influence one another, and from their initial adversity come craft something unique from its diversity. All these thanks to Charlotte Rampling's Helena, a ballet teacher looking to infuse some spunk, energy and drive into her lethargic ballet students who are looking to impress some judges for entry into the prestigious Royal Academy of Dance.

At the opposite corner, we have a crew looking forward to their participation in the UL Street Dance Competition finals, only for their leader Jay (Ukwell Roach) handover the reins to his girlfriend Carly (Nichola Burley) who has to step up to the plate and assert her own leadership style in the crew's final lap to glory. To make matters worse, she has a lack of EQ with her teammates save for a few core supporters, and has to gather logistics from scratch, hence a marriage of strange bedfellows when she takes up Helena's offer.

Simply put, the story's very typical of dance films, with the usual themes of clashing of cultures, and to learn from each other's differences. Much like a Zero to Hero story with the usual cliché trappings involving romance, betrayal and friendship, with that dash of comedy, eye candy cast and of course, authentic street dancing moves unseen (at least to me) put on the big screen, made to come alive through 3D technology properly done. You'll come to expect that usual big bang finale where the fruits of the characters labour become the money making showpiece that the teenage crowd will line up for, and probably emulate, and it's not hard to see how this cannot go down that path of glory.

It's something that street dance enthusiasts, and they're growing by the numbers everyday, will embrace and flock to the cinemas for, and hey, the fusion of ballet and street dancing elements does pose an intriguing proposition. But after all, it's not about the techniques and styles used, but that of the human spirit of expression and perseverance, practice and camaraderie that ultimately soars above all. Recommended!

I always love musical movies, but what I never realized before is that there is one other category that I may love it as well as musical movies, it is dance movies! "StreetDance" is a perfect example of today's dance movie. The story just seems to be another repetition from other similar movies. It's all about rebellion against establishment of formal institutions and it's also about how to express yourself. It's the whole elements that have been occurring since "Footloose" (1984) to the modern breathtaking flick like "Step Up 2: The Streets" (2008), in which I think that it is still the best presentation of our time. The modern dance movie is also always about traditional art-school dancer Vs. freestyle street dancer, where on thiz movie is street dancers vs. ballet dancers. It is about Carly (Nichola Burley) and her dance crew which later named "Breaking Point". They have to mix together with several ballet dancers from The Royal Dance School in exchange for rehearsal place. Nichola Burley can deliver her character smooth enough to take us into energizing mood with her unique British accent and some enthralling dancing moves as well. Thiz movie really put Burley into the spotlight since last time I saw her in psychological thriller "Donkey Punch" in 2008. Other Cast members are Charlotte Rampling, Richard Winsor and real life professional dancer like George Sampson. Thiz movie is also featuring "Britain's Got Talent" stars, Diversity and Flawless. It is very exciting to observe how the recent street dance style has evolved outside of dance studios. The movie is surprisingly directed by first time Directors, Max Giwa and Dania Pasquini. It is delightful and enjoyable movie. It's filled with fascinating choreography and heart-throbbing hip hop music. The pop group N-Dubz said, "We Dance On".

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I am not a big dance movie fan, but I have to admit this mix of the somewhat raw energy of streetdance and the controlled grace of ballet is enjoyable.

First and foremost the brilliant streetdance choreographies are what make the movie worth seeing. The story on the other hand is mostly very predictable and does not offer anything new. I also have to say, that I think you can just as well see this film in the normal version as there were only two scenes with motion directly towards the camera. To me that is the only big difference the relatively new 3D technology makes. I always enjoy when objects or people seem to leave the screen and fly directly towards me.

In a movie where most of the time a lot of people are in motion, I would have expected more of that and think it could have been achieved easily by using more different camera positions. Of course that is much easier in the animated movies, such as Avatar or How to train your dragon. A few mouse clicks did the trick in those cases. But I guess as filmmakers are learning to adjusts to this, we might see more true 3D shots in the sequel.

Let's be honest, here. Nobody expects any real movie quality from a dance movie, except for beautiful and entertaining dance moves and a director who's skilled enough to shoot them adequately. Anybody complaining about the cheesiness of dialog or the non-existent plot is missing the point. Dance movies are cheesy by definition ("Dirty Dancing", anyone?), so the viewers must adopt a kind of "suspension of belief" and embrace what is being offered. Does anybody enjoy ballet or operas for their plot? Compared to an opera libretto, an episode of "Gossip Girl" is "Citizen Kane". "Streetdance" has the merit of presenting nice choreographies (especially the very interesting finale) accompanied by an enjoyable soundtrack, with also a bit of professional acting courtesy of Charlotte Rampling. The 3D effects offer a pleasant support to the dancers' efforts. It's an honest movie. It doesn't promise anything more than what it is.