Thar

A toothless revenge drama/thriller that can be described by that popular idiomatic expression I.e. 'all show and no go'. Now look, I don't mind creators settling on common templates nor do I care if a certain film has been influenced by some Western features or not, instead, what I do expect though is an unambiguously penned narrative that can lay out the shenanigans of vengeance in a somewhat engrossing manner.

For a tale of comeuppance, it's rather imperative to have a commanding narrative as well as a set of constructive character developments. However, in this case, it had none! "Thar" might have had naive intentions in its heart but looking at the denouement, it has to be pointed out that their plans didn't go as intended. Apart from the obvious technological competencies (including the commendable aspects of Gore & Violence), and a couple of decent to fine performances, I find nothing worth your precious time down here.

This movie was somewhat refreshing and different from many of the boring movies normally churned out by Bollywood and other so called " woods " of India. Did not know that Harshvardhan Kapoor was Anil Kapoor's son, till after watching this film. Anil Kapoor, Fatima Sheik did rather believable acting. The major jarring issue felt was was perhaps Harshvardhan is ' gifted '; with woody expression (almost similar to Sunny Deol in the good old days). The revenge story was very believable and genuine, depicting a woman who was wronged by uncouth, brutal savages. The depiction of still existing patriarchal mind set in Indian society is very genuine. One of the antagonist is not a happy man because his wife is infertile. Here, he cannot even remotely consider the probability that maybe he is sterile or that he is shooting ' blanks '. The rape, torture and mutilation of the protagonist's wife is similar to the new Delhi Nirbhaya Rape / Murder case (2012). It may seem that the torture of the antagonists was a tad too realistic. Same can be said for the initial intercourse scene. People cursing is also a bit much for a mainstream movie. The lack of training of the Policemen was very clearly indicated. In the movie they are seen armed with ancient rifles. In fact this is reality of the Police Force in India. The rugged and dry beauty of Rajasthan Desert (Thar) is filmed very beautifully. Altogether the movie was quite ' different ' than the run of the mill commercial ones.

A veteran cop sees the chance to prove himself when murder shakes up a sleepy desert town, sending him into the seedy underbelly of the town as he attempts to uncover a grisly torture plot.

While the parched setting and the cinematography (by Shreya Dev Dube) are definite positives, the bland writing, familiar plot beats, and the overall failure of the performances to make us root for a single character, let alone the protagonist(s), pull the film down to an average fare. Written differently, this could have been a gripping thriller set within the vast expanse of the desert. The final reveal fails to add anything substantially new, and we still know very little about Harshvarrdhan Kapoor's forever-wooden character. Anil Kapoor, being the seasoned performer, does alright. Fatima Sana Sheikh adds yet another confused character to her filmography.

It is dark, intense, gritty, & beautiful. Only watch if you have a pallet for slow burn thrillers and brutal storyline. Definitely much better than all those pan India over the top commercial non sense.