Seguindo pistas sobre a origem da humanidade, uma equipe encontra uma estrutura em uma lua distante, mas logo percebe que não está sozinha.Seguindo pistas sobre a origem da humanidade, uma equipe encontra uma estrutura em uma lua distante, mas logo percebe que não está sozinha.Seguindo pistas sobre a origem da humanidade, uma equipe encontra uma estrutura em uma lua distante, mas logo percebe que não está sozinha.
- Direção
- Roteiristas
- Artistas
- Indicado a 1 Oscar
- 6 vitórias e 47 indicações no total
Vladimir 'Furdo' Furdik
- Mercenary 2
- (as Vladimir Furdik)
C.C. Smiff
- Mercenary 3
- (as CC Smiff)
Avaliações em destaque
Prometheus is one of the most underrated and misunderstood science fiction movies in recent memory. Do NOT view this as a prequel to Alien. It is part of the same universe, but while the first 4 are action/horror films, Prometheus is a sci-fi adventure that explores the origins of mankind. This concept is something I've always wanted to see put to screen, and Prometheus delivers so well that I'm enthralled by it no matter how many times I watch it. The cinematography and score are Oscar worthy, and the direction and visuals are near perfect. I believe Prometheus would be much higher rated if more people went into it with an open mind. The first Alien did have mixed reviews upon initial release, and now it is an all time classic. I really think that one day Prometheus will have the same status, and I hope the sequels are more appreciated.
'Alien' is still to this day a tense, shocking suspenseful and frightening masterpiece, one of my favourites of the genre. The bigger and bolder 'Aliens' is one of those rare sequels that is every bit as good as its predecessor. Both are two of my favourite films and the character of Ripley is one of the most iconic female characters in film.
To be honest, there were initial doubts about 'Prometheus'. Ridley Scott, as especially proved with 'Alien', 'Blade Runner' and 'Thelma and Louise' has shown that he has a lot of talent as a director, though his filmography is hit and miss. So that he was back on board as director and that there is a great cast promised much. There were worries however as well, due to some negative reception amongst audiences who criticised the script, story and notorious "plot holes".
Watching 'Prometheus' finally, it was a better film than expected though nowhere near in the same league as 'Alien' and 'Aliens'. That said, it was heavily flawed and there are criticised personally agreed with, though it doesn't deserve the 1/2/10 ratings which indicate that the film had no redeeming qualities at all which is not the case.
'Prometheus' best asset is the visuals. The settings look tremendous, of sheer beauty and with a real eeriness, the cinematography complements it perfectly and often powerfully arresting and the special effects are a feast for the eye. Scott's direction has moments where it is superb, if more in the visuals and spectacle than the narrative.
More than up to the level of the quality of the visuals is the cast. Noomi Rapace is an authoritative lead, and Michael Fassbender is even better in one of his best performances to date. Charlize Theron and Idris Elba also prove how talented they are as performers. Most of the rest are more than up to their level.
While the story is very problematic, it does have its moments. There is some tension, especially in the last act, parts are thought-provoking and there are some thrills. The music is suitably haunting.
However, there is a good deal that doesn't work. The script is often very weak, often rambling, clichéd and not very logical with some stupid decision making. The story does suffer from too many concepts not explored enough, some leaden pacing and at times a lack of cohesiveness.
Characters are also not particularly well-written, they seemed underdeveloped and there are too many of them, the decision making of some are a cause for extreme frustration. Not to mention lapses in logic, ridiculous science and parts that don't make as much sense as ought.
In conclusion, better than expected but heavily flawed and one may question the point of it. 6/10 Bethany Cox
To be honest, there were initial doubts about 'Prometheus'. Ridley Scott, as especially proved with 'Alien', 'Blade Runner' and 'Thelma and Louise' has shown that he has a lot of talent as a director, though his filmography is hit and miss. So that he was back on board as director and that there is a great cast promised much. There were worries however as well, due to some negative reception amongst audiences who criticised the script, story and notorious "plot holes".
Watching 'Prometheus' finally, it was a better film than expected though nowhere near in the same league as 'Alien' and 'Aliens'. That said, it was heavily flawed and there are criticised personally agreed with, though it doesn't deserve the 1/2/10 ratings which indicate that the film had no redeeming qualities at all which is not the case.
'Prometheus' best asset is the visuals. The settings look tremendous, of sheer beauty and with a real eeriness, the cinematography complements it perfectly and often powerfully arresting and the special effects are a feast for the eye. Scott's direction has moments where it is superb, if more in the visuals and spectacle than the narrative.
More than up to the level of the quality of the visuals is the cast. Noomi Rapace is an authoritative lead, and Michael Fassbender is even better in one of his best performances to date. Charlize Theron and Idris Elba also prove how talented they are as performers. Most of the rest are more than up to their level.
While the story is very problematic, it does have its moments. There is some tension, especially in the last act, parts are thought-provoking and there are some thrills. The music is suitably haunting.
However, there is a good deal that doesn't work. The script is often very weak, often rambling, clichéd and not very logical with some stupid decision making. The story does suffer from too many concepts not explored enough, some leaden pacing and at times a lack of cohesiveness.
Characters are also not particularly well-written, they seemed underdeveloped and there are too many of them, the decision making of some are a cause for extreme frustration. Not to mention lapses in logic, ridiculous science and parts that don't make as much sense as ought.
In conclusion, better than expected but heavily flawed and one may question the point of it. 6/10 Bethany Cox
Prometheus seems to have disappointed many viewers. Luckily for me I had no expectations, despite being a Scott film set in the same universe as the Alien franchise. The ship Prometheus goes looking for the beginning of mankind and what created us. It's a rather ambitious idea and the film should be given credit for trying to have some kind of theological and scientific debate. Unfortunately, the script also feels as though it has to give us the scares and frights that we associate with the Alien films. The majority of the film is intriguing but for every positive there is a negative. We get fascinating characters such as David, Vickers, and Janek. But they are mostly pushed aside to focus on the stupid scientist characters. Did the writers not realise how bad their work was? Rapace refuses to let one character take weapons on an expedition because it is a "scientific" mission. I call BS on that. No scientist would be so stupid as to explore a new planet, with no information on said planet, without a bit of protection. Characters decide to do stupid stuff, such as approach viscous looking new species etc. and it is here where the film annoyed me. The set design was beautiful, and I enjoyed the quieter moments the film had to offer, such as David's trying to understand emotions etc. The most interesting ideas the film has are delivered in single lines of dialogue, but are never explored. It's head and shoulders above many science fiction films of late, but it also needs a few sequels to clear things up. Unfortunately, that means it wasn't so great as a stand alone film.
Don't get me wrong. It's gorgeous to look at, and I'm definitely going to go and see it again. It's really impressive.
But... It's stuffed with scenes without any payoff. Again and again it sets stuff up and then just... walks away from it.
In at least one unforgivably stupid scene, someone *literally* just walks away from an antagonist and leaves it there. And then doesn't tell anyone about it. Some of it's really effective. There are some scenes that are absolutely gripping. But so much of it doesn't make any sense...
Having said all that I think it's very clear that what I just saw was Prometheus part 1. It's very definitely supposed to have a sequel and I will certainly go to see the sequel. I think both movies taken together might score a 10.
But this movie by itself doesn't.
But... It's stuffed with scenes without any payoff. Again and again it sets stuff up and then just... walks away from it.
In at least one unforgivably stupid scene, someone *literally* just walks away from an antagonist and leaves it there. And then doesn't tell anyone about it. Some of it's really effective. There are some scenes that are absolutely gripping. But so much of it doesn't make any sense...
Having said all that I think it's very clear that what I just saw was Prometheus part 1. It's very definitely supposed to have a sequel and I will certainly go to see the sequel. I think both movies taken together might score a 10.
But this movie by itself doesn't.
I think this serves as a pretty decent stand alone sci fi. I like quite a lot about this movie. The cast is good. Noomi Rapace in particular is very good.
I like the idea of the engineers, I like the idea of the black goo, I mostly like the idea that this all spawns the xenomorphs we know and love but I don't really understand why.
Not everything needs an origin story and I preferred Alien when we just thought they were out there somewhere. I don't think we needed an origin/backstory/genesis story.
Take out the final scenes which, if I'm honest, felt a little forced, and Prometheus would still have been a fairly decent sci fi.
And most notably, Prometheus does teach us not to run in a straight line.
I like the idea of the engineers, I like the idea of the black goo, I mostly like the idea that this all spawns the xenomorphs we know and love but I don't really understand why.
Not everything needs an origin story and I preferred Alien when we just thought they were out there somewhere. I don't think we needed an origin/backstory/genesis story.
Take out the final scenes which, if I'm honest, felt a little forced, and Prometheus would still have been a fairly decent sci fi.
And most notably, Prometheus does teach us not to run in a straight line.
Você sabia?
- CuriosidadesComposer Marc Streitenfeld had the orchestra play his compositions backwards, and then digitally reversed the compositions for the final film. This made the music sound unusual and unsettling, which he felt was right for the film.
- Erros de gravação(at around 23 mins) A CO2 concentration of 3% in the atmosphere is still not a lethal amount for human beings. Only after 5% does it become toxic. However, Ford actually states that the CO2 levels are *over* 3%, suggesting that was the minimum amount the preliminary sensors had detected.
- Cenas durante ou pós-créditosThere is a statement at the end of the closing credits: "Previous Footage Property of Weyland Corp. Building Better Worlds Since 10.11.12. weylandindustries.com/timeline"
- Versões alternativasThe film's 70mm and Digital IMAX 3D release was presented open-matte, at an aspect ratio of 1.90:1, meaning more information was in the frame for the entire film.
- ConexõesEdited into Sensible Cinema: Prometheus (2016)
- Trilhas sonorasPrelude for Piano No. 15 in D Flat Major, Op. 28 No. 15
Written by Frédéric Chopin
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- How long is Prometheus?Fornecido pela Alexa
- According to IMDb this movie grossed 403 million against a budget of 130 million. Does that make it a flop?
- If this takes place over 20 years before Alien, why is the Prometheus so much fancier and more advanced than the Nostromo?
- What is "Prometheus" about?
Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Prometeo
- Locações de filme
- Dettifoss, Vatnajökull National Park, Islândia(Opening scene at waterfall)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 130.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 126.477.084
- Fim de semana de estreia nos EUA e Canadá
- US$ 51.050.101
- 10 de jun. de 2012
- Faturamento bruto mundial
- US$ 403.354.469
- Tempo de duração2 horas 4 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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