Assalto ao Carro Blindado

As a heist film this one is a little by-the-numbers, but there is a certain cool and conflicted angst that Joe "the Ace" Shishido brings to the role, and you can certainly do worse. He's a criminal who lives by a moral code and is looking out for his sister who has a disability, a trope akin to the hooker with a heart of gold. Naturally things don't go completely as planned during the robbery, there are betrayals, and big shoot-out scenes, all leading to a wild ending. Not a bad way to spend 87 minutes.

CRUEL GUN STORY is very reminiscent of Kubrick's THE KILLING: a group of motley criminals plan to rob a horse race track (or in this case, a truck transporting money from one). They believe this will be an easy pay day, the perfect crime. Unfortunately, human folly and bad luck get in the way.

While this idea has been done before, CRUEL GUN STORY is a great take on the classic tropes with its very human characters and chilly style. The action scenes are thrilling and the undercurrent of weary humanity puts this among the best of late-stage classic noir.

Perennial Nikkatsu Studios hard-case Joe Shishido plays 'Togawa', a recently released con who is convinced by a mob boss to plan and execute an armoured car robbery, targeting 120 million yen in race track proceeds. In a typical narrative trajectory for these types of stories, he assembles his team, plans the heist, does the job, deals with the unforeseen complications, and then is double crossed, leading to a third act of reprisal and vengeance. Togawa is an interesting, ambivalent character: he's initially portrayed in a sympathetic light as the orphaned son of parents murdered by the Chinese at the end of WW2 and loving brother of an invalid sister, yet his role in the heist is to ambush and gun down the two escorting police men in cold blood. In keeping with the film's cold, evocative title ("Cruel Gun Story"), the body count is high as 'Togawa' is forced to deal with treachery within his own team, betrayal by the mob boss who hired him, as well as a corrupt ex-lawyer trying to move up in the criminal ranks. The ending is bleak and grim, but satisfying in a noir way. Well worth watching by fans of crime melodramas.

(1964) Cruel Gun Story/ Kenjû zankoku monogatari (In Japanese with English subtitles) CRIME DRAMA/ ACTION

The Japanese equivalent of "The Killing", "Riffifi" and "The Asphalt Jungle" to name a few ...starring Joe Shishido as Togawa experiencing his early release set up by the syndicate, instructs him to rob the Japanese derby, only to find out later that he and his partner were tricked and double crossed. The fourth of five movies of the Nakkatsu Noir Criterion.

I was like, kind of hoping that this Japanese heist equivalent of both American and UK movies was not going to end in the same manner as the other heist movies, if one were to watch enough of them made during that era may define it as cliche at this point.

"Cruel Gun Story" stars one of the weirder actors of his era, Jô Shishido. I say weird because Shishido actually paid to have surgery to give him bizarre cheeks--making him appear, somewhat, like a human chipmunk! This apparently made him quite popular in Japanese crime films (I didn't realize that Japanese criminals were cursed with this odd facial characteristic!). I've seen him in quite a few films including: "Branded to Kill", "Youth of the Beast", "Detective bureau 2-3" and "Gate of Flesh" and he is the epitome of Japanese cool.

When the story begins, you learn that Shishido's been in prison for killing a man who ran over Sashido's sister. As a result, the sister is wheelchair-bound, so Shishido felt compelled to kill the guy. Now, he's been sprung from prison early--apparently some mob boss wants him lead a team in an armored car robbery. Shishido agrees--as he hopes that the money can pay for some miracle surgery to heal her. Unfortunately, there's more to the plan than Shishido is aware of and perhaps this is NOT a good way to make a fast buck. Can our anti-hero somehow survive this bold caper? I could say more, but it would spoil the film.

This is a very taut and exciting crime film thanks to a great plot, good acting and Shishido's character--a nice mixture of coolness, machismo and, in an odd way, honor. Plus, I sure liked the very dark ending--what a finale. Overall, I'd say this is one of the best examples of Japanese noir I have seen and it's well worth seeing--whether or not you are a fan of the genre.