A Boy Called Dad

For those who praised both the directing and writing of A Boy Called Dad might like to know that Brian Percival (who directed the multi-award winning ITV drama 'Downton Abbey') won a BAFTA along with screenwriter Julie Rutherford. That was a short, About A Girl, in 2001.

This re-teaming in 2009, a small £1million budget and a welcome star name of Ian Hart have produced a modest little gem of a Brit movie, filmed in Liverpool and north Wales. A Boy Called Dad stars 14 y.o. Kyle Ward, a natural and fine performance (though according to IMDb, hasn't been in anything since) from a lad who has a one night stand - and then fatherhood. The mother of the child has little contact with Robbie (Ward) and lives separately.

Enter jack-the-lad Robbie's Dad, a cheeky Liverpudlian with a VW pickup. He left Robbie and his mother some years before and says that he had moved to Ireland, when he had in fact, not. Robbie, after some reacquainting and bonding with his Dad, feels rejected and goes off the rails, kidnaps his own son and makes off in a car.

The film does have its moments of action, bursts of anger and a lot of quiet moments of contemplation and emotion. It won't suit everyone, though its very humanity should appeal to us all. It's whether we choose to actually sit down and watch it rather than something more gimmicky and instantly gratifying. It's not a great movie, but a good one.

Saw this film as part of the Best of the Fest in Edinburgh Film Festival. Whilst it has its flaws (particularly re the lack of representation of any real women characters) this is more than made up for by main story (which focuses on the Dads) which is moving and captivating and the performance of newcomer Kyle Ward (Robbie) alongside Ian Hart as his Dad. The film centres upon fatherhood and whether the chain of bad dads can be broken by Robbie. His interaction with his young baby son, inspired by his own treatment by his dad is especially moving, as is the reaction of the Welsh girl (Nia) he meets on the run with her own father. Definitely worth seeing especially if you have kids or intend to have them and fancy a cry!

Director Brian Percival manages to maintain an even keel between the social relevance of teenage pregnancy and keeping the audience grounded in a young boy's innocence.

Following this personal journey from boyhood to fatherhood is a captivating and precious experience that is sure to tug on your heartstrings.

Julie Rutterford's dialogue is spot-on and the acting is brilliant. Ian Hart gives a great performance as Robbie's dead-beat dad and Kyle Ward (14-year old Robbie) brings a genuine honesty and reality to this film.

This intimate drama is not to be missed and a story that should never to be forgotten.

This is a drama about the father/son relationship. It follows Robbie a new 14 year old father whose disappointment with his relationship with his father leads him to make some wrong decisions concerning his new born son.

It is a well acted but bleak tale with an excellent performances from Kyle Ward as the young lad who wants to look after his son but is woefully under prepared for such a task. Ian Hart also does a good job as the stay away father that his son doesn't want to turn into.

A Boy Called Dad maybe would have benefited by following a more traditional path like the strong start of the movie as the situations that occur later are pretty implausible. As a result it does feel like this was a missed opportunity to create something really special. The middle of the film feels contrived but the ending I thought was pretty thought provoking and pulled the film back from disappointment.

This is a good small budget film and one I enjoyed and would recommend.

Boy Called Dad- How good it was to see a refreshing, moving and relevant British film, something I've not seen since other low budget films like "This is England and Trainspotting". This is a film with a genuine desire to tell a story, convey a message, entertain and educate all with such integrity. The script was imaginative and real, the acting first class with characters we all know from the street round the corner. To see a film that is shot around my own childhood haunts such as the sea front at West Kirby instead of some distant exotic location is exciting and very pleasing. I hope this film launches Made Up North Productions into the mainstream of the British film industry as it should. Well worth a trip to see if you have the chance.