Um jovem informador da polícia é enviado numa operação disfarçada. Um olhar sem limites sobre os soldados a pé na Guerra contra a droga e jovens criminosos pressionados a trabalhar para a po... Ler tudoUm jovem informador da polícia é enviado numa operação disfarçada. Um olhar sem limites sobre os soldados a pé na Guerra contra a droga e jovens criminosos pressionados a trabalhar para a polícia.Um jovem informador da polícia é enviado numa operação disfarçada. Um olhar sem limites sobre os soldados a pé na Guerra contra a droga e jovens criminosos pressionados a trabalhar para a polícia.
- Direção
- Roteirista
- Artistas
Church Lockett
- Big Rick
- (apenas creditado)
Faye Tamasa
- Stacy
- (as Faye Nightingale)
Avaliações em destaque
A pleasant surprise.
It rapidly establishes the setting, the deep attachment between a mother and her 5-year-old daughter in a low-income drug trafficking environment in which she appears to be embroiled.
This works wonderfully, as I can testify because I had the kind of daughter adopted at the age of five, who had the similar flamboyant, ironic demeanour. Little Mia Love Disnard is a natural in acting, and we will see more of her. She will brake many male hearts too, when she grows up...
Their interaction with the outside world is likewise truly natural and refreshing.
While the mother has a caring heart for her child, she has learnt to be rather bitchy in order to endure in the outside world, where best friends may become deadliest foes by the blink of an eye. Seeking protection from Santa Muerte, the patron saint of those living on the outside, mother and daughter paint half of their faces symmetrically with a bony skull to become one. Brilliant symbolism. Their common tagline is "Stay dangerous".
Two wannabe-promoted narcotics investigators threaten her with Child Protective Services if she does not agree to fool a drug boss by wearing a wire. However, the surveillance goes wrong, the wire malfunctions, and the trap fails to operate as intended.
From that point forward, the film accelerates progressively and steadily, both in camera cuts and shakes (which I typically despise), razorsharp with a furious rythmic score until the last scenes, up to what I personally consider sustainable. It's all really spontaneous and short. There are no boring moments.
And some unreasonable choices are plausible given everyone's emotional stress levels.
The film is not particularly imaginative, it appears to be a narration of a terrifying life experience without delving too deeply into the characters' backgrounds. However, the primary characters are adequately distinct, the narrative is straightforward, and the outcome is transparent.
A refreshingly spontaneous entertaining film that simply does what it means, with no pretensions.
It rapidly establishes the setting, the deep attachment between a mother and her 5-year-old daughter in a low-income drug trafficking environment in which she appears to be embroiled.
This works wonderfully, as I can testify because I had the kind of daughter adopted at the age of five, who had the similar flamboyant, ironic demeanour. Little Mia Love Disnard is a natural in acting, and we will see more of her. She will brake many male hearts too, when she grows up...
Their interaction with the outside world is likewise truly natural and refreshing.
While the mother has a caring heart for her child, she has learnt to be rather bitchy in order to endure in the outside world, where best friends may become deadliest foes by the blink of an eye. Seeking protection from Santa Muerte, the patron saint of those living on the outside, mother and daughter paint half of their faces symmetrically with a bony skull to become one. Brilliant symbolism. Their common tagline is "Stay dangerous".
Two wannabe-promoted narcotics investigators threaten her with Child Protective Services if she does not agree to fool a drug boss by wearing a wire. However, the surveillance goes wrong, the wire malfunctions, and the trap fails to operate as intended.
From that point forward, the film accelerates progressively and steadily, both in camera cuts and shakes (which I typically despise), razorsharp with a furious rythmic score until the last scenes, up to what I personally consider sustainable. It's all really spontaneous and short. There are no boring moments.
And some unreasonable choices are plausible given everyone's emotional stress levels.
The film is not particularly imaginative, it appears to be a narration of a terrifying life experience without delving too deeply into the characters' backgrounds. However, the primary characters are adequately distinct, the narrative is straightforward, and the outcome is transparent.
A refreshingly spontaneous entertaining film that simply does what it means, with no pretensions.
A forgettable movie that is semi-entertaining in its core, but failing in its execution, not-credible characters (besides the daughter and to some extents the mum), cheesy, semi-cliched, done-a-hundred-times sub-plots, underused or useless supporting cast, a weak writing that makes the movie having 1h12min of runtime and if it meant to show a mother-daughter relationship, it could have as well been made as a humorous comedy and would have been a lot more successful.
- Screenplay/storyline/plots: 3.5
- Development: 6
- Realism: 5.5
- Entertainment: 4.5
- Acting: 5.5
- Filming/photography/cinematography: 6
- VFX: 6
- Music/score/sound: 5
- Depth: 5
- Logic: 4.5
- Flow: 4.5
- Crime/thriller: 4
- Ending: 4.
All Souls, the latest crime thriller from director Emmanuelle Pickett, had the potential to be a captivating exploration of the morally gray world of undercover informants and drug cartels. Unfortunately, it falls flat with its predictable plot, underdeveloped characters, and lackluster execution.
Clichéd and predictable: The film follows a tired formula, relying heavily on well-worn tropes and recycled plot points. All Souls does little to differentiate itself. The predictable twists and turns fail to surprise or engage the audience, leaving them feeling uninspired and bored.
Unconvincing characters: The characters in All Souls are shallow and underdeveloped. We never truly connect with them on an emotional level, making it difficult to care about their fates. The dialogue is often stilted and unnatural, further highlighting the lack of depth and authenticity in the characters.
Lackluster execution: The film's pacing is uneven, with stretches of slow exposition followed by abrupt bursts of action. The editing is choppy and jarring, disrupting the flow of the film and making it feel disjointed. Following the characters when the action breaks out becomes difficult because of the editing.
The cinematography is uninspired, failing to capture the gritty atmosphere the film aims for.
Overall, All Souls is a disappointing and forgettable addition to the crime thriller genre. It offers nothing new or original, and its flaws outweigh any positives. If you're looking for a captivating and suspenseful film, look elsewhere.
If I had to say something positive, I feel that the actress, Mikey Madison, gave a good performance. But none of the other characters could match her acting skills. The little girl is adorable and I am sure she will have many future roles.
Here are some of the specific issues I found with the film:
The plot is predictable and unoriginal.
The characters are shallow and underdeveloped.
The dialogue is stilted and unnatural.
The pacing is uneven and the editing is choppy.
The cinematography is uninspired.
Its watchable, but not memerable.
Rating: 2 out of 5 stars.
Clichéd and predictable: The film follows a tired formula, relying heavily on well-worn tropes and recycled plot points. All Souls does little to differentiate itself. The predictable twists and turns fail to surprise or engage the audience, leaving them feeling uninspired and bored.
Unconvincing characters: The characters in All Souls are shallow and underdeveloped. We never truly connect with them on an emotional level, making it difficult to care about their fates. The dialogue is often stilted and unnatural, further highlighting the lack of depth and authenticity in the characters.
Lackluster execution: The film's pacing is uneven, with stretches of slow exposition followed by abrupt bursts of action. The editing is choppy and jarring, disrupting the flow of the film and making it feel disjointed. Following the characters when the action breaks out becomes difficult because of the editing.
The cinematography is uninspired, failing to capture the gritty atmosphere the film aims for.
Overall, All Souls is a disappointing and forgettable addition to the crime thriller genre. It offers nothing new or original, and its flaws outweigh any positives. If you're looking for a captivating and suspenseful film, look elsewhere.
If I had to say something positive, I feel that the actress, Mikey Madison, gave a good performance. But none of the other characters could match her acting skills. The little girl is adorable and I am sure she will have many future roles.
Here are some of the specific issues I found with the film:
The plot is predictable and unoriginal.
The characters are shallow and underdeveloped.
The dialogue is stilted and unnatural.
The pacing is uneven and the editing is choppy.
The cinematography is uninspired.
Its watchable, but not memerable.
Rating: 2 out of 5 stars.
Low budget independent films are very interesting. They're always able to show more style and do a lot with very less through the right creative vision. That's the case with Emmanuelle Pickett and her tense direction.
The edgy framing of certain shots, gorgeous, slick lighting and the effective paranoia of a confined environment in its plot make this a prime experience in why independent films deserve theatrical support and discovery. A new lead actress in Mikey Madison, of Manson family recognition, and the suprise acting turn of G-Eazy make the viewing "Some Kind of Drug". Most definitely one of the adrenaline type. Go give it a watch.
The edgy framing of certain shots, gorgeous, slick lighting and the effective paranoia of a confined environment in its plot make this a prime experience in why independent films deserve theatrical support and discovery. A new lead actress in Mikey Madison, of Manson family recognition, and the suprise acting turn of G-Eazy make the viewing "Some Kind of Drug". Most definitely one of the adrenaline type. Go give it a watch.
Madison is gonna goe places for her award but before that she made this little crime drama, fair I haven't seen her before the Oscar's one the recognition that deserves, making low budget films is the beginning of actor or actress career, here review:
Look the plot is so noticeable n predictable, for everything else is just stander crime thriller, following same suspense shots a la Cellular or Phonebooth.
Film delivers on the greediness n suspense that makes this movie enjoyable.
Sure don't bring new just mother caring for her little while getting roll up in stings.
There's nothing to say in the acting, all came out from Michael Mann flick.
Give up to the camera chase that work perfectly fine.
So conclude it didn't bring recognition to Madison, but the thrills of story entertains.
Is hardly wanna be Alpha Dogs knockoff but is something else short n not stop.
Film delivers on the greediness n suspense that makes this movie enjoyable.
Sure don't bring new just mother caring for her little while getting roll up in stings.
There's nothing to say in the acting, all came out from Michael Mann flick.
Give up to the camera chase that work perfectly fine.
So conclude it didn't bring recognition to Madison, but the thrills of story entertains.
Is hardly wanna be Alpha Dogs knockoff but is something else short n not stop.
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- How long is All Souls?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- La informante
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração
- 1 h 21 min(81 min)
- Cor
- Proporção
- 2.39:1
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