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IMDbPro

A Hora do Espanto

Título original: Fright Night
  • 2011
  • 14
  • 1 h 46 min
AVALIAÇÃO DA IMDb
6,4/10
117 mil
SUA AVALIAÇÃO
POPULARIDADE
3.956
346
Colin Farrell and Anton Yelchin in A Hora do Espanto (2011)
Teenager Charley Brewster (Yelchin) guesses that his new neighbor Jerry Dandrige (Farrell) is a vampire responsible for a string of recent deaths. When no one he knows believes him, he enlists Peter Vincent (Tennant), the opportunistic host of his favorite TV show, to help him take down Jerry and his guardian.
Reproduzir trailer2:32
11 vídeos
99+ fotos
Teen HorrorVampire HorrorActionComedyDramaHorrorMystery

Quando um vizinho se muda para a casa ao lado, Charley descobre que é um antigo vampiro que se alimenta da comunidade.Quando um vizinho se muda para a casa ao lado, Charley descobre que é um antigo vampiro que se alimenta da comunidade.Quando um vizinho se muda para a casa ao lado, Charley descobre que é um antigo vampiro que se alimenta da comunidade.

  • Direção
    • Craig Gillespie
  • Roteiristas
    • Marti Noxon
    • Tom Holland
  • Artistas
    • Anton Yelchin
    • Colin Farrell
    • David Tennant
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,4/10
    117 mil
    SUA AVALIAÇÃO
    POPULARIDADE
    3.956
    346
    • Direção
      • Craig Gillespie
    • Roteiristas
      • Marti Noxon
      • Tom Holland
    • Artistas
      • Anton Yelchin
      • Colin Farrell
      • David Tennant
    • 308Avaliações de usuários
    • 354Avaliações da crítica
    • 64Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 2 vitórias e 8 indicações no total

    Vídeos11

    Trailer #1
    Trailer 2:32
    Trailer #1
    “Neighborly Chat"
    Clip 0:55
    “Neighborly Chat"
    “Neighborly Chat"
    Clip 0:55
    “Neighborly Chat"
    Efright Night: No One Believes Me (Music Video)
    Clip 5:20
    Efright Night: No One Believes Me (Music Video)
    Fright Night: That's A Big Cross You Got, Charlie
    Clip 0:38
    Fright Night: That's A Big Cross You Got, Charlie
    Fright Night: Mom, Don't Talk To Him
    Clip 0:44
    Fright Night: Mom, Don't Talk To Him
    Fright Night: Neighborly Chat
    Clip 0:56
    Fright Night: Neighborly Chat

    Fotos151

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    + 145
    Ver pôster

    Elenco principal72

    Editar
    Anton Yelchin
    Anton Yelchin
    • Charley Brewster
    Colin Farrell
    Colin Farrell
    • Jerry
    David Tennant
    David Tennant
    • Peter Vincent
    Toni Collette
    Toni Collette
    • Jane Brewster
    Imogen Poots
    Imogen Poots
    • Amy
    Christopher Mintz-Plasse
    Christopher Mintz-Plasse
    • Ed
    Dave Franco
    Dave Franco
    • Mark
    Reid Ewing
    Reid Ewing
    • Ben Wegner
    Will Denton
    Will Denton
    • Adam Johnson
    Sandra Vergara
    Sandra Vergara
    • Ginger
    Emily Montague
    Emily Montague
    • Doris
    Chris Sarandon
    Chris Sarandon
    • Jay Dee
    Gracie Gillam
    Gracie Gillam
    • Bee
    • (as Grace Phipps)
    Chelsea Tavares
    Chelsea Tavares
    • Cara - Amy's Friend
    Lisa Loeb
    Lisa Loeb
    • Victoria
    Brian Huskey
    Brian Huskey
    • Rick
    Mike Miller
    Mike Miller
    • Store Guy
    • (as Michael Miller)
    Marya Beauvais
    Marya Beauvais
    • Mrs. Granada
    • Direção
      • Craig Gillespie
    • Roteiristas
      • Marti Noxon
      • Tom Holland
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários308

    6,4117.3K
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    Avaliações em destaque

    8lakini71

    Welcome to Fright Night 2011

    It has occurred to me that when people refer to a new "reimagining" of a beloved film, they use the term "unnecessary remake." I've been guilty of that myself. I really tend to think, however, that technically any remake is unnecessary. No one "needs" to be told what is basically the same story (in most cases) twice. I've also heard the argument that bad films are the ones that should be remade, not good ones. I can understand that to an extent, but do people really want to sit through a new version of something they hated the first time? No remake is going to make everyone happy; it's just not possible. Unless of course, you haven't SEEN the original.

    So, just how should a remake be judged? As a stand-alone film, or how it compares to a previous one we love so much? And I do love writer-director Tom Holland's 1985 vampire flick FRIGHT NIGHT. It is just the right mix of comedy, terror, suspense, terrific performances, and an affection for old-fashioned scares. Many others have fond memories of it as well, so I relate to the "why"s and the "oh don't screw it up"s, and the "leave it alone"s. After all, beloved films are dumped on all the time by would-be filmmakers out to make a quick buck for the safe Hollywood studios.

    Most of the central story is intact: Anton Yelchin leads the cast as Charley Brewster, a used-to-be high-school misfit who comes to the realization, thanks to childhood buddy Ed (Christopher Mintz-Plasse) that his new neighbor Jerry (Colin Farrell) is a vampire. It isn't long before he's convinced his single mother (Toni Collette) and his girlfriend (Imogen Poots) of this discovery...at which point all sorts of bloody hell breaks loose.

    Screenwriter Marti Noxon has infused a basic story (whose plot points and situations weren't always very believable) with some new smarts, including adding more depth to the central characters. And the setting has changed to a cookie-cutter suburb of Las Vegas, where people sleep during the day, work at night, and are much more transient. Another interesting change is the character of Peter Vincent. In the original, Roddy McDowall played a hammy horror host and actor: Peter Vincent, the Great Vampire Killer. Here, David Tennant assumes the role, but Vincent has become an elaborate Vegas magician who performs vampire-killing antics on the stage. In both versions, they are recruited by our hero to help slay the bloodsucker. It's an ultra- modern twist, but within the location context, works beautifully.

    During the first hour or so of 2011's new incarnation, I was shocked to think that I may end up liking this remake even more than the original. But after some hair-raising moments in the first half, culminating in a dark, desert car chase, the film threatens to go off the rails in a sequence that's a bit hokey, over the top, and unfortunately timed. And there are a few iffy CGI instances as well. Luckily, things get back on track with a climax that's executed with a uniquely creepy wit, and a few good shocks and surprises. Director Craig Gillespie (LARS AND THE REAL GIRL, "United States of Tara") earns respect for pulling off (for him) an unfamiliar genre; he also pays homage to a few memorable scenes in the original without trying to copy or disrespect them.

    Most of the performances are engaging and authentic (aside from Mintz-Plasse in his later moments), with Tennant's wry turn a real treat, and the ever-wonderful Collette's naturally grounding presence adding a needed weight of normalcy. It is Farrell, however, who is the real deal; he absolutely nails this role (no, he won't make you forget the original's suave Chris Sarandon, but in fairness, Jerry is written much differently in this update). Farrell combines sexiness and utter menace to the fullest: this vamp means business! Some of the best work of his admittedly spotty career is on display, including the film's most brilliant moment, where Jerry's fidgety impatience with being invited into the Brewster home is both hilarious and nerve-wracking.

    FRIGHT NIGHT is a solid film in its own right; if there's not enough love from the original's fans to spread out to its remake, that's unfortunate.
    7Quinoa1984

    like the original, not without flaws but with a stupendous cast and sense of fun

    At the time it came out, a remake of Fright Night seemed like one of those unnecessary movies - what was so wrong with the Tom Holland original, which gave us a subtle/over-the-top performance from Chris Sarandon and some cheeky humor from Roddy McDowell as a vampire named Jerry and the would-be 'celebrity' vampire hunter? Did it need an update? But upon the sudden and to put it mildly tragic death of Anton Yelchin, I thought it was certainly time to watch it. And among a cast that features really major talents like Colin Farrell, David Tennant and Toni Collette, Yelchin holds his own. More than that, he is necessary for the movie to work: he has to be believable as a young guy who starts off somewhat unsympathetic (trying to be 'cool' by ditching his nerdy friend for an attractive girl), and over the course of the story has to man up and not do what his dad did, which was ditch the family behind.

    Yelchin plays the 'straight man' to a point where we can find him believable as being both completely scared and yet ballsy enough to go for what he has to go through to save and protect the ones he cares about - his mother and then, when she's taken by this 'Jerry' fella, Amy - and it's interesting to see this *after* Green Room, where he played a somewhat similar character though in a different setting (actually substitute Nazis for vampires and you got a somewhat similar premise, with Yelchin as the vulnerable but strong-willed and tough protagonist). If you've ever liked this actors work, this is a must-see of his.

    Looking at 2011 Fright Night on its own terms, outside of viewing it as some kind of after the fact thing for Yelchin, it's... good. Better than expected, really, as far as these kind of remakes can go (in other hands it could be easily disposable trash like Sorority Row or something). With Yelchin there as the main core for the audience to put their 'what would I do if' perspective on, Farrell and, in the second half of the film, Tennant get to have the time of their lives in these roles. Farrell is so evil he even eats an apple to show off how much of a nasty fella he is! Though it may not possibly require, shall one say, 'range', it takes real screen presence and a sense of menace, and I think Farrell makes this a memorable vampire as far as a) sex appeal (I mean, women and some men wouldn't kick him out of bed), and b) when he gets nasty and violent, the threat feels real. For Tennant, it's not a complicated character either - a fraud of a "vampire hunter" who is mostly for Las Vegas show - but he also gets to have fun in the role and can deliver exposition that is not in the least boring or distracting. And Toni Collette is... Toni Collette, good in all of her scenes. Even McLovin' and Dave Franco give some good supporting turns, turning cliché parts into something with personality.

    At any rate these characters are put into a setting that is rather novel: having it in/around Las Vegas makes it so that it's believable that people would be out and about largely at night, being the primary time vampires get their food. I liked seeing that and that it was used to good effect. Where the movie loses me most is in certain parts of the execution of the action. I don't know if it's because I'm tired of wasteful or lackluster CGI, but any time Farrell or any of the other vampires "Fully turn" (which doesn't seem to have a lot of logic, it only seems to occur when they're extra mad) it looks really bad and fake, and a particular over the top car chase, which is attempted in part in one "long" take ala Spielberg's War of the Worlds (no coincidence I think it's a Dreamworks production, the setting and lack of/absentee father seem like Spielberg notes). Practical effects could have taken more time or been more intensive, but the results would last longer and not take one out of the movie like here.

    If one can look at the substance of Fright Night it does work - the screenplay comes from Buffy the Vampire Slayer creative Marti Noxon, and the sense of whip-smart timing in the dialog and come-backs about how people look at vampires is especially funny, even from Peter Vincent most of all - and is a fitting tribute to the original. That film had a little more deadpan wit due to McDowell as Peter Vincent, though it too had some dated things as well (maybe in a cool way) like 80's synth music. Will this hold up so well? I don't know. But for what it is, it's entertaining and successful for being bloody (it looks as if the blood is not all CGI which is good) and knowing of the genre (it's self-conscious of vampire lore and movies, but it doesn't wear you out on it like the other 2011 post-modern horror, Scre4m)
    8TourettesPersonal

    Return Of The Vampires

    The original Fright Night was already a cult classic which makes this remake unnecessary. But since all vampires these days are less scary and like what Evil Ed said "Love Sick", it can be necessary for some reason. Bringing back the true vampire camp. Although it's not as scary as the original but Colin Farrel's performance improves the vampire villain. This Fright Night is endlessly watchable and fun. This may sound strange but I think this version is better than the original.

    The original have the disturbing schlocky masks but this version actually has the vampire danger and thrills. The credit goes to Colin Farrel. He gives a lot of vigor and terror to the evil vampire. David Tennant has his own Peter Vincent. His charisma and delight shines through all of his scenes. Just like Roddy McDowall, David Tennant nearly steals the show. But Farrel really owns this show.

    It's a welcome back, actually. It's not a cash in remake. It's the returning of the vampire horror to our cinemas. Our vampire movies these days are just tired and relies to nothing but the senseless violence. And some of them are in love with a bland girl and sparkle in sunlight. But the biggest thing that is missing in most modern vampire movies is how scary these monsters are. They are not only bloodsuckers. They can be terrifying for somehow.

    The filmmaking is obviously good but some of the CGI tones the scares down a little bit but it works though. The score sounds nothing like the score of the original but it's true to its vampire genre. The movie is shot in 3D but most of the film is dark and 3D usually dims the aspect of a film but if you are in for some blood and sparks coming out of the screen then try it. Not quite recommending though.

    Overall, Fright Night is enjoyable. Maybe the biggest mistake they made is the jump scares since Fright Night isn't really fond to that trend. Well, this is definitely better than all the unnecessary horror remakes we usually get every year. Colin Farrel made a lot of things better. Vampires are evil again. It has plenty of joys and thrills. Fright Night is recommendable by bringing back the true elements of the genre.
    6view_and_review

    Not a Bad Remake

    1985 is a popular year for remakes. Some of the movies remade from that year in one form or another are "Weird Science," "Teen Wolf," "Mad Max," "Day of the Dead," and "Fright Night." It's rare that a remake is as good, or better than the original. "Fright Night" was respectable, but not as good.

    The movie takes place in a tiny suburb outside of Las Vegas. Charley Brewster (Anton Yelchin) and his mom Jane (Toni Collette) live next door to Jerry (Colin Farrell), the vampire. Charley and his mom are wholly unaware of this. Charley is far too consumed with his new life of popularity now that he has the hot girl, Amy (Imogen Poots), as a girlfriend. He is made aware of his neighbors night time activities by his nerdy ex-best friend, Ed (Christopher Mintz-Plasse), vampire tracker extraordinaire. When Ed went missing Charley decided to act.

    Because I saw the original and it was such a classic, this version only reminds me how much better the original was. The original was funnier and quirkier while "Fright Night" 2011 goes for a more serious approach. They threw Christopher Mintz-Plasse in there, gave him a few funny lines, and dubbed this a comedy. It was hardly a comedy. So now, instead of a rather plain, yet funny girlfriend, Amy (who was played by Amanda Bearse in 1985--well known as Al Bundy's neighbor Marcy Darcy in "Married with Children"), we get a hot-and-she-knows-it Amy who looks like a clout chaser and didn't have a single funny line.

    The Peter Vincent (David Tennant) this time also wasn't as appealing. Peter Vincent was the Vegas showman who Charley went to for help against Jerry. In '85 Peter Vincent was hosting a fledgling late night vampire TV show. He was played by Roddy McDowall, an older man with this funny look of fear on his face nearly all the time. 2011 Peter Vincent is a younger British man who drinks, swears, and is surrounded by scantily clad women. He was comedic, but he wasn't funny.

    So, as I mentioned, the 2011 version is not as bad as a lot of remakes out there, but the original is still better.

    Free on Tubi.
    7hitchcockthelegend

    Well security is a little lax since everybody got their throat torn out.

    Fright Night is directed by Craig Gillespie and written by Tom Holland. It stars Anton Yelchin, Colin Farrell, David Tennant, Christopher Mintz-Plasse, Imogen Poots and Toni Collette. Music is by Ramin Djawadi and cinematography by Javier Aguirresarobe. Film is a remake of the 1985 film of the same name, also written by Tom Holland, it sees Yelchin as Charley Brewster, a teenager living in a suburb of Las Vegas who finds the new handsome neighbour, Jerry Dandridge (Farrell) is actually a blood sucking vampire. With nobody believing him and the vampire homing in on his mother and girlfriend, Charley turns to enigmatic playboy magician Peter Vincent (Tennant) for help.

    Ah remakes, a word that often spells trouble in film fan circles, especially when populated by the horror faithful. So no surprise, then, that Fright Night has been met with much division whilst hardly making waves at the box office (it made a small profit when various costs were taken off the gross). Yet it did receive some favourable reviews in critic's offices, where like myself they feel that this more than lives up to the original, which was fun and scary but hardly what you call a horror comedy masterpiece. I often have my rose tinted spectacles on for the likes of the 85 Fright Night, but whether we choose to accept it or not, they were real fun films back then, but that was because they were viewed through younger eyes. Now when viewing in the haze of nostalgia, it's not hard to see why some modern film makers feel a remake is possible and can work; Fright Night is one such case.

    This is no masterpiece either, it drags for the first third and the CG malarkey really doesn't offer anything particularly worthy to the film's substance. In fact the transformation sequences are quite frankly weak. You don't have to be a nostalgist to lament the absence of a Bottin or Baker. But for all its little missteps, it still rounds out as great fun and scores high in the last third with the well blended mix of comedy, suspense and terror. The dialogue, too, is very enjoyable, with many lines bringing the chuckles. The casting is very good, particularly with the core three characters of Charley, Jerry and Peter. It's great to see Farrell having such fun, free of emotional character restraints, he just lets rip with a sexy and vengeful performance. Yelchin is just so likable, a rising blockbuster star after turns in Star Trek and Terminator Salvation (he would sadly be killed in a freak accident in 2016), here he crafts top work as Charley shifts from geeky teen into babe magnet bravado. While Tennant slots in and steals the movie with a glorious excess of profanity, sexuality and witticisms that befit the nature of the piece.

    Next up Farrell went serious and threatened to run the wrath of sci-fi fans with his star turn in the Total Recall remake. Here he comes out of this horror remake, like the film in general, with good credit. So those 80s teens like me should shake off the dust and strap themselves in to a seat for this particular ride. It may not surpass the original, but it is every bit its modern equal, and that is something that newcomers to the Fright Night world should hopefully rejoice in. 7/10

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Colin Farrell expressed concern that his character was too much of a sexual predator and suggested script changes. No changes were made.
    • Erros de gravação
      When Charley's mom's minivan was rear-ended after they had stopped, both of the van's front airbags deployed. Airbags are specifically designed NOT to deploy during a rear impact. Furthermore, the people would not be thrown forwards into the airbags, but thrust back into their seats.
    • Citações

      Peter Vincent: Don't do anything I wouldn't do. That doesn't narrow it down. That's like, mini-golf and sushi.

    • Cenas durante ou pós-créditos
      Chris Sarandon is credited as "J.D." These are the initials of Jerry Dandridge, who Sarandon played in A Hora do Espanto (1985).
    • Versões alternativas
      Also shown in 3D version.
    • Conexões
      Featured in Conan: The Decline of Dee Klein (2011)
    • Trilhas sonoras
      Blank Sabbath
      Written by Chris Bemand

      Performed by Brian de Mercia

      Courtesy of Extreme Music

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    Perguntas frequentes27

    • How long is Fright Night?Fornecido pela Alexa
    • What is 'Fright Night' about?
    • Is 'Fright Night' based on a book?
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    Detalhes

    Editar
    • Data de lançamento
      • 7 de outubro de 2011 (Brasil)
    • Países de origem
      • Estados Unidos da América
      • Índia
    • Central de atendimento oficial
      • Official site (Japan)
    • Idiomas
      • Inglês
      • Ucraniano
    • Também conhecido como
      • Noche de miedo
    • Locações de filme
      • North Paseo de Volcan and Unser Blvd NE, Rio Rancho, Novo México, EUA
    • Empresas de produção
      • Dreamworks Pictures
      • Touchstone Pictures
      • Reliance Entertainment
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 30.000.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 18.302.607
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 7.714.388
      • 21 de ago. de 2011
    • Faturamento bruto mundial
      • US$ 41.002.607
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 46 minutos
    • Cor
      • Color
    • Mixagem de som
      • Dolby Digital
      • Datasat
      • SDDS
    • Proporção
      • 1.85 : 1

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